A Collection African Studies Bibliographies and Archival Materials

Senegal

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• Ago, Fabrizio. "Monumenti della valle del fiume Senegal." Rivista dell’ Instituto Italo-Africano 3 (1976): pp. 569-85.
• Ago, Fabrizio. Moschee in adobe: storia e tipologia nell'Africa occidentale. Rome: Edizioni Kappa, 1982.
• Aïdara, Abdoul Hadar. Saint-Louis du Sénégal d'hier à aujourd'hui. Brinon-sur-Sauldre, France: Grandvaux, 2005.
• Aleong, Stanley. Structure Résidentielle des Serer Ndut à Tivigne Tanghor (Sénégal). MA Thesis, Université de Montréal, 1970.
• Appia, Béatrice. "Masques de Guinée française et de Casamance d'après des dessins d'enfants noirs." Journal de la Société des Africanistes 13 (1943): pp. 153-182.
• Becker, Cynthia and Alex Zito. “Yelimane Fall: Senegalese Calligraphy in Action.” African Arts 47, no 2 (Summer 2014): 28-39.
• Bellot, Jean-Pierre. "Dakar dans les prés de Sangalkam: l’influence de Dakar sur la proche campane: cas de la communauté rurale de Sangalkam." La péri-urbanisation dans les pays tropicaux, edited by Pierre Vennetier. Cedex: Centre d’études de géographie tropicale, 1989: pp. 5-76.
• Bernus, Edmond. "Ahouati, notes sur une village Dida." Etudes eburnéennes 6 (1957): pp. 213-229.
• Betts, Raymond F. "Dakar: ville impériale, 1857-1960," in Colonial Cities edited by R.J. Ross and G.J. Telkamp, pp. 193-206. Comparative Studies in Overseas History 5. Dordrecht: Martinus Nijhoff, 1985.
• Betts, Raymond F. "Establishment of the medina in Dakar, Senegal." Africa 42, no. 2 (1971): pp. 143-152.
• Beurnier, Reine. "Artisans et artisanes de Saint-Louis du Sénégal." Outre-Mer: Revue générale de colonisation (Paris) 9, no. 4 (December 1937): pp. 279-300.
• Boulègue, J. "Mosquées de Style Soudanais au Fuuta Tooro." Notes Africaines 134 (136) (1972): PP. 117-9.
• Bourdier, Jean-Paul. "Houses of Light." Mimar 39 (v. 11, no.2) (June 1991): pp. 60-67.
• Bourdier, Jean-Paul. "The Rural Mosques of Futa Toro." African Arts (Los Angelese) 26, no. 3 (July 1993): pp. 32-45, 86.
• Bourdier, Jean-Paul. "Triangles of Light: Tokolor Dwellings." Mimar 43 (June 1992): pp. 68-75.
• Bourdier, Jean-Paul and Trinh T. Minh-ha. Drawn from African Dwellings. Bloomington and Indianapolis, Indiana: Indiana University Press, 1996.
• Canós-Donnay,Sirio. "Fluid Fortresses in Changing States: Tàta in Southern Senegal (13th-19th centuries AD)," in Fortifications in Their Natural and Cultural Landscape: From Organising Space to the Creation of Power edited by Timo Ibsen, et al., pp. 69-82. Bonn: Habelt-Verlag, 2022.
• Cantone, Cleo. Making and Remaking Mosques in Senegal. Islam in Africa 13. Leiden: Brill, 2012. [Reviewed by Mark D. DeLancey in International Journal of Islamic Architecture 2, no. 2 (2013): pp. 406-408.]
• Cantone, Cleo. "A Mosque in a Mosque: Some Observations on the Rue Blanchot Mosque in Dakar & Its Relation to Other Mosques in the Colonial Period." Cahiers d'études africaines (Paris) 46, cah. 182 (2006): pp. 363-387.
• Chenal Jérôme. The West African City: Urban Space and Models of Urban Planning. Lausanne, Switzerland: EPFL Press, 2014.
• Dilley, Roy M. "Dreams, Inspiration and Craftwork among Tukolor Weavers," in Dreaming, Religion, and Society in Africa edited by M. C. Jedrej and Rosalind Shaw. Leiden: E. J. Brill, 1992.
• Dilley, Roy M. "Itinerant Tukolor Weavers: Their Economic Niche and Aspects of Social Identity." Nomadic Peoples 21-22 (Dec. 1986): pp. 117-133.
• Dilley, Roy M. "Tukulor Weavers and the Organisation of Their Craft in Village and Town." Africa 56, no. 2 (1986): pp. 124-47.
• Dilley, Roy. "The Visibility and Invisibility of Production: In Different Social Contexts among Senegalese Craftsmen,"" in Commodification: Things, Agency, and Identities: The Social Life of Things Revisited edited by M. J. van Binsbergen and Peter L. Geschiere, pp. 227-241. Munich: Lit Verlag, 2005.
• Dione, Marème. "Dakar au fil des plans," in Architectures françaises outre-mer: Abidjan, Agadir, Alep, Alger, Bangui, Beyrouth, Brazzaville, Cansadon, Casablanca, Conakry, Dakar, Damas, Hanoi, Libreville, Niamey, Orleansville, Ouagadougou, Riyadh, Tananarive, Tunis, Yaoundé, pp. 220-237. Liège: Mardaga, 1992.
• Diop, M. Adama. "Caractères et signification spatio-temporels du patrimoine bâti lusitain en Sénégambie: XVe-XVIIe siècles." Studia 52 (1994): pp. 25-48.
• Diop, Momar Coumba and Mamadou Diouf. "Pouvoir central et pouvoir local: la crise de l’institution municipale au Sénégal." Pouvoirs et cités d’Afrique noire: décentralisations en questions, edited by Sylvy Jaglin and Alain Dubresson. Paris: Karthala, 1993: pp. 101-25.
• Diop, Samba. "Music and narrative in five films by Ousmane Sembène." Journal of African Cinemas 1, no. 2 (Dec. 2009): pp. 207-223.
• Diouf, Coumba Ndoffène. "A propos du plan de réorganisation des reserves du Musée d'art africain de l'IFAN, Dakar." West African Museums Project Bulletin (Dakar) 3 (1992): pp. 26-31.
• Diouf, Mamadou. "Fresque murales et écriture de l'histoire: Le Sét Sétal à Dakar." Politique africaine (Paris) 46 (1992): pp. 41-54.
• Diouf, Mamadou. "Islam: Peinture sous verre et idéologie populaire," in Art pictural zaïrois edited by Bogumil Jewsiewicki, pp. 29-40. Sillery, Quebec: Septentrion, 1992.
• Diwouta-Kotto, Danièle. Suites architecturales: Kinshasa, Douala, Dakar. Collection d'architectures d'Afrique. Besançon, France: Edition VAA, 2010.
• Dujarric, Patrick. Maisons sénégalaises: habitat rural, 1. Human settlements and socio-cultural environment 34. Paris: UNESCO, 1986.
• Dujarric, Patrick. "Redécouvrir l'architecture traditionnelle africaine." Museum 36, no. 4 (1984): pp. 203-207.
• "Fashion-Design/Mode-Design." Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 32-33.
• Fillitz, Thomas. "The Biennial of Dakar and South-South Circulations." Artl@s Bulletin 5, no. 2 (Fall 2016): pp. 57-69.
• Fleury, Marie-France. "Un Village Diakhanké du Sénégal Oriental: Missirah." Les Cahiers d’Outre-Mer 37, no. 145 (1984): pp. 63-86.
• Fofana, Amadou T. The Films of Ousmane Sembene: Discourse, Politics, and Aesthetics. Ph.D., University of Wisconsin - Madison, 2005.
• Fouchier, Daniele. "Le déclin social du forgeron diallonké au Sénégal oriental." Journal des africanistes 53, no. 53/1-2 (1983): pp. 185-196 .
• Galaup, Alain. "Les villages-centres du Sénégal." Les cahiers d’Outre-Mer 44, no.174 (1991): pp. 187-206.
• Garenne-Marot, Lawrence. "Organization of Metalworking Societies in 'Medieval' West Africa: The Smith of Sintiou Bara (Senegal),” in Aspects of African Archaeology: Papers From the 10th Congress of the Panafrican Association for Prehistory and Related Studies edited by Gilbert Pwiti and Robert Soper, pp. 523-532. Harare: University of Zimbabwe Publications, 1996.
• Garenne-Marot, Lawrence, Michael L. Wayman, and Vincent C. Pigott. "Early Copper and Brass in Senegal," in Society, Culture, and Technology in Africa edited by S. Terry Childs, pp. 45-62. MASCA Research Papers in Science and Technology, Supplement to Vol. 11. Philadelphia: MASCA, University of Pennsylvania Museum of Archaeology and Antrhopology, 1994.
• Gaye, Malick, et al. Enjeux et défis: appui à l’assainissement semi-collectif des quartiers défavorisés de 9 villes d’Afrique francophone: retour d’expériences. Dakar: ENDA, 2013.
• Gessain, Monique. Environnement Végétal et Anthropologie Écologique des Bassari du Sénégal Oriental: Evolution du Village d’Etyolo Depuis 1900. Ph.D. Thesis, Université Pierre et Marie Curie, 1975.
• Gessain, Monique. "Un Village de la Savane Sud-Soudanienne Etyolo en Pays Bassari." Documents du Centre Recherches Anthropologiques du Musée de l’Homme 4 (1981).
• Girard, Jean. L’or du Bambouk: Une dynamique de civilisation ouest-africaine: Du royaume de Gabou à la Casamance. Genève: Georg Editeur, 1992. [Reviewed by Andrew F. Clark in Journal of African History (Cambridge) 35, no. 2 (1994): pp. 309-310.]
• "Glass Paintings from Senegal," in Elephant: The Animal and Its Ivory in African Culture edited by Doran H. Ross, pp. 78-79. Los Angeles: Fowler Museum of Cultural History, University of California, Los Angeles, 1992.
• Gumpert, Anita. "Howard Opper on 'The Beads of Diakité.'" Bead Society of Greater Washington Newsletter (Washington, DC) 9, no. 2 (April-June 1992): pp. 5-6.
• Haardt, Caroline. "Gorée, Island of Slaves." UNESCO Courier (Paris) (October 1992): pp. 48-50.
• Hamès, Constant and Alain Epelboin. "Trois vêtements talismaniques provenant de Sénégal (décharge de Dakar-Pikine)." Bulletin d'études orientales (Damascus) 44 (1992): pp. 217-241.
• Harney, Elizabeth. In Senghor's Shadow: Art, Politics, and the Avant-Garde in Senegal, 1960-1995. Objects/Histories: Critical Perspectives on Art, Material Culture, and Representation. Durham, NC: Duke University Press, 2004. [Reviewed by Ginette Curry in African Studies Review (New Brunswick) 48, no. 3 (Dec. 2005): pp. 198-199; Mark D. DeLancey in The International Journal of African Historical Studies (Boston) 38, no. 3 (2005): pp. 569-571; online by John Peffer on H-Net, available at http://www.h-net.org/reviews/showrev.cgi?path=302031160692984.]
• Heath, Deborah. "Fashion and Anti-Fashion, and Heteroglossia in Urban Senegal." American Ethnologist (Washington, DC) 19, no. 1 (Feb. 1992): pp. 19-33.
• Hinchman, Mark Alan. African Rococo: House and Portrait in Eighteenth-Century Senegal. Ph.D., University of Chicago, 2000.
• Hinchman, Mark Alan. "House and Household on Gorée, Senegal, 1758-1837." Journal of the Society of Architectural Historians (Chicago) 65, no. 2 (June 2006): pp. 166-187.
• Hinchman, Mark Alan. Portrait of an Island: The Architecture and Material Culture of Gorée, Sénégal, 1758–1837. Lincoln, NE: University of Nebraska Press, 2015. [Reviewed by Dwight Carey in Journal of the Society of Architectural Historians 76, no. 3 (Sept. 2017): pp. 387-389.]
• "Iba N'Diaye: Musée Dynamique, Dakar 1977." African Arts (Los Angeles) 10, no. 3 (1977): pp. 72-73.
• Johnson, M.A. "The French Impact upon African Art: The Case of Senegalese Goldsmiths," in Double Impact: France and Africa in the Age of Imperialism edited by G.W. Johnson, pp. 259-79. Contributions in Comparative Colonial Studies 16. Westport, CT: Greenwood Press, 1985.
• Joire, J. "Découvertes archéologiques dans la région de Rao (Bas Sénégal)." Bulletin d'IFAN, Séries B, 17, no. 3-4 (1955).
• Katchka, Kinsey. "Exhibiting 'the Popular': Urban Cultures and Globalism in Postcolonial West Africa." JASO: Journal of the Anthopological Society of Oxford 31, no. 3 (2000): pp. 329-343.
• Katchka, Kinsey. Putting Art in Place: Exhibiting Community and Cultural Policy in Twentieth Century Senegal. Ph.D., Indiana University, 2002.
• Kennedy, Jean. "Artists of the Image and Loom: Sénégal," in New Currents, Ancient Rivers: Contemporary African Artists in a Generation of Change, pp. 97-107. Washington, DC: Smithsonian Institution Press, 1992.
• Lebeuf, Jean-Paul. "Quelques types de poulaillers africains." Journal de la Société des Africanistes 12 (1942): pp. 33-47.
• Leblanc, Colette. "Un Village de la Vallée du Sénégal: Amadi-Ounare." Les Cahiers d’Outre-Mer 66 (1964): pp. 117-48.
• Leering, Carola. "Fodé Camara: 'Je suis un Africain qui peint, ce qui est différent à un peintre Africain," in De receptie van Afrikaanse kunst, pp. 18-22. Amsterdam: Stichting Kunstilicht, 1992.
• Lifszyc, Deborah. "L'Institut d'Afrique à Dakar et les recherches sahariennes.Journal de la Société des Africanistes 7, no. 2 (1937): pp. 233-235.
• Mark, Peter. The Wild Bull and the Sacred Forest: Form, Meaning, and Change in Senegambian Initiation Masks. Cambridge: Cambridge University Press, 1992. [Reviewed by Monni Adams in International Journal of African Historical Studies (Boston) 26, no. 2 (1992): pp. 407-409; Thomas O. Beidelman in Anthropos (Fribourg) 88, no. 1-3 (1992): pp. 261-262; Lisa Aronson in African Studies Review (Atlanta) 36, no. 3 (Dec. 1993): pp. 148-151; Josette Rivallain in Journal des Africanistes (Paris) 63, no. 2 (1992): pp. 128-130; Michael C. Lambert in Museum Anthropology (Arlington) 18, no. 2 (June 1994): pp. 61-62.]
• Martin, V. and ?. Becker. "Sites protohistoriques de la Sénégambie," in Atlas National du Sénégal, pp. 48-51. Paris: I.G.N., 1977. [Reviewed by Cyr. Descamps, review available online in Journal des africanistes 50, no. 50/1 (1980): pp. 161-163.]
• "Matar." Revue noire (Paris) 4 (March-April-May 1992): pp. 12-15.
• McIntosh, Susan Keech, Roderick J. McIntosh, and Hamady Bocoum. "The Middle Senegal Valley Project: preliminary Results from the 1990-1991 Field Season." Nyame Akuma (Duluth) 38 (December 1992): pp. 47-61.
• Moderne Kunst aus dem Senegal: Städtische Galerie Wendlingen am Neckar, 3 November - 6 Dezember 1987. Stuttgart: Künstlerbund Baden-Wurttemberg, 1987.
• Mushengyezi, Aaron. "Reimaging Gender and African Tradition? Ousmane Sembène's 'Xala' Revisited." Africa Today (Bloomington) 51, no. 1 (2004): pp. 47-62.
• Niane, Idy Carras, Vieux Savané and Boubacar Boris Diop. Sét Sétal: La seconde génération des barricades. Dakar: Sud éditions-Collection Ruptures, 1991.
• "Panorama: Peintres, sculpteurs - painters, sculptors, Dakar, Sénégal." Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 17-25.
• Petty, Sheila. "The rise of the African musical: postcolonial disjunction in Karmen Geï and Madame Brouette." Journal of African Cinemas 1, no. 1 (Oct. 2009): pp. 95-111.
• Pfaff, F. The cinema of Ousmane Sembene, A Pioneer of African Film. Contributions in Afro-American and African Studies 79. Westport, CT: Greenwood Press, 1984.
• Pivin, Jean Loup. “El Hadji Sy.” Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 10-12.
• Pivin, Jean Loup. “Joe Ouakam: Art as a Path to Knowledge/L'art comme voie de connaissance.” Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 7-9.
• Pivin, Jean Loup. “Kan-Si.” Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): p. 23.
• Pivin, Jean Loup. “Sét Sétal: The Story of the Word that Kills/Histoire d'une parole qui tue.” Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 4-6.
• Pivin, Jean Loup and Issa Samb. “Mor Faye.” Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 4-6.
• Roberts, Allen F. "Icons from the end of days: Visual hagiography among Layennes of Senegal." World Art 3, no. 2 (2013): pp. 235-258.
• Roberts, Allen F. and Mary Nooter Roberts. "Papisto Boy' (Portfolio)." African Arts (Los Angeles) 33, no. 2 (Summer 2000): pp. 72-79, 92.
• Roberts, Allen F. and Mary Nooter Roberts. A Saint in the City: Sufi Arts of Urban Senegal. Los Angeles, CA: UCLA Fowler Museum of Cultural History, 2003.
• Rosen, Miriam. Albert Benamou présente Asse: Peintures: Découvertes, Grand Palais, 1992, 14-23 février. Paris: A. B. Galleries, 1992.
• Rosen, Miriam. "Asse." Artforum (New York) 30, no. 6 (Feb. 1992): p. 108.
• Shaw, Thomas M. Irony and Illusion in the Architecture of Imperial Dakar. Lewiston, NY: Edwin Mellen Press, 2006.
• Sinou, Alain. "Saint-Louis du Senegal au debut du XIXe siecle: du comptoir a la ville." Cahiers d'etudes africaines 29, no.115-116 (1989): pp. 377-395.
• Nzewi, Ugochukwu-Smooth C. "The Contemporary Present and Modernist Past in Postcolonial African Art." World Art 3, no. 2 (2013): pp. 211-234.
• Sy, Serigne Babacar. "Serigne Mbaye Camara." Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 13-15.
• Thiam, Mandiomé. La céramique au Sénégal: archéologie et histoire. Ph.D., Université de Paris I, Panthéon-Sorbonne, 1991.
• Thilmans, G., C. Descamps, and ?. Khayat. Protohistoire du Sénégal: Recherches archéologiques Vol. I. Les sites mégalithiques. Mémoires de l'IFAN 91. Dakar: IFAN, 1980. [Reviewed by Raymond Mauny, review available online in Journal des africanistes 50, no. 50/1 (1980): p. 167.]
• Vajda, Georges. "Contribution à la connaissance de la littérature arabe en Afrique Occidentale." Journal de la Société des Africanistes 20, no. 2 (1950): pp. 229-237.
• Yacouba, Jacob. "Renouveau de la peinture sénégalaise." Balafon 80 (1987): p. 50.
• 'Yala yana': Kunst der Gegenwart aus dem Senegal. Stuttgart: Institut für Auslandsbeziehungen, 1991.