A Collection African Studies Bibliographies and Archival Materials

Women and Gender

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• Adam, Maimuna. "Artist's Statement." n.paradoxa: International Feminist Art Journal 31 (2013): p. 56.
• Amoah, Adwoa. "Artist's Statement." n.paradoxa: International Feminist Art Journal 31 (2013): p. 55.
• Arnold, Marion I. Women and Art in South Africa. New York: St. Martin's Press, 1996.
• Aronson, Lisa. "Women in the Arts," in African Women South of the Sahara edited by Margaret Jean Hay and Sharon Stichter, pp. 119-138. London: Longman, 1984.
• Berns, Marla C. "Art, History, and Gender: Women and Clay in West Africa." The African Archaeological Review 11, Special Issue: Papers in Honour of Merrick Posnansky (1993): pp. 129-148.
• Crenn, Julie. "Michèle Magéma: Without Echo, There Is No Meeting." n.paradoxa: International Feminist Art Journal 31 (2013): pp. 15-20.
• El Nossery, Nevine. "Women, art, and revolution in the streets of Egypt," in Women's movements in post-"Arab Spring" North Africa edited by Fatima Sadiqi. Comparative feminist studies series. New York: Palgrave Macmillan, 2016.
• Essamba, Angèle Etoundi. "Artist's Pages." n.paradoxa: International Feminist Art Journal 31 (2013): pp. 42-46.
• Falola, Toyin and Nana Akua Amponsah. "Women and the Arts and Literature," in Women's Roles in Sub-Saharan Africa, pp. 123-151. Women's Roles Through History. Santa Barbara, CA: Greenwood, 2012.
• Farkas, Solange. "From ferramentaria to Trance: Symbolism, Concept and Religiosity in the Work of Eneida Sanches." n.paradoxa: International Feminist Art Journal 31 (2013): pp. 73-77.
• Hassan, Salah M. Gendered Visions: The Art of Contemporary Africana Women Artists. Trenton, NJ: Africa World Press, 1997.
• Idahor, Taiye. "Artist's Statement." n.paradoxa: International Feminist Art Journal 31 (2013): p. 53.
• Jackson, Ayana. "Artist's Pages." n.paradoxa: International Feminist Art Journal 31 (2013): pp. 33-36.
• Jumabhoy, Zehra. "Betwixt and In-Between: Reading Zarina Bhimji." n.paradoxa: International Feminist Art Journal 31 (2013): pp. 88-95.
• Kerman, Monique. "Cut to the Chase: The Work of Mary Evans." n.paradoxa: International Feminist Art Journal 31 (2013): pp. 58-64.
• Lamoni, Giulia. "African Masks, Family Photographs and Open Suitcases: Rosana Paulino, Mónica de Miranda and Maimuna Adam." n.paradoxa: International Feminist Art Journal 31 (2013): Pp. 5-14.
• Layiwola, Peju. "From Footnote to Main Text: Re/Framing Women Artists from Nigeria.â" n.paradoxa: International Feminist Art Journal 31 (2013): pp. 78-87.
• Malinda, Ato. "Artist's Statement." n.paradoxa: International Feminist Art Journal 31 (2013): p. 54.
• Muholi, Zanele. "Artist's Pages." n.paradoxa: International Feminist Art Journal 31 (2013): p. 37.
• Ntombela, Nontobeko. "Silent Toyi-Toyis in the Work of Donna Kukama." n.paradoxa: International Feminist Art Journal 31 (2013): 23-31.

  Oguibe, Olu. "Beyond Visual Pleasures: A Brief Reflection on the Work of Contemporary African Women Artists," in Gendered Visions: The Art of Contemporary Africana Women Artists edited by Salah M. Hassan, pp. 63-72. Trenton, NJ: Africa World Press, 1997.

• Okeke-Agulu, Chika. "Nigerian Women Artists: Amazons of a New Order." Classique (Lagos) (Oct. 5, 1992).
• Ruggles, D. Fairchild. "Visible and Invisible Bodies: The Architectural Patronage of Shajar al-Durr." Muqarnas 32 (2015): pp. 63-77.
• Sibande, Mary. "Artist's Statement." n.paradoxa: International Feminist Art Journal 31 (2013): p. 57.
• Thompson, Cheryl. "Contesting the Aunt Jemima Trademark Through Feminist Art: Why Is She Still Smiling?" n.paradoxa: International Feminist Art Journal 31 (2013): 65-72.
• Triki, Rachida. "Contemporary Women Artists in Tunisia." n.paradoxa: International Feminist Art Journal 31 (2013): pp. 47-52