"Rock: Youth and Its Music," Popular Music and Society
IX, #3 (1983): 2-15
"The Amnesty International Concert Tour: Transnationalism
As Cultural Commodity," Public Culture 1, #2 (Spring 1989): 60-65
"Rock: Youth and Its Music," in Timothy E. Scheurer
(ed.), American Popular Music: Readings from the Popular Press (Volume
I: The Nineteenth Century and Tin Pan Alley, Bowling Green, Ohio: Bowling
Green State University Popular Press, 1989, pp.28-40
"The Sociology of Rock: An Undisciplined Discipline,"
Theory, Culture & Society 8, #4(1991): 97-109
"Knockin' the Rock: Popular Music Defined as a Social
Problem," pages 23-34 in Craig Calhoun and George Ritzer (eds.) Perspectives
on Sociology, New York: McGraw-Hill, 1996.
"Rock is Youth/ Youth Is Rock," pages 91-98 in Kenneth
J.Bindas (ed.) America's Musical Pulse: Popular Music in Twentieth-Century
Society, Westport, CT: Greenwood Press, 1992
"Expendable Youth: The Rise and Fall of Youth Culture,"
pages 106-115 in Leonard Cargan and Jeanne Ballantine (eds.), Sociological
Footprints, Sixth Edition, Belmont, CA: Wadsworth Publishers, 1993;
and 1996 revised edition
"Rock Bands: Collective Creativity," pages 205-222 in
Muriel G. Cantor and Cheryl Zollars (eds.) Current Research on Occupations
and Professions, Vol.8 (Creators of Culture: Occupations and Professions
in Culture Industries) Greenwich, CT: JAI Press, 1993
"Rock: Youth and its Music (revised)" pages 3-23 in
Jonathon Epstein (ed.) Adolescents and their Music: If It's Too Loud,
You're Too Old, Hamden, CT: Garland Publishing, 1994
"Expendable Youth: The Rise and Fall of Youth Culture,"
pages 67-85 in Jonathon Epstein (ed.) Adolescents and their Music: If
It's Too Loud, You're Too Old, Hamden, CT: Garland Publishing, 1994
"Ironic Youth: het heroveren van een jeugdcultuur,"
Jeugd en Samenleving [in Dutch], (November 1994): 595-609
"Alternative Youth: The Ironies of Recapturing Youth
Culture," Young: Nordic Journal of Youth Research 3, #1 (February
1995):61-71
"Rock Music- Secularization and its Cancellation," International
Sociology: Journal of the International Sociological Association 10,#2
"The History of Rock's Pasts through Rock Covers," pp.
137-151 in Thomas Swiss, John Sloop and Andrew Herman (eds.), Mapping
the Beat: Popular Music and Contemporary Theory, Malden, MA: Blackwell,
1998
"Art vs. Commerce: Deconstructing a (Useful) Romantic
Illusion," pp.56-69 in Karen Kelly and Evelyn McDonnell (eds.), Stars
Don't Stand Still in the Sky: Music and Myth, New York: New York University
Press, 1999
"Youth," pp.101-110 in Bruce Horner and Thomas Swiss
(eds.), Key Terms in Popular Music and Culture, Malden, MA: Blackwell,
1999
"Progressive Rock As Text: The Lyrics of Roger
Waters," pp.91-109 in Kevin Holm-Hudson (ed.) Progressive Rock Reconsidered,
New York: Routledge, 2001
"Heavy Metal Under Attack: Suicide and Aggression,{reprinted portions of Heavy Metal, 2000}" pp. 52-62 in Anna Tomasino (ed.), Music and Culture, New York: Pearson Longman, 2004
"Creativity and Band Dynamics," pp. 187-199 in Eric Weisbard (ed.) This is Pop, Cambridge: Harvard University Press, 2004
"Rock Critics Need Bad Music," pp. 294-310 in Christopher J. Washburne and Maiken Derno (eds.) Bad Music: The Music We Love to Hate, New York: Routledge, 2004
"All Singers are Dicks," Popular Music and Society 27, #3 (October 2004): 323-334