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Abega, Séverin Cécile. Les Choses de la forêt: Les masques des princes tikar de Nditam. Yaoundé: Presses de l'Université catholique d'Afrique centrale, 2000.
Adama, Hamadou. La mosquée au Cameroun: Espace privée ou espace publique? Yaoundé: CODESRIA, 2008.
Almo. Zamzam le tiers-mondialiste: les Mbènguétaires. Paris: Harmattan, 2010.
Aradeon, Susan B. "Moufou Architecture." African Arts 14, no. 1 (November 1980): pp. 58-60, 88.
Ardener, E. W. Historical Notes on the Scheduled Monuments of West Cameroon, With Notes on Some Unscheduled Sites in the Western Grassfields by E. M. Chilver and P. M. Kaberry. Buea: Government Printer, Ministry of Education and Social Welfare and West Cameroon Antiquities Commission, 1965.
Argenti, Nicolas. "African Aesthetics: Moving to See the Mask." JASO: Journal of the Anthropological Society of Oxford 23, no. 3 (1992): pp. 197-215.
Argenti, Nicolas. "Follow the Wood: Carving and Political Cosmology in Oku, Cameroon," in African Art and Agency in the Workshop edited by Sidney Littlefield Kasfir and Till Förster, pp. 65-90. Bloomington, IN: Indiana University Press, 2013.
Argenti, Nicolas. The Intestines of the State: Youth, Violence, and Belated Histories in the Cameroon Grassfields. Chicago: University of Chicago Press, 2007. [Reviewed online by Scott MacEachern on H-Net, available at http://www.h-net.msu.edu/reviews/showrev.php?id=22978; by Ian Fowler in Reviews in Anthropology 40 (2011): pp. 292-311 and in Journal of the Royal Anthropological Institute 15, no. 2 (2009): pp. 429-430; by Edna G. Bay in African Arts 42, no. 4 (2009): pp. 94-95; by Krijn Peters in Journal of Modern African Studies 47, no. 4 (2009): pp. 630-631; by Tatah Mentan in African Affairs 108, no. 432 (2009): pp. 498-499; by Mattia Fumanti in Anthropological Notebooks 14, no. 3 (2008): pp. 93-95; by Daniel Jordan Smith in African Studies Review 52, no. 1 (2009): pp. 174-176.]
Argenti, Nicolas. Is This How I Looked When I First Got Here: Pottery and Practice in the Cameroon Grassfields. London: British Museum, 1999.
Argenti, Nicolas. "Kesum-body and the places of the gods: the politics of children's masking and second-world realities in Oku (Cameroon)." Journal of the Royal Anthropological Institute 7, no. 1 (2001): p. 67-94.
Argenti, Nicolas. ‘People of the Chisel: Apprenticeship, youth, and elites in Oku (Cameroon).” American Ethnologist 29, no. 3 (Aug. 2002): pp. 497-533.
Arts of Africa from the Hegarty Collection: An Exhibition at the Art Gallery, Harmon Fine Arts Center, Drake University, Des Moines, Iowa, U.S.A., February 18 - March 15, 1990. Des Moines, IA: George Hegarty, 1990.
"Arts of Nigeria and Cameroon" in The Collection of Allan Stone: African, Pre-Columbian and American Indian Art. Vol. 2. New York: Sotheby’s, 2014.
Barley, Nigel. "Designing Women, Cameroon," in Queens, Queen Mothers, Priestesses, and Power: Case Studies in African Gender edited by Flora S. Kaplan, pp. 371-380. New York: New York Academy of Sciences, 1997.
Barley, Nigel. "The Linguistic Image in the Interpretation of African Objects." African Languages and Cultures 1, no. 2 (1988): pp. 93-105.
Barley, Nigel. "Placing the West African Potter," in Earthenware in Asia and Africa: A Colloquium held 21-23 June 1982 edited by John Picton, p. 93-105. London: University of Lond, Percival David Foundation for Chinese Art, 1984.
Barley, Nigel. "The Warp and Woof of Culture." RAIN 59 (Dec. 1983): pp. 7-8.
Barreteau, Daniel, and Michèle Delneuf. "La céramique traditionnelle giziga et mofu (Nord-Cameroun): Etude comparée des techniques, des formes et du vocabulaire," in Relations interethniques et culture materielle dans le bassin du lac Tchad: Actes du IIIème Colloque MEGA-TCHAD, Paris, ORSTOM, 11-12 septembre 1986 edited by Daniel Barreteau and Henry Tourneaux, pp. 121-155. Paris: Editions de l'ORSTOM, 1990.
Barreteau, Daniel, Lilian Sorin-Barreteau with Alioun Bayo Mana. "La poterie chez les Mofu-Gudur: des gestes, des formes et des mots," in Le milieu et les hommes: recherches comparatives et historiques dans le bassin du Lac Tchad: actes de 2ème colloque Méga-Tchad ORSTOM BONDY, le 3 et 4 octobre 1985 edited by Daniel Barreteau and Henri Tourneaux, pp. 287-339. Paris: ORSTOM, 1988.
Barthélémy Toguo: coexistence on the earth. Daegu, Korea: Wooson Gallery, 2013.
Barthélémy Toguo: print shock. Cinisello Balsamo, Milan: Silvana; Gravelines: Museé du dessin et de l'estampe originale de Gravelines, 2013.
Beguin, J. P. L'habitat au Cameroun. Paris: ORSTOM and Union Française, 1952.
Bell, Marilyn Douala Manga. “Continuous Invention: A Duty and a Necessity,” in Condition report: symposium on building art institutions in Africa edited by Koyo Kouoh, pp. 49-52, 132, 135. Ostfildern, Germany: Hatje Cantz; Dakar: Raw Material Company, 2013.
"Bili Bidjocka," in Anthologie de l'art africaine du XXe siècle edited by N'Goné Fall and Jean Loup Pivin, pp. 334-5. Paris: Editions Revue Noire, 2001.
"Bili Bidocka." Revue noire (Paris) 4 (March-April-May 1992): pp. 8-11.
"Bill Akwa Bétotè: 'Corps Instrumental.'" Balafon (Paris) 103 (April-May 1992): p. 14.
Biro, Yaëlle. "The Canon and Its Consequences: The Reception of Bamileke Tsesah Crests." Tribal Art Magazine 22, no. 2 (Spring 2018): pp. 118-131.
Bossan, Enrico. Cameroon: elephants with wings: contemporary artists from Cameroon. Villorba, Italy: Fabrica, 2016.
Bosserdet, Jean. Au palais des sultans à Foumban. Paris: UNESCO, 1985.
Brain, Robert and Adam Pollock. Bangwa Funerary Sculpture. Art and Society Series. London: Duckworth, 1972.
Cameroon Art: Selections from the Collection of Robert Arnett. Kennesaw Mountain, GA: Art Gallery, Kennesaw State College, 1989.
Cameroun art et architecture: 4 novembre 1988 - 13 février 1989. Cahiers de l'ADEIAO 7. Paris: Musée national des arts africains et océaniens, 1988.
Campbell, Kenneth F. "L'agwe, Masque spécifiquement Widekum/Agwe, Unique Mask of the Widekum." Arts d'Afrique noire (Arnouville) 67 (Autumn 1988): pp. 17-27.
Chem-Langhee, Bongfen, et. al. "Nto' Nso' and Its Occupants: Privileged Access and Internal Organisation in the Old and New Palaces." Paideuma (Frankfurt) 31 (1985): pp. 151-81.
Clarke, Christa. "A Personal Journey: Central African Art from the Lawrence Gussman Collection. African Arts 34, no. 1 (Spring 2001): pp. 16-35, 93.
Clarke, Duncan. “Central Africa: Cameroon, Congo,” in African Textiles: The Karun Thakar Collection edited by Karun Thakar, et. al. Munich: Prestel, 2015.
Comeau, Paul-Emile. "Exhibition Review - Studio Cameroon: The Everyday Photography of Jacques Touselle." Global Rhythm 16, no. 2 (2007): p. 48.
Conte, Edouard and Frank Hagenbucher Sacripanti. "Habitation et vie quotidienne chez les Arabes de la rive Sud du lac Tchad." Cahiers ORSTOM, série Sciences Humaines 14, no. 3 (1977): pp. 289-323.
Crozet, J. Etude de la restauration et de la mise en valeur du Palais de Foumban. Paris: UNESCO, 1968.
Curnow, Kathy. "Cameroon grassfields households," in At home in Africa: design, beauty and pleasing irregularity in domestic settings. Cleveland, OH: The Galleries at Cleveland State University, 2014.
Dalby, David. "An Inspired Invention." UNESCO Courier (April 1995): pp. 22-23.
D'Almeida, Fernando. "Le triomphe de la volonté." Bingo Nouveau (Paris) 408, no. 51 (1987).
Damme, Wilfried van. "Beauty in Context (Part 1): Aesthetic Preference and Sociocultural Ideals Among the Baule and Fang," in Beauty in Context: Towards an Anthropological Approach to Aesthetics by Wilfried van Damme, pp. 205-264. Leiden, et. al.: E. J. Brill, 1996. [Review by Ed Carter available online in JASO: Journal of the Anthopological Society of Oxford 29, no. 3 (1998): pp. 273-275.]
David, Nicholas. Metals in Mandara Mountains’ Society and Culture. Trenton: Africa World Press, 2012.
David, Nicholas and Yves Le Bléis. Dokwaza: Last of the African Iron Masters. [videorecording] Calgary: University of Calgary, 1988.
David, Nicholas, Judy Sterner and Kodzo Gavua. "Why Pots are Decorated." Current Anthropology (Chicago) 29, no. 3 (June 1988): pp. 365-89.
de Barros, Philip. “Bassari: A Quantified, Chronologically Controlled, Regional Approach to a Traditional Iron Production Centre in West Africa.” Africa: Journal of the International African Institute 56, no. 2 (1986): pp. 148-174.
de Sabran, Marguerite. "La 'maison du pays': L'exposition du patrimoine dans les musées privés d'Afrique de l'Ouest et du Cameroun." Cahiers d'études africaines 39, no. 155-156 (1991): pp. 885-903.
DeLancey, Mark D. "Between Mosque and Palace: Defining Identity Through Ritual Practice in Ngaoundéré, Cameroon." Cahiers d'études africaines (Paris) 208, no. 4 (2012): pp. 975-998.
DeLancey, Mark D. "Claiming Sovereignty Through Equestrian Spectacle in Northern Cameroon," in Art and Sovereignty in Global Politics edited by Douglas Howland, Elizabeth Lillehoj, and Maximilian Mayer, pp. 197-215. New York: Palgrave Macmillan, 2017.
DeLancey, Mark Dike. "Collecting, Collections, and Cultural Heritage in the Cameroon Grassfields." African Arts 49, no. 2 (2016): pp. 1-4.
DeLancey, Mark D. Conquest and Construction: Palace Architecture in Northern Cameroon. African History 5. Leiden, Netherlands: Brill, 2016.
DeLancey, Mark D. "Localizing Fulbe Architecture." Islamic Africa 5, no. 1 (2014): 43 pp.
DeLancey, Mark D. “Moving East, Facing West: Islam as an Intercultural Mediator in Urban Planning in the Sokoto Caliphate,” in African Urban Spaces in Historical Perspectives edited by Steven J. Salm and Toyin Falola, pp. 3-21. Rochester Studies in African History & the Diaspora 21. Rochester, NY: University of Rochester Press, 2005.
DeLancey, Mark D. "The Origins of the ‘Hausa Dome'." Ngaoundéré-Anthropos (Tromsø) 5 (2000): pp. 71-86.
DeLancey, Mark D. Representing Rulership: Palace Architecture, Spatial Orientation, Ritual Movement, and Secrecy in Northern Cameroon. Ph.D., Harvard U., 2004.
DeLancey, Mark D. "The Spread of the Sooro: Symbols of Power in the Sokoto Caliphate." Journal of the Society of Architectural Historians 71, no. 2 (June 2012): pp. 168-185.
Delange, Jacqueline. "L'art peul." Cahiers d'études africaines (Paris) 4, no. 13, c. 1 (1963): pp. 5-13.
Delange, Jacqueline. "Les Peul," in Arts et peuples de l'Afrique noire: introduction à une analyse des créations plastiques, pp. 101-15. Bibliothèques des sciences humaines. Paris: Libraire Gallimard, 1967.
Delneuf, Michèle. "Histoire du peuplement et cultures materielles: la poterie Giziga du Diamare (nord Cameroun)," in Langues et cultures dans le bassin du lac Tchad: journées d'études les 4 et 5 septembre 1984, ORSTOM (Paris) edited by Daniel Barreteau, pp. 87-104. Paris: ORSTOM, 1987.
Desmottes, Michèle. "Barthélémy Toguo: L'art de cultiver." Magazine: Royal Air Maroc 195 (Jan.-Feb. 2016): pp. 51-54.
Dillon, R.G. "Chiefly Households in Precolonial Meta' Society." Paideuma (Frankfurt) 31 (1985): pp. 3-13.
Diwouta-Kotto, Danièle. Suites architecturales: Kinshasa, Douala, Dakar. Collection d'architectures d'Afrique. Besançon, France: Edition VAA, 2010.
Djache Nzefa, Sylvain, et al. Les civilisations du Cameroun: histoire, art, architecture et sociétés traditionnelles. Dschang, Cameroon: Éditions de la Route des chefferies, 2012.
Dognin, René. Des calebasses et des vaches: notes sure la sémiologie du décor des calebasses peul (Cameroun). Bondy: ORSTOM-Latah, 1987.
Duchâteau, Armand. Afrika Afrique Africa: die Sammlung Stepic. Wien: Brandstätter, 2011.
Dugast, Mme René. "L'habitation chez les Ndiki du Cameroun." Journal de la Société des Africanistes 10 (1940): pp. 99-125.
Dyangani Ose, Elvira. Across the board. London: Tate Modern, 2013.
Dyangani Ose, Elvira. “The poetics of the infra-ordinary: the aesthetic of recognition in contemporary African art,” in Condition report: symposium on building art institutions in Africa edited by Koyo Kouoh pp. 109-118, 132. Ostfildern, Germany: Hatje Cantz; Dakar: Raw Material Company, 2013.
Dziewior, Yilmaz and Okwui Enwezor. Pascale Marthine Tayou: I love you! Bregenz: Kunsthaus Bregenz, 2014.
Edwards, Joanna P. "Art Styles from the Coastal Region or Forestland of Cameroon," in Bibliographic Surveys of African Peoples, vol. 2. pp. 7, 11. Bloomington, IN: Department of Fine Arts, Indiana University, 1981
Elouga, Martin. "Sémiologie des motifs décoratifs de la céramique actuelle d'un groupe bantu du sud-Cameroun: Les Beti de la Lékié." NSI: Bulletin de liason des archéologues du monde bantu (Libreville) 10-11 (1992): pp. 17-24.
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Essomba, Joseph-Marie. L'Art traditionnel au Cameroun: statues et masques. Suresnes (France): Jean Dupuch, 1982.
Etienne-Nugue, Jocelyne. Crafts and the arts of living in the Cameroon. Baton Rouge: Louisiana State University Press, 1982.
Eyoum, Jean-Pierre Félix, et al. Duala und Deutschland: verflochtene Geschichte: die Familie Manga Bell und koloniale Beutekunst: der Tangué der Bele Bele/Douala et l’Allemagne: une histoire croisée: la famille Manga Bell et l’oeuvre d’art colonial pillé : le “Tangué” des Bele Bele. Köln: Schmidt von Schwind, 2011.
Fardon, Richard. “The ethnologist and the missionaries: recording the 1908 Lela in Bali Nyonga,” in Getting Pictures Right: context and interpretation edited by Michael Albrecht. Topics in African studies 3. Köln: Köppe, 2004. [Book reviewed by Adam Joes in Journal of African History 47, no. 1 (2006): pp. 159-160; by David H. Anthony, III in Social Sciences and Missions 23, no. 2 (2010): pp. 307 – 308.]
Fardon, Richard. Fusions: Masquerades and Thought Style East of the Niger-Benue Confluence, West Africa. London: Saffron, 2007.
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Fernàndez, Cristina Enguita. "Managing Ethnicity through the Body: Tattoo and Facial Scarification Ethnography among the Cameroon's Mbororo." Scientific Journal of Humanistic Studies 6, no. 10 (2014): pp. 1-9.
Ferretti, Fred. Afo-a-kom: Sacred Art of Cameroon. New York: Third Press, 1975.
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Fine, Jonathan David MacLachlan. The Throne from the Grassfields: History, Gifts, and Authenticity in the Bamum Kingdom, 1880-1929. Ph.D. dissertation, Princeton University, 2020.
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Forni, Silvia. "Containers of Life: Pottery and Social Relations in the Grassfiels (Cameroon)." African Arts (Los Angeles) 40, no. 1 (Spring 2007): pp. 42-53.
Forni, Silvia. "Masters, Trend-makers, and Producers: The Village of Nsei, Cameroon, as a Multisited Pottery Workshop," in African Art and Agency in the Workshop edited by Sidney Littlefield Kasfir and Till Förster, pp. 91-110. Bloomington, IN: Indiana University Press, 2013.
Forni, Silvia. Il ventre e la pentola: ceramiche, genere e società nei Grassfields del Camerun. Torino: Il Segnalibro Editore, 2007.
Forni, Silvia. "Visual Diplomacy: Art Circulation and Iconoclashes in the Kingdom of Bamum," in The Inbetweenness of Things: Materializing Mediatin and Movement between Worlds edited by Paul Basu, pp. 148-167. London: Bloomsbury, 2017.
Forni, Silvia and Dominique Malaquais. "Village Matters, City Works: Ideas, Technologies, and Dialogues in the Work of Hervé Youmbi." Critical Interventions 12, no. 3 (2018): pp. 294-305.
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Frey, Pierre and Patrick Bouchain. Learning from Vernacular: Towards a New Vernacular Architecture. Arles, France: Actes Sud, 2014.
Fubah, Mathias Alubafi. The art of the Bambui Kingdom (Western Grassfields, Cameroon). Newcastle upon Tyne, England: Cambridge Scholars Publishing, 2014.
Fubah, Mathias Alubafi. "The Changing ‘Life’ of the Buffalo/Cow Horns and New Methods of Adaptation by Carvers/Patrons in the Grassfields, Cameroon." African Studies 73, no. 1 (April 2014): pp. 41-57.
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