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- Althoff, Gabriele. "Alltag einer Künztlerin: Theresa Musoke." Jambo Umlaut: Zeitschrift für kenianisch deutschen Kulturaustausch (Nairobi) 6 (Aug.-Dec. 1992): pp. 19-20.
- Althoff, Gabriele. "Der Künstler und das Essen: Jak Katarikawe in Deutschland." Jambo Umlaut: Zeitschrift für kenianisch deutschen Kulturaustausch (Nairobi) 6 (Aug.-Dec. 1992): pp. 34-5.
- Bolleter, Julian, et al. "Using suitability analysis, informed by Co-Design, to assess contextually appropriate urban growth models in Gulu, Uganda." Journal of Urban Design 27, no. 2 (2022): pp. 245-269.
- Insoll, Timothy. "Mosque Architecture in Buganda, Uganda." Muqarnas 14 (1997): pp. 179-188.
- "Jak Katarikawe: One Artist, Two Brushes." New Age (Nairobi) 5, no. 1 (Jan.-Feb. 1992): p. 5.
- Jumabhoy, Zehra. “Betwixt and In-Between: Reading Zarina Bhimji.” n.paradoxa: International Feminist Art Journal 31 (2013): pp. 88-95.
- Meinert, Lotte, Rane Willerslev, and Sophie Hooge Seebach. "Cement, Graves, and Pillars in Northern Uganda Land Disputes." African Studies Review 60, no. 3 (Dec. 2017): pp. 37-57.
- Middleton, J. "The Dance Among the Lugbara of Uganda," in Society and Dance: The Social Anthropology of Process and Performance edited by P. Spencer, pp. 165-82. Cambridge, UK: Cambridge University Press, 1985.
- Mushengyezi, Aaron. "Problematizing a ‘fundamentalist’ ideology: A close analysis of Atef Hetata's The Closed Doors and Phil Mullaly's The Martyrs of Uganda." Journal of African Cinemas 1, no. 2 (Dec. 2009): p. 173-187.
- Sanga, Imani. "Antinomies of African aesthetics and the impulses of aesthetic relativism: reading p’Bitek, Abiodun and Agawu." African Identities 15, no. 3 (2017): pp. 310-323.
- Yardeni, Anna. The Drum Does Not Die: A collection of Poems in Praise of Africa. Paintings by Jak Katarikawe. Nairobi: Messiah Press, 1992.