A Collection African Studies Bibliographies and Archival Materials

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• Abba, Shettima B. “Borno Towns and Their Gates.” Borno Museum Society Newsletter (Maiduguri) 11-12 (April/May/June-July/Aug./Sept. 1992): pp. 15-24.
• Abbott, Nabia. "Maghribi Koran Manuscripts of the Seventeenth to the Eighteenth Centuries." The American Journal of Semitic Languages and Literatures 55, no. 1 (Jan. 1938): pp. 61-65.
• Abejide, E. Ola. "Gourds and Calabash-Carving Technology in Oyo." Nigerian Heritage: Journal of the National Commission for Museums and Monuments (Lagos) 1 (1992): pp. 38-48.
• Abimbola, Wande. "Lagbayi: The Itinerant Wood Carver of Ojowon," in The Yoruba Artist: New Theoretical Perspectives on African Arts edited by Abiodun, Rowland, Henry John Drewal, and John Pemberton III, pp. 137-142. Washington, DC: Smithsonian Institution Press, 1994.
• Abiodun, Rowland. Yoruba Art and Language: Seeking the African in African Art. New York: Cambridge University Press, 2014. [Reviewed by Tejumola Olaniyan, Akinwumi Ogundiran, Grey Gundaker, and Adeleke Adeeko with a response by Rowland Abiodun in African Studies Review 58, no. 3 (Dec. 2015): pp. 215-223; by Albert Mosley in Journal on African Philosophy 13 (2016).]
• Abiodun, Rowland. "Verbal and Visual Metaphors: Mythical Allusions in Yoruba Ritualistic Art at Ori."Word and Image (London) 3, no. 3 (1987): pp. 252-70.
• Abiodun, Rowland, Henry John Drewal, and John Pemberton III, eds.The Yoruba Artist: New Theoretical Perspectives on African Arts. Washington, DC: Smithsonian Institution Press, 1994.
• Abiodun, Rowland, Ulli Beier, and John Pemberton. Cloth Only Wears to Shreds: Yoruba Textiles and Photographs from the Ulli Beier Collection. Amherst, MA: Mead Art Museum, Amherst College, 2004. [Reviewed by Lisa Aronson in African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 91-92.]
• Abubakar, Nurudeen. "Metallurgy in Northern Nigeria: Zamfara Metal Industry in the 19th Century," in Science and Technology in African History with Case Studies from Nigeria, Sierra Leone, Zimbabwe, and Zambia edited by Gloria Thomas-Emeagwali, pp. 55-77. Lewiston: E. Mellen Press, 1992.
• Abumere, S.I. "Categorization of Nigerian Towns." The Nigerian Journal of Economic and Social Studies 37, no.1 (1995): pp. 63-74.
• Achi, Bala. "Architecture as an Expression of Power: Palaces and Fortifications of Precolonial Nigeria." Unpublished Paper for the 39th/40th Congress of the Historical Society of Nigeria, Dept. of History, University of Ilorin, Ilorin, 1995.
• Adams, Monni. The Aesthetics of Power: Gelede Festival of the Western Yoruba. Bunting Institute Working Paper. Cambridge, MA: Mary Ingraham Bunting Institute of Radcliffe College, 1984.
• Adebayo, A. G. "The Production and Export of Hides and Skins in Colonial Northern Nigeria." Journal of African History (Cambridge) 33, no. 2 (1992): pp. 273-300.
• Adedibu, A.A. "Socio-Economic Areas and Associated Housing Types in Ilorin, Nigeria." African Urban Quarterly 4, no.1-2 (1989): pp. 105-14.
• Adegborioye, Kunle. From a Distance: An Exhibition of Paintings (Battersea District Library, London, July 21-August 1, 1992). London: Ranelagh Press, 1992.
• Adejunmobi, Moradewun. "Neoliberal Rationalities in Old and New Nollywood." African Studies Review 58, no. 3 (Dec. 2015): pp. 31-53.
• Adelamo, A. "The Kainji Dam." Nigeria Magazine 99 (1968).
• Adenaike, Tayo. Tayo Adenaike: Solem Notes in 30 Watercolors. New Orleans: Tayo Adenaike, 1992.
• Adeoti, Gbemisola. "Home video films and the democratic imperative in contemporary Nigeria." Journal of African Cinemas 1, no. 1 (Oct. 2009): pp. 35-55.
• Adepegba, Cornelius Oyeleke. Decorative arts of the Fulani nomads. Ibadan: Ibadan University Press, 1986.
• Adepegba, Cornelius Oyeleke. "The Essence and Art of Yoruba Sanctuary Pottery." Orita 16, no. 2 (1984): pp. 71-86.
• Adepegba, Cornelius Oyeleke. "Ona: The Concept of Art among the Yoruba," in Yoruba Culture, pp. 1-6. Ibadan: Nigerian Field Society, Ibadan Branch, 1992.
• Adepegba, Cornelius Oyeleke. "The Present Knowledge of and Explanations on Some Possible Discouraging Issues Researching into the Art of the Fulani Especially of Nigeria." Unpublished Paper for the Conference on Fulani Studies Oranized by the Centre for the Study of Nigerian Languages, Ado Bayere College, Kano, June 24-26, 1977.
• Adesanya, Aderonke Adesola. “A Semiotics of Clothing Insignia of Indigenous Secret Societies Among the Ijebu Yoruba,” in Yoruba Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams, pp. 23-48. Ibadan: BookBuilders, 2005.
• Adiele, Joyce. "Why Nigerian Women Love Jewelry." NCAC News (Lagos) 1, no. 4 (March 1992): p. 4.
• Adjaye, Kwamena Essifile. "Art as Culture." West Africa (London) 3918 (Oct. 19-25, 1992): p. 1800.
• Afuba, Chris. Tangled, the Dirge of Depleted Woods: Wood and Metal Sculpture: NDF, Lekki Conservation Centre, Lagos. Lagos: British Council and the Nigerian Conservation Society, 1992.
• Agada, Ladi. "Visitors of Borno State Museum." Borno Museum Society Newsletter (Maiduguri) 3-4 (April- May-June 1990): pp. 5-10.
• Agbaje-Williams, Babatunde. “Clothed Ritual Trees: An Insight into Yoruba Religious Thoughts,” in Yoruba Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams, pp. 157-187. Ibadan: BookBuilders, 2005.
• Agbaje-Williams, Babatunde and Akinwumi Ogundiran. Cultural Resources in Ijesaland, Western Nigeria. Ilesa: Ijesa Cultural Foundation, 1992.
• Agboeze, Amaechi and Charlie Nwekeaku. "'Rebels' Who Echo Their Minds." Newswave (Enugu) (April 1, 1991): pp. 20-21.
• Agbola, Tunde. "The Housing Construction Process in Nigeria and Its Implication for Urban Growth and Development." African Urban Quarterly 2, no.4 (1987): pp. 398-406.
• Agbola, T. "Kaduna." Cities 3, no. 4 (1986): pp. 282-9.
• Ahmed, Bello Nuhu. Kano Emirate Palaces: An Architectural and Historical Study. BSc Thesis, Architecture, Ahmadu Bello University, Zaria, 1988.
• Ahmed, U. B. "A Taxonomy of Hausa Drama." Nigeria Magazine 53, no. 1 (1985): pp. 19-32.
• Ajayi, Wale. Color Waves: An Exhbition of Paintings and Drawings. Lagos: National Commission for Museums and Monuments, 1992.
• AKA '92: Annual Art Exhibition. Enugu: AKA Circle of Exhibiting Artists, 1992.
• Akakpo, Barbara. "Exhibition by Ademola Akintola." West Africa (London) 3885 (March 2-March 8, 1992): p. 393.
• Akenzua, Edun. "The Oba's Palace in Benin." Nigeria Magazine 87 (1965): pp. 244-251.
• Akinsemoyin, Kunle and Alan Vaughan-Richards. Building Lagos. Jersey: Pengrail, 1977.
• Akinwumi, Tunde M. "Diffusion of Upo Funerary and Egungun Textiles in the Niger-Benue Confluence Area." Lagos Historical Review (Lagos) 7 (2007): pp. 134-159.
• Akinwumi, Tunde M. “‘Ero’: A Celebration of Eldership in the Indigo Cloths of Owo,” in Yoruba Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams, pp. 49-70. Ibadan: BookBuilders, 2005.
• Akolo, Jimo. National Council for Arts and Culture Presents an Exhibition of Paintings and Drawings by Prof. Jimo Akolo from 1st August, '92 at the National Gallery of Crafts and Design...Lagos. Lagos: National Council for Arts and Culture, 1992.
• Alamu, Akin. From Dreamland: Exhibition 1992. Lagos: Russian Cultural Centre, 1992.
• Albert, Isaac O. "Ethnic Residential Segregation in Kano, Nigeria and its Antecedents." African Study Monographs 17, no.2 (1996): pp. 85-100.
• Aliyu, Hassan, Chike Azuonye, and Jon Churchill. Hassan Aliyu, Chike Azuonye, Jon Churchill. London: 198 Gallery, 1992.
• Alonge, Moji D. "the Progress of the Conservation of Historic Architecture in Lagos, Nigeria: A Critical Observation." Open House International (Newcastle-upon-Tyne) 17, no. 3-4 (1992): pp. 41-45.
• Andah, Bassey W. "Building Technology," in Nigeria's Indigenous Technology, pp. 55-70. Ibadan: Ibadan University Press, 1992.
• Andah, Bassey W. "Dress Technology," in Nigeria's Indigenous Technology, pp. 88-102. Ibadan: Ibadan University Press, 1992.
• Andah, Bassey W. "Extraction and Mining Technology," in Nigeria's Indigenous Technology, pp. 71-88. Ibadan: Ibadan University Press, 1992.
• Andah, Bassey W. "Transport and Communication," in Nigeria's Indigenous Technology, pp. 103-117. Ibadan: Ibadan University Press, 1992.
• Anikulapo, Jahman. "In the Deep Waters at Didi." Guardian (Lagos) (Sept. 26, 1992): p. 19.
• Anozie, Frederick Nkwankwo. "Rock Art in Nigeria," in L'arte e l'ambiente del Sahara preistorico: dati e interpretazioni edited by Giulio Calegari, pp. 61-62. Memorie della Società Italiana di Scienze Naturali e del Museo Civico di Storia Naturale di Milano 26, Fasc. 2. Milan: Società Italiana di Scienze Naturali e del Museo Civico di Storia Naturale di Milano, 1993.
• Apter, Andrew Herman. Black Critics and Kings: The Hermeneutics of Power in Yoruba Society. Chicago: University of Chicago Press, 1992.
• Aradeon, David. "Space and House Form: Teaching Cultural Significance to Nigerian Students." Journal of Architectural Education 35, no.1 (Fall 1981): pp. 25-7.
• Aradeon, David. "The Unmaking of Tradition." Glendora Review (Lagos) 1, no. 3 (1996): pp. 72-85.
• Aradeon, Susan B. "Maximizing Mud: Lofty Reinforced-Mud Domes Built with the Assistance of Supernatural Powers in Hausaland." Paideuma 37 (1991): pp. 205-21.
• Aremu, P. S. O. “Socio-religious Realities of Yoruba Egungun Costumes,” in Yoruba Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams, pp. 89-114. Ibadan: BookBuilders, 2005.
• Aremu, P. S. O. "Textile-like Patterns on Yoruba Carvings." Nigerian Field (Ibadan) 47 (1982): pp. 18-22.
• Aremu, P. S. O. "Textile-like Patterns on Yoruba Carvings," in Yoruba Culture, pp. 22-26. Ibadan: Nigerian Field Society, Ibadan Branch, 1992.
• Aremu, P. S. O. "Yoruba adire-eleko fabrics." Nigerian Field (Ibadan) 44 (1979): pp. 98-106.
• Aremu, P. S. O. "Yoruba adire-eleko fabrics," in Yoruba Culture, pp. 7-15. Ibadan: Nigerian Field Society, Ibadan Branch, 1992.
• Aronson, Lisa. "Ijebu Yoruba Aso Olona: A Contextual and Historical Overview." African Arts (Los Angeles) 25, no. 3 (July 1992): pp. 52-63, 101-2.
• Arowojolu, Ayo. "National Museum in 'Distress.'" Daily Champion (Lagos) (April 1, 1992): p. 17.
• Art royal du Bénin/Royal Art of Benin. Art Tribal/Tribal Art, Special Issue. Geneva: Barbier-Mueller, 1992. [Reviewed in Arts d'Afrique noire (Arnouville) 83 (Autumn 1992): p. 61.]
• The Artist Now: 26th Sept.-9th Oct., 1992. Lagos: SNA/Baffles Art Gallery, 1992.
• Arts of Africa from the Hegarty Collection: An Exhibition at the Art Gallery, Harmon Fine Arts Center, Drake University, Des Moines, Iowa, U.S.A., February 18 - March 15, 1990. Des Moines, IA: George Hegarty, 1990.
• "Arts of Nigeria and Cameroon" in The Collection of Allan Stone: African, Pre-Columbian and American Indian Art. Vol. 2. New York: Sotheby’s, 2014.
• Asakitikpi, Aretha Oluwakemi. “Owo Women’s Religious Textiles,” in Yoruba Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams, pp. 71-88. Ibadan: BookBuilders, 2005.
• Asakitikpi, Aretha Oluwakemi. "The Rise and Fall of Broadloom Weaving Among the Yoruba: An Historical Overview." Research Review (Legon) 22, n.s., no. 1 (2006): pp. 73-81.
• Asedegbega, Augustine. Harvest of Unity: An Exhibition of Paintings and Sculptures. Lagos: Akin Ogunlesi, 1991.
• Audu, Isa. Tsinza: A Monograph of the Bura Xylophone. Final Year Essay, Dept. of Creative Arts, University of Maiduguri, 1990.
• "The Avant Garde Gallery." Eye: A Juornal of Contemporary Art (Zaria) 1, no. 1 (Dec. 1992): pp. 40-42.
• Ayorinde, Steve. "Ajaero, Jimi King in Los Angeles Art Connection." Guardian (Lagos) May 23, 1992.
• Babalola, Daniel Ola. "Chairpersons of the Department of Fine Arts, Ahmadu Bello University, Zaria, 1955-1992." Art History Newsletter (Zaria) 2, no. 1 (Dec. 1992): pp. 1-2.
• Babalola, Daniel Ola. "Research in Art History." Art History Newsletter (Zaria) 2, no. 1 (Dec. 1992): pp. 3-4.
• Babayemi, Solomon Oyewole. "The Oba (Traditional Ruler) as Patronof Arts and Crafts in Yorubaland." African Notes (Ibadan) 16, no. 1-2 (1992): pp. 1-5.
• Babyemi, Solomon Oyewole. "Oyo Palace Organization: past and Present." African Notes 10, no. 1 (1986): pp. 4-22.
• Babyemi, Solomon Oyewole. "The Role of Oriki Orile and Itan in the Reconstruction of the Architectural History of the Palace of Gbongan," in The Yoruba Artist: New Theoretical Perspectives on African Arts edited by Abiodun, Rowland, Henry John Drewal, and John Pemberton III, pp. 143-149. Washington, DC: Smithsonian Institution Press, 1994.
• Balogun, Sola. "African Culture Shines on Ekefrey's Pallete." Guardian (Lagos) (Jan. 16, 1993): p. 16.
• Barberopoulos, Irene. "Traditional Granaries in Nigeria." Nigerian Field 56, no.1-2 (Jan.-June 1990): pp. 47-49.
• Barbour, Jane et D. Simmonds, eds. Adire cloth in Nigeria: The Preparation and Dyeing of Indigo Patterned Cloths among the Yoruba. Ibadan: Institute of African Studies, Unversity of Ibadan, 1971. [Review by Geneviève Calame-Griaule available in Journal de la Société des Africanistes 41, no. 2 (1971): p. 267.]
• Barclays Young Artist Award, 1992. London: Serpentine Gallery, 1992.
• Barkindo, Bawuro M. "The Gates of Kano City: A Historical Survey." Studies in the History of Kano, edited by B.M. Barkindo, pp. 1-30. Ibadan: Heinemann Educational Books (Nig.), 1983.
• Barley, Nigel. Foreheads of the Dead: An Anthropological View of Kalabari Ancestral Screens. Washington, D. C. and London: Published for the National Museum of African Art by the Smithsonian Institution Press, 1988.
• Bassani, Ezio. "The Ulm Opon Ifa (ca. 1650): A Model for Later Iconography," in The Yoruba Artist: New Theoretical Perspectives on African Arts edited by Abiodun, Rowland, Henry John Drewal, and John Pemberton III, pp. 79-89. Washington, DC: Smithsonian Institution Press, 1994.
• Bassing, Allen. "Masques ancestraux chez les Idoma." Arts d'Afrique noire 5 (Spring 1973): pp. 6-11.
• Bedaux, Rogier M. A. and Jan Smits. "A Seventeenth-Century Ivory Figure in the Rijksmuseum voor Volkerkunde in Leiden." African Arts (Los Angeles) 25, no. 1 (Jan. 1992): pp. 76-77, 100.
• Beier, Ulli. Art in Nigeria: 1960. Cambridge (UK): Cambridge University Press in Coordination with the Information Division, Ministry of Home Affairs, Ibadan, Nigeria, 1960.
• Beier, Ulli. "The Palace of the Ogogas in Ikerre." Nigeria Magazine 44 (1954): pp. 303-314.
• Beier, Ulli. "Sacred Yoruba Architecture." Nigeria Magazine 64 (1960).
• Bello, Sule, ed. The National Creativity Fair: NAFEST '90: A Collection of Speeches, Reports, Comments & Reviews. Lagos: NCAC Publications, 1992.
• Ben-Amos, Paula Girshick. Art, Innovation, and Politics in Eighteenth-Century Benin. Bloomington, IN: Indiana University Press, 1999.
• Ben-Amos, Paula Girshick. The Art of Benin. Revised Edition. Washington, D.C.: Smithsonian Institution Press, 1995.
• Ben-Amos, Paula Girshick. "Artistic Creativity in Benin Kingdom." African Arts 19, no. 3 (1986): pp. 60-3.
• Ben-Amos, Paula Girshick. "'Brass Never Rusts, Lead Never Rots': Brass and Brasscasting in the Edo Kingdom of Benin," in Material Differences: Art and Identity in Africa edited by Frank Herreman, pp. 103-111. New York: Museum of African Art, 2003.
• Ben-Amos, Paula Girshick. "Sculptures et bronzes sont nos photographies d'antan." Arts d'Afrique noire 80 (Winter 1991): pp. 29-42.
• Berns, Marla C. "Art, History, and Gender: Women and Clay in West Africa." The African Archaeological Review 11, Special Issue: Papers in Honour of Merrick Posnansky (1993): pp. 129-148.
• Berzock, Kathleen Bickford. Benin: Royal Arts of a West African Kingdom. Chicago: The Art Institute of Chicago, 2008.
• Bityong, Y. I. "Culture Nok, Nigeria," in Vallées du Niger, pp. 393-415. Paris: Editions de la Réunion des musées nationaux, 1993.
• Bivar, A. D. H. "The Arabic Calligraphy of West Africa." African Language Review 7 (1968): pp. 3-15.
• Bivar, A. D. H. "Arabic Documents of Northern Nigeria." Bulletin of the School of Oriental and African Studies 22, no. 1-3 (1959): pp. 324-349.
• Bivar, A. D. H. "The Wathiqat Ahl Al-Sudan: A Manifesto of the Fulani Jihad." The Journal of African History 2, no. 2 (1961): pp. 235-243.
• Bivar, A. D. H. and M. Hiskett. "The Arabic Literature of Nigeria to 1804: A Provisional Account." Bulletin of the School of Oriental and African Studies 25, no. 1-3 (1962): pp. 104-148.
• Blackmun, Barbara Winston. "The Elephant and Its Ivory in Benin," in Elephant: The Animal and Its Ivory in African Culture edited by Doran H. Ross, pp. 163-183. Los Angeles: Fowler Museum of Cultural History, University of California, Los Angeles, 1992.
• Blier, Suzanne Preston. Art and Risk in Ancient Yoruba: Ife History, Power, and Identity, c. 1300. Cambridge: Cambridge University Press, 2015.
• Blier, Suzanne Preston. "Imaging Otherness in Ivory: African Portrayals of the Portuguese ca. 1492." Art Bulletin (New York) 75, no. 3 (September 1993): pp. 375-96.
• Blier, Suzanne Preston. "Kings, Crowns, and Rights of Succession: Obalufon Arts at Ife and Other Yoruba Centers." Art Bulletin 67, no. 3 (Sept. 1985): pp. 383-401.
• Bonnell, Letty Wilson. Elephants and Hunters, Diviners and Oracles: Yoruba Carving in Bone and Ivory. Ph.D., University of Maryland, College Park, 2002.
• Bouloré, Vincent. "Bénin, trésor royal au Musée Dapper." Arts d'Afrique noire 74 (Summer 1990): pp. 11-14.
• Boullier, Claire. Les Sculptures en terre cuite de style Nok: approche pluridisciplinaire. Mémoire de DEA. Paris: Université de Paris I - Panthéon, 1995-1996.
• Bowen, Anne B. "Murals at Afin Oyo." African Arts 10, no. 3 (1977): pp. 42-44.
• "A Brass Pendant Mask/Un masque pendentif de métal," in Art royal du Bénin/Royal Art of Benin, pp. 43-46, 51. Art Tribal/Tribal Art, Special Issue. Geneva: Barbier-Mueller, 1992.
• "A Brass Ring with Decapitated Bodies/Un anneau de métal aux corps duppliciés," in Art royal du Bénin/Royal Art of Benin, pp. 47-51. Art Tribal/Tribal Art, Special Issue. Geneva: Barbier-Mueller, 1992.
• Bräunlein, Peter. "Obiora Udechukwu: Lyriker und Grafiker aus Nigeria." Ika: Zeitschrift für Kulturaustausch & Kulturkalender "Dritte Welt" (Hamburg) 41 (Feb. 1991): pp. 25-26.
• Breunig, Peter, Abubakar Garba, and Ibrahim Waziri. "Recent Archaeological Surveys in Borno, Northeast Nigeria." Nyame Akuma (Calgary) 37 (June 1992): pp. 10-17.
• Bridges, Nichole. "Inside-Out: Duality and Multiplicity in a Sango Priestess Figure." Elvehjem Museum of Art Bulletin/Biennial Report 1999-2001 (Madison) (2002): pp. 55-9.
• Bukar, Hajara Amoni. "Ta Ghecidu: A Tradition Among the Marghi." Borno Museum Society Newsletter (Maiduguri) 2 (Jan.-Feb.-Marhc 1990): pp. 13-25.
• Butali, Amsami. Shuwa Female Personal Art. Final Year Essay, Department of Creative Arts, University of Maiduguri, 1990.
• Campbell, Bolaji Victor. "Colour Attitudes: A Critique of Seven Nigerian Painters." Artifacts (Lagos) 1, no. 1 (1992): pp. 8-9, 11.
• Campbell, Bolaji Victor. "Colour Attitudes: A Critique of Seven Nigerian Painters." Kurio Africana: Journal of Art and Criticism (Ile-Ife) 1, no. 2 (1989): pp. 42-51.
• Campbell, Bolaji Victor. "The Trial of 'Traditional' Art: The Bird Symbolism in Contemporary Yoruba Painting," in Principles of "Traditional" African Art edited by Moyo Okediji, pp. 54-69. Ile-Ife: Bard Book, 1992.
• Campbell, Bolaji Victor. Yoruba Shrine Painting Traditions: Color, Cosmos, Process and Aesthetics. Ph.D., Univeristy of Wisconsin - Madison, 2001.
• Campbell, Kenneth F. "Le léopard, le serpent et le crocodile." Arts d'Afrique noire 38 (Summer 1981): pp. 16-28.
• Campbell, Kenneth F. "Nsibidi Update/Nsibidi actualisée." Arts d'Afrique noire 47 (Autumn 1983): pp. 33-45.
• Carroll, Kevin. Architectures of Nigeria: Architectures of the Hausa and Yoruba Peoples and of the Many Peoples Between – Tradition and Modernization. London: Ethnographica in association with Lester Crook Academic Publishing for the Society of African Missions (SMA), 1992.
• Castellote, Jess, ed. Contemporary Nigerian Art in Lagos Private Collections: New Trees in an Old Forest. Gloucestershire: Bookcraft Limited, 2012. [Reviewed by Frank Agbiyoa Ugiomoh, available online at https://www.h-net.org/reviews/showrev.php?id=36394.]
• Celebration of Life: An Exhibition of Paintings, Drawings, Sculptures at the Main Hall of the National Commission for Museum and Monuments, Onikan, Lagos. Lagos: First Finance & Trust, 1992.
• "Children's Art Centre Opens in Benin." NCAC News (Lagos) 1, no. 4 (March 1992): p. 10.
• Chokor, B.A. "Ibadan." Cities 3, no. 2 (1986): pp. 106-16.
• Chukueggu, Chinedu Christian. Church Architecture in Owerri Division, 1900-1970. B.A. Thesis, Institute of African Studies, University of Ibadan, 1989.
• Chukwuezi, Barch. "Report on the Opening of the Institute of African Studies Museum, University of Nigeria, Nsukka." Ikoro: Bulletin of the Institute of African Studies (Nsukka) 7, no. 1-2 (June 1992): pp. 18-21.
• Cole, Herbert M. "Ibo Art and Authority," in African Art and Leadership edited by Douglas Fraser and Herbert M. Cole, pp. 79-98. Madison, WI: The University of Wisconsin Press, 1972.
• Cole, Herbert M. "The Igbo: Prestige Ivory and Elephant Spirit Power," in Elephant: The Animal and Its Ivory in African Culture edited by Doran H. Ross, pp. 210-225. Los Angeles: Fowler Museum of Cultural History, University of California, Los Angeles, 1992.
• Cole, Herbert M. Mbari: Art and Life among the Owerri Igbo. Bloomington: Indiana University Press, 1982.
• Cole, Herbert M. "Mbari is a Dance." African Arts 2, no. 4 (1969): pp. 43-51.
• Cole, Herbert M. "Mbari is Life." African Arts 2, no. 3 (1969).
• Cole, Herbert M. "The Survival and Impact of Igbo Mbari." African Arts 21, no. 2 (Feb. 1988): pp. 54-65, 96.
• Cole, Herbert M. and Chike Aniakor. Igbo Arts: Community and Cosmos. Los Angeles: Museum of Cultural History, UCLA, 1984.
• "Committee for National Galleries, Hall of Fame Commence Work." NACA News (Lagos) 1, no. 4 (March 1992): p. 8.
• Computer Inventory of Works by Nigerian Artists in the Museum für Völkerkunde, Frankfurt. Frankfurt am Main: Museum für Völkerkunde, 1992.
• Connah, Graham. Three Thousand Years in Africa: Man and His Environment in the Lake Chad Region of Nigeria. New studies in Archaeology. Cambridge, England: Cambridge University Press, 1981. [Review by Françoise Treinen-Claustre available online in Journal de la Société des Africanistes 52, no. 1-2 (1982): pp. 195-198.]
• "Corporate Sponsorship of Art." NCAC News (Lagos) 1, no. 4 (March 1992): p. 9.
• Counts, Charles. "Lergam Legacy: Notes From a Bag of Pottery Fragments." Borno Museum Society Newsletter (Maiduguri) 8-9 (July-Aug.-Sept.-Oct.-Nov.-Dec. 1991): pp. 29-33.
• Counts, Charles. "Northern Nigeria Pottery in Transition." Borno Museum Society Newsletter (Maiduguri) 6-7 (Jan.-Feb.-March-April-May-June 1991): pp. 5-12.
• Counts, Charles and Hedi Bak. "Kanuri Töpferei - eine Frauensache." Borno Museum Society Newsletter (Maiduguri) 6-7 (Jan.-Feb.-March-April-May-June 1991): p. 38.
• Curnow, Kathy. "Alien or Accepted: African Perspectives on the Western 'Other' in 15th and 16th Century Art." Society for Visual Anthropology Review 6, no. 1 (Spring 1990): pp. 38-43.
• Curnow, Kathy. Selected Bibliography on Brazilian Influence on Yoruba Architecture. Bibliographic Surveys of African Peoples. Bloomington, IN: Dept. of Fine Arts, Indiana University, 1989.
• da Cunha, Marianno Carneiro and Pierre Verger. Da senzala ao sobrado: arquitetura brasileira na Nigéria e na República Popular do Benim. São Paulo: Nobel; EDUSP, 1985.
• Daly, M.C., et. al. "Male and Female Artistry in Kalabari Dress." African Arts 19, no. 3 (1986): pp. 48-51.
• Damazai, Adamu. Ngizim Arts and the Use of Natural Colours. Final Year Essay, Department of Creative Arts, University of Maiduguri, 1990.
• Damme, Wilfried van. "Beauty in Context (Part 2): Aesthetic Preference and Sociocultural Ideals Among the Igbo and the Asante," in Beauty in Context: Towards an Anthropological Approach to Aesthetics by Wilfried van Damme, pp. 265-307. Leiden, et. al.: E. J. Brill, 1996. [Review by Ed Carter available online in JASO: Journal of the Anthopological Society of Oxford 29, no. 3 (1998): pp. 273-275.]
• Dantiye, Nasiru Ibrahim. A Study of the Origins, Status and Defensive Role of Four Kano Frontier Strongholds (Ribats) in the Emirate Period (1809-1903). Ph.D. Thesis, Indiana University, 1985.
• Dark, Phillip J. C. The Art of Benin: A Catalogue of an Exhibition of the A. W. F. Fuller and Chicago Natural History Museum Collections of Antiquities from Benin, Nigeria. Chicago: Chicago Natural History Museum, 1962.
• Davies, Desmond. "An Artist for All Seasons." New African (London) 302 (Nov. 1992): p. 33.
• De Benedetti, Carla. "Moschee d'Africa." Domus (Milan) 685 (Feb. 1985): pp. 30-37.
• Dike, Paul Chike. "Art, Symbol, and Authority Among the Aro of South East Nigeria." Jahrbuch des Museum für Völkerkunde zu Leipzig (Münster-Hamburg) 39 (1992): pp. 192-200.
• Dike, Paul Chike and Patricia Oyelola. Aina Onabolu: Symbol of the National Studios of Art. Lagos: National Gallery of Art, 1999.
• Diversity of Creativity in Nigeria: Book of Abstracts: 1st International Conference on the Diversity of Creativity in Nigeria. Ile-Ife: Department of Fine Arts, Obafemi Awolowo University, 1992.
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