Colonialism and Art
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- Arrif, Abdelmajid. "Le Paradoxe de la construction du fait patrimoinial en situation coloniale: le cas du Maroc." Revue du monde musulman et de la Méditerranée 73-74 (1994): pp. 153-66.
- Arnaut, Karel. "Art and the African World: A Historical Analysis of Their Interconnection." JASO: Journal of the Anthropological Society of Oxford 22, no. 2 (1991): pp. 151-165.
- Beurden, Sarah Van. "The Value of Culture: Congolese Art and the Promotion of Belgian Colonialism (1945–1959)." History and Anthropology 24, no. 4 (2013): pp. 472-492.
- Bleach, Gordon Phillip. Visions of Access: Africa Bound and Staged, 1880-1940. Ph.D., State University of New York at Binghamton, 2000.
- Buck, Tim. "Imagining Imperial Modernity in British Colonial West Africa: Gerald Spencer Pryse’s Work for the Empire Marketing Board." Art History 38, no. 5 (Nov. 2015): pp. 940-963.
- d'Auria, Viviana. "In the Laboratory and in the Field: Hybrid Housing Design for the African City in Late-Colonial and Decolonising Ghana (1945–57)." The Journal of Architecture 19, no. 3 (May 2014): pp. 329-356
- Eyoum, Jean-Pierre Félix, et al. Duala und Deutschland: verflochtene Geschichte: die Familie Manga Bell und koloniale Beutekunst: der Tangué der Bele Bele/Douala et l’Allemagne: une histoire croisée: la famille Manga Bell et l’oeuvre d’art colonial pillé : le “Tangué” des Bele Bele. Köln: Schmidt von Schwind, 2011.
- Feldman, Hannah From a Nation Torn: Decolonizing Art and Representation in France, 1945–1962. Durham: Duke University Press, 2014. [Reviewed by Claire Wintle in Visual Studies 31, no. 4 (2016): p. 361.]
- Fowler, Amy M. The Visual Rhetoric of Colonization: A Historiography of Representations of the Congo Free State. Ph.D., U. of Kansas, 2005.
- Geary, Christraud M. "Political Dress: German-Style Military Attire and Colonial Politics in Bamum," in African Crossroads: Intersections between History and Anthropology in Cameroon edited by Ian Fowler and David Zeitlyn, pp. 165-192. Cameroon Studies 2. Providence, RI and Oxford: Berghahn, 1996.
- Grisebach, Lucius. Ernst Ludwig Kirchner und die Kunst Kameruns. Zürich: Museum Rietberg, 2008.
- Levin, Jessica Lee. Bieri Remains: Fang Reliquary Art and the Process of Extinction. Ph.D., Harvard U., 2004.
- Malaquais, Dominique. "Building in the Name of God: Architecture, Resistance, and the Christian Faith in the Bamileke Highlands of Western Cameroon." African Studies Review 42, no. 1 (April 1999): pp. 49-78.
- Miller, Peter Benson. Theodore Chasseriau and the French Colonial Project in Algeria. Ph.D., New York University, 2003.
- Roberts, Richard. "Guinée Cloth: Linked Transformations within France's Empire in the Nineteenth Century." Cahiers d'études africaines 32, no. 128 (1992): pp. 597-627.
- Roberts, Richard. Two Worlds of Cotton: Colonialism and the Regional Economy in the French Soudan. Stanford, CA: Stanford University Press, 1996.
- Salanon, René. "Documents d'art nègre." Arts d'Afrique noire 52 (Winter 1984): p. 25-28.
- Shelton, Anthony. "The Chameleon Body: Power, Mutilation and Sexuality," in Fetishism: Visualising Power and Desire edited by Anthony Shelton, pp. 10-51. London: Lund Humphries Publishers, 1995.
- Stevenson, Michael and Michael Graham-Stewart. The Mlungu in Africa: Art from the Colonial Period, 1840-1940.. Cape Town: Michael Stevenson Contemporary, 2003. [Reviewed by Lize Van Robbroech in African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 6-14, 93.
- Sylla, Abdou. "Ethnocide et commerce du nouvel or noir." Ethiopiques (Dakar) 74 (2005): pp. 279-296.
- van de Maele, Jens and Johan Lagae. "'The Congo must have a presence on Belgian soil': The concept of representation in governmental discourses on the architecture of the Ministry of Colonies in Brussels, 1908–1960." The Journal of Architecture 22, no. 7 (Nov. 2017): pp. 1178-1201.