A Collection African Studies Bibliographies and Archival Materials

Ethiopia

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• Anfray, Francis. "Une campagne de fouilles à Yeha." Annales d'Ethiopie (Paris) 5 (1963): pp. ????.
• African Zion: The Sacred Art of Ethiopia. New Haven: Yale University Press, 1993.
• Anfray, Francis. "Notre connaissance du passé éthiopien d'après les travaux archéologiques récents," in Ethiopian Studies: Papers Read at the Second International Conference of Ethiopian Studies (Manchester University, July 1963), pp. 247-249. Journal of Semitic Studies (Manchester) 9, no. 1 (Spring 1964). Manchester: Manchester University Press, 1964.
• Anfray, Francis. "Yeha: Les ruines de Grat Be'al Gabri; recherches archéologiques." Rassegna di sudi Etiopici (Rome) 39 (1995): pp. 5-23.
• L’arche éthiopienne: art chrétien d’éthiopie: 27 septembre 2000-7 janvier 2001, Pavillon des arts. Paris: Paris musées; Girona: Fundació Caixa de Girona, 2000.
• Arthur, John W. Ceramic Ethnoarchaeology among the Gamo of Southwestern Ethiopia: A Regional, Social, and Economic Perspective. Ph.D., University of Florida, 2000.
• Bailloud, G. "Les gisements paléolithiques de Melka Kontouré." Cahiers de l'Institut Ethiopien d'Archéologie (Addis Ababa) 1 (1963): pp. ????.
• Bailloud, G. "La préhistoire de l'Ethiopie." Cahiers de l'Afrique et de l'Asie (Paris) 5 (1959): pp. ????.
• Balicka-Witakowska, Ewa. "The Iconography of the Deposition in Ethiopian Painting," in Proceedings of the First International Conference on the History of Ethiopian Art: Sponsored by the Royal Asiatic Society: Held at the Warburg Institute of the University of London, October 21 and 22, 1986, pp. 15-22. London: The Pindar Press, 1989.
• Bausi, Allessandro. "Some Short remarks on the Canon Tables in Ethiopic Manuscripts," in Proceedings of the Sixth International Conference on the History of Ethiopian Art, Addis Ababa, 5-8 November 2002 edited by Birhanu Teferra and Richard Pankhurst, pp. 109-119. Addis Ababa: Institute of Ethiopian Studies, Addis Ababa University, 2003.
• Bell, Stephen. "A Military Helmet and Mail Shirt at Däbrä Wärq, Goggam: Two Historic Objects of Probable Earlier Portuguese Provenance," in The Indigenous and the Foreign in Christian Ethiopian Art: On Portuguese-Ethiopian Contacts in the 16th-17th Centuries: Papers from the Fifth International Conference on the History of Ethiopian Art (Arrábida, 26-30 November 1999) edited by Manuel João Ramos and Isabel Boadvida, pp. 152-160. Hants, England: Ashgate, 2004. [Reviewed by Peri Klemm in International Journal of African Historical Studies (Boston) 39, no. 1 (2006): pp. 162-163.]
• Berry, LaVerle Bennette. "The Anomaly of the Ras Gemb in Gondär," in Proceedings of the Sixth International Conference on the History of Ethiopian Art: Addis Ababa, 5-8 November, 2002 edited by Birhanu Teferra and Richard Pankhurst, pp. 415-429. Addis Ababa: Insitute of Ethiopian Studies, University of Ethiopia, 2003.
• Berry, LaVerle Bennette. "The Bahri Gemb and the Genesis of Gondar-Style Architecture: A Review of the Evidence," in Aspects of Ethiopian Art from Ancient Axum to the 20th Century edited by Paul B. Henze, pp. 83-92. London: Jed Press, 1994.
• Berry, LaVerle Bennette. "Ethiopian and Jesuit Monumental Stone Architecture in the Lake Tana Basin: A Preliminary Assessment," in The Indigenous and the Foreign in Christian Ethiopian Art: On Portuguese-Ethiopian Contacts in the 16th-17th Centuries: Papers from the Fifth International Conference on the History of Ethiopian Art (Arrábida, 26-30 November 1999) edited by Manuel João Ramos and Isabel Boadvida, pp. 16-29. Hants, England: Ashgate, 2004. [Reviewed by Peri Klemm in International Journal of African Historical Studies (Boston) 39, no. 1 (2006): pp. 162-163.]
• Berry, LaVerle Bennette. "Gondar Style Architecture and Its Royal Patrons," in Proceedings of the First International Conference on the History of Ethiopian Art: Sponsored by the Royal Asiatic Society: Held at the Warburg Institute of the University of London, October 21 and 22, 1986, pp. 123-130. London: The Pindar Press, 1989.
• Bianchi Barriviera, L. "Le chiese in roccia di Lalibelà e di altri luoghi del Lasta." Rassegna di Studi Etiopici (Rome) 18 (1962): pp. ????; 19 (1963): pp. ????.
• Bianchi Barriviera, L. Le chiese monolitiche di Lalibelà e altre nel Lasta-Uagh in Etiopia. Rome, 1957.
• Bianchi Barriviera, L. "Le chiese monolitiche di Lalibelà e altre, nel Lasta-Uagh, in Etiopia." Fede e Arte (Rome) 4 (1962): pp. ????.
• Biasio, Elisabeth. Die verborgene Wirklichkeit: drei a¨thiopische Maler der Gegenwart, Zerihun Yetmgeta, Girmay Hiwet, Worku Goshu. Zu¨rich : Vo¨lkerkundemuseum der Universita¨t Zu¨rich, 1989.
• Bidder, Irmgard. Lalibela: The Monolithic Churches of Ethiopia. New York: Praeger, 1959.
• Boavida, Isabel. "The Cross Brought to Goa and Portugal by Libnä Dingil's Envoy Mathew," in The Indigenous and the Foreign in Christian Ethiopian Art: On Portuguese-Ethiopian Contacts in the 16th-17th Centuries: Papers from the Fifth International Conference on the History of Ethiopian Art (Arrábida, 26-30 November 1999) edited by Manuel João Ramos and Isabel Boadvida, pp. 146-151. Hants, England: Ashgate, 2004. [Reviewed by Peri Klemm in International Journal of African Historical Studies (Boston) 39, no. 1 (2006): pp. 162-163.]
• Bosc-Tissé, Claire. "The Use of Occidental Engravings in Ethiopian Painting in the 17th and 18th Centuries," in The Indigenous and the Foreign in Christian Ethiopian Art: On Portuguese-Ethiopian Contacts in the 16th-17th Centuries: Papers from the Fifth International Conference on the History of Ethiopian Art (Arrábida, 26-30 November 1999) edited by Manuel João Ramos and Isabel Boadvida, pp. 82-102. Hants, England: Ashgate, 2004. [Reviewed by Peri Klemm in International Journal of African Historical Studies (Boston) 39, no. 1 (2006): pp. 162-163.]
• Bosc-Tissé, Claire and Anaïs Wion. Peintures sacrées d'Éthiopie: Collection de la Mission Dakar-Djibouti. St-Maur-des-Fossés, France: Editions Sépia, 2005. [Review by Alain Gascon available online in Cahiers d'études africaines (Paris) 185 (2007): 175-178; online by Marilyn E. Heldman on H-Net, available at http://www.h-net.org/reviews/showrev.cgi?path=260571159902048.]
• Breuil, Henri and Harper Kelley. "Les collections africaines du département de préhistoire exotique du Musée d'ethnographie du Trocadéro, V. - Documents préhistoriques recueillis par la mission de Bourg de Bozas en Abyssinie (1901-02)." Journal de la Société des Africanistes 6, no. 1 (1936): pp. 111-140.
• Buchthal, H. "An Ethiopic Miniature of Christ Being Nailed to the Cross," in Atti del convegno internazionale di studi etiopici. Problemi attuali di scienza e di cultura 48. Rome: Accademia Nazionale dei Lincei, 1960.
• Buxton, David R. "The Attempt to Reconstruct Axumite Buildings," in Proceedings of the First International Conference on the History of Ethiopian Art: Sponsored by the Royal Asiatic Society: Held at the Warburg Institute of the University of London, October 21 and 22, 1986, pp. 121-122. London: The Pindar Press, 1989.
• Buxton, David R. "The Christian Antiquities of Northern Ethiopia." Archaeologia 92 (1947): pp. ????.
• Buxton, David R. "Ethiopian Medieval Architecture - the Present State of Studies." Journal of Semitic Studies (Manchester) 9 (1964): pp. ????.
• Buxton, David R. "Ethiopian rock-hewn Churches." Antiquity (Gloucester) 20 (1946): pp. ????.
• Campbell, Ian. "An Introduction to Form and Spatial Construction in Ethiopian Iconography," in Proceedings of the Sixth International Conference on the History of Ethiopian Art, Addis Ababa, 5-8 November 2002 edited by Birhanu Teferra and Richard Pankhurst, pp. 31-108. Addis Ababa: Institute of Ethiopian Studies, Addis Ababa University, 2003.
• Campbell, Ian. "Portuguese and Indian Influences on the Architectgure of the Lake Tana Region: An Inquiry into the Role of Gänätä Iyäsus," in The Indigenous and the Foreign in Christian Ethiopian Art: On Portuguese-Ethiopian Contacts in the 16th-17th Centuries: Papers from the Fifth International Conference on the History of Ethiopian Art (Arrábida, 26-30 November 1999) edited by Manuel João Ramos and Isabel Boadvida, pp. 37-48. Hants, England: Ashgate, 2004. [Reviewed by Peri Klemm in International Journal of African Historical Studies (Boston) 39, no. 1 (2006): pp. 162-163.]
• Caquot, A. and A. J. Drewes. "Les monuments recueillis à Maqallé (Tigré)." Annales d'Ethiopie Paris 1 (1955): pp. ????.
• Cerulli, E. "Il 'Gesù percosso' nell'arte etiopica e le sue origini nell'Europa del XV secolo." Rassegna di Studi Etiopici (Rome) 6 (1947): pp. ????.
• Chavaillon, Jean. "Melka Konturé, Gisement paléolithique: Campagnes de fouilles 1965 à 1966." Annales d'Ethiopie (Paris) 7 (1967): pp. ????.
• Chojnacki, Stanislaw. "Attempts at the Periodization of Ethiopian Painting," in Proceedings of the Sixth International Conference on the History of Ethiopian Art, Addis Ababa, 5-8 November 2002 edited by Birhanu Teferra and Richard Pankhurst, pp. 3-30. Addis Ababa: Institute of Ethiopian Studies, Addis Ababa University, 2003.
• Chojnacki, Stanislaw.  Ethiopian Icons: Catalogue of the Collection of the Institute of Ethiopian Studies, Addis Ababa University.  Milan: Skira, 2000.
• Chojnacki, Stanislaw. "Ethiopian Warrior Saints in 18th-Century Miniatures and Their Significance in the Cultural History of Ethiopia," in The Indigenous and the Foreign in Christian Ethiopian Art: On Portuguese-Ethiopian Contacts in the 16th-17th Centuries: Papers from the Fifth International Conference on the History of Ethiopian Art (Arrábida, 26-30 November 1999) edited by Manuel João Ramos and Isabel Boadvida, pp. 73-82. Hants, England: Ashgate, 2004. [Reviewed by Peri Klemm in International Journal of African Historical Studies (Boston) 39, no. 1 (2006): pp. 162-163.]
• Chojnacki, Stanislaw.  Major Themes in Ethiopian Painting: Indigenous Developments, The Influence of Foreign Models and Their Adaptation from the 13th to the 19th Century.  Wiesbaden: Franz Steiner Verlag GMBH, 1983.
• Chojnacki, Stanislaw. "The Theme of the Bitter Water in Ethiopian Painting," in Aspects of Ethiopian Art: From Ancient Axum to the 20th Century. edited by Paul B. Henze, pp. 53-67. London: Jed Press, 1993.
• Chojnacki, Stanislaw and Paul B. Henze. "A Rich Heritage: Still Inadequately Explored," in Aspects of Ethiopian Art: From Ancient Axum to the 20th Century. edited by Paul B. Henze, pp. 9-16. London: Jed Press, 1993.
• Clarke, Christa. My Ethiopia: Recent Paintings by Wosene Worke Kosrof. Newark, NJ: Neuberg Museum of Art, 2003. [Reviewed by Peri M. Klemm in African Art 37, no. 3 (Autumn 2007): pp. 8-11, 86.]
• Contemporary Ethiopian Artists at Fondo del Sol. Washington, D.C.: Fondo del Sol Visual Art and Media Center, 1984.
• Contenson, H. de. "Les fouilles à Axoum en 1957." Annales d'Ethiopie (Paris) 3 (1959): pp. ????.
• Contenson, H. de. "Les fouilles à Axoum en 1958." Annales d'Ethiopie (Paris) 5 (1963): pp. ????.
• Contenson, H. de. "Les subdivisions dans l'archéologie éthiopienne." Revue Archéologique (July-Dec. 1963): pp. ????.
• Damon, Anne. "'Aqwaqwam' ou la danse des cieux." Cahiers d'études africaines (Paris) 46, cah. 182 (2006): pp. 261-290.
• Continuity and Change: Three Generations of Ethiopian Artists. Gainesville, FL: Samuel P. Harn Museum of Art, University of Florida, 2007.
• Elias, Girma. "A Note on Wall Paintings in Balci Ammanu'el (Sankora Ammanu'el Church)," in Aspects of Ethiopian Art: From Ancient Axum to the 20th Century. edited by Paul B. Henze, pp. 95-97. London: Jed Press, 1993.
• Eman, Carla Zanotti. "the Harag of the Manuscripts of Gunda Gundi," in Aspects of Ethiopian Art: From Ancient Axum to the 20th Century. edited by Paul B. Henze, pp. 68-72. London: Jed Press, 1993.
• Ethiopian Art: The Walters Art Museum. Baltimore: The Walters Art Gallery, 2001.
• Ethiopie millénaire: préhistoire et art religieux: Petit Palais, décembre 1974-février 1975. Paris: Association française d’action artistique, 1974.
• Fattovich, Radolfo. "Reconsidering Yeha, c. 800–400 BC." African Archaeological Review 26, no. 4 (2009): pp. 275-290.
• Fisseha, Girma. "Ahmad Grann and the Portuguese in Ethiopian Folk Painting," in The Indigenous and the Foreign in Christian Ethiopian Art: On Portuguese-Ethiopian Contacts in the 16th-17th Centuries: Papers from the Fifth International Conference on the History of Ethiopian Art (Arrábida, 26-30 November 1999) edited by Manuel João Ramos and Isabel Boadvida, pp. 113-118. Hants, England: Ashgate, 2004. [Reviewed by Peri Klemm in International Journal of African Historical Studies (Boston) 39, no. 1 (2006): pp. 162-163.]
• Fisseha, Girma. "The Ethiopian Avant-garde in the Thirties and 'Tejbet' Painting," in Proceedings of the Sixth International Conference on the History of Ethiopian Art, Addis Ababa, 5-8 November 2002 edited by Birhanu Teferra and Richard Pankhurst, pp. 221-235. Addis Ababa: Institute of Ethiopian Studies, Addis Ababa University, 2003.
• Fisseha, Girma. "Ethiopian Mesengers in Art and History," in Aspects of Ethiopian Art: From Ancient Axum to the 20th Century. edited by Paul B. Henze, pp. 98-101. London: Jed Press, 1993.
• Fisseha, Girma. "The Hunt in Ethiopian Folk Art," in Proceedings of the First International Conference on the History of Ethiopian Art: Sponsored by the Royal Asiatic Society: Held at the Warburg Institute of the University of London, October 21 and 22, 1986, pp. 104-109. London: The Pindar Press, 1989.
• Gebremedhin, Naigzy. "Some Traditional Types of Housing in Ethiopia," in Shelter in Africa edited by Paul Oliver, pp. 106-123. New York: Praeger, 1971.
• Gedamu, Fekadu. "The Gurage House," in Proceedings of the Sixth International Conference on the History of Ethiopian Art, Addis Ababa, 5-8 November 2002 edited by Birhanu Teferra and Richard Pankhurst, pp. 430-439. Addis Ababa: Institute of Ethiopian Studies, Addis Ababa University, 2003.
• Gérard, Denis and Rita Pankhurst. "The Life and Art of Desso Hordofa: A Contemporary, Self-Taught Sculptor," in Proceedings of the Sixth International Conference on the History of Ethiopian Art, Addis Ababa, 5-8 November 2002 edited by Birhanu Teferra and Richard Pankhurst, pp. 236-263. Addis Ababa: Institute of Ethiopian Studies, Addis Ababa University, 2003.
• Gerharz, R.R. and D.R. Spennemann. "Northern Ethiopian Bronze Implements for Left-Handed Individuals." Azania 20 (1985): pp. 163-7.
• Gervers, Michael. "The Dabra Sina - Golgotha - Selassie Complex in Lalibela," in Proceedings of the Sixth International Conference on the History of Ethiopian Art, Addis Ababa, 5-8 November 2002 edited by Birhanu Teferra and Richard Pankhurst, pp. 388-414. Addis Ababa: Institute of Ethiopian Studies, Addis Ababa University, 2003.
• Gervers, Michael. "The Portuguese Import of Luxury Textiles to Ethiopia in the 16th and 17th Centuries and Their Subsequent Artistic Influence," in The Indigenous and the Foreign in Christian Ethiopian Art: On Portuguese-Ethiopian Contacts in the 16th-17th Centuries: Papers from the Fifth International Conference on the History of Ethiopian Art (Arrábida, 26-30 November 1999) edited by Manuel João Ramos and Isabel Boadvida, pp. 121-134. Hants, England: Ashgate, 2004. [Reviewed by Peri Klemm in International Journal of African Historical Studies (Boston) 39, no. 1 (2006): pp. 162-163.]
• Giorghis, Elizabeth W. "Art in a Changing World: Trends in Contemporary African Art and Diaspora Ethiopian Art," in Proceedings of the Sixth International Conference on the History of Ethiopian Art, Addis Ababa, 5-8 November 2002 edited by Birhanu Teferra and Richard Pankhurst, pp. 279-310. Addis Ababa: Institute of Ethiopian Studies, Addis Ababa University, 2003.
• Giorghis, Elizabeth W. Modernist art in Ethiopia. Athens, OH: Ohio University Press, 2019.
• Giorghis, Fasil. "Foreign Influences and Local Contributionin Gondarian Architecture," in The Indigenous and the Foreign in Christian Ethiopian Art: On Portuguese-Ethiopian Contacts in the 16th-17th Centuries: Papers from the Fifth International Conference on the History of Ethiopian Art (Arrábida, 26-30 November 1999) edited by Manuel João Ramos and Isabel Boadvida, pp. 30-36. Hants, England: Ashgate, 2004. [Reviewed by Peri Klemm in International Journal of African Historical Studies (Boston) 39, no. 1 (2006): pp. 162-163.]
• Grébaut, Sylvain. Catalogue des Manuscrits Éthiopiens de la Collection Griaule (Bibliothèque Nationale, Département des Manuscrits). [Reviewed by Solange de Ganay, review available in Journal de la Société des Africanistes 10 (1940): p. 197.]
• Griaule, Marcel. "Un camp militaire abyssin." Journal de la Société des Africanistes 4, no. 1 (1934): pp. 117-122.
• Grierson, Roderick, ed. African Zion: The Sacred Art of Ethiopia. New Haven and London: Yale University Press in association with InterCultura, The Walters Art Gallery, and The Institute of Ethiopian Studies, 1993.
• Harney, Elizabeth. Ethiopian Passages: Contemporary Art from the Diaspora. London: Philip Wilson Publishers, 2003. [Reviewed by Peri M. Klemm in African Art 37, no. 3 (Autumn 2007): pp. 8-11, 86.]
• Hecht, Elisabeth-Dorothea. "The Hand-Cross Collection of the Institute of Ethiopian Studies: A Project Report," in Proceedings of the First International Conference on the History of Ethiopian Art: Sponsored by the Royal Asiatic Society: Held at the Warburg Institute of the University of London, October 21 and 22, 1986, pp. 115-120. London: The Pindar Press, 1989.
• Hecht, Elisabeth-Dorothea and Brigitta Benzing. Visitor's Manual. Addis Ababa: Institute of Ethiopian Studies, Addis Ababa University, 1988.
• Hein, Ewald and Brigitte Kleidt. Ethiopia - Christian Africa: Art, Churches and Culture. Ratingen, Germany: Melina-Verlag, 1999.
• Heldman, Marilyn E. "Architectural Symbolism, Sacred Geography and the Ethiopian Church." Journal of Religion in Africa 22, no. 3 (Aug. 1992): pp. 222-241.
• Heldman, Marilyn E. "An Ewostathian Style and the Gunda Gunde Style in Fifteenth-Century Ethiopian Manuscript Illumination," in Proceedings of the First International Conference on the History of Ethiopian Art: Sponsored by the Royal Asiatic Society: Held at the Warburg Institute of the University of London, October 21 and 22, 1986, pp. 5-14. London: The Pindar Press, 1989.
• Henze, Martha H. "Imported Textiles in Ethiopian Traditions," in The Indigenous and the Foreign in Christian Ethiopian Art: On Portuguese-Ethiopian Contacts in the 16th-17th Centuries: Papers from the Fifth International Conference on the History of Ethiopian Art (Arrábida, 26-30 November 1999) edited by Manuel João Ramos and Isabel Boadvida, pp. 135-145. Hants, England: Ashgate, 2004. [Reviewed by Peri Klemm in International Journal of African Historical Studies (Boston) 39, no. 1 (2006): pp. 162-163.]
• Henze, Paul B., ed. Aspects of Ethiopian Art: From Ancient Axum to the 20th Century. London: Jed Press, 1993.
• Henze, Paul B. "Lake Zway - Southern Christian Outpost and Repository of Medieval Ethiopian Art," in Proceedings of the First International Conference on the History of Ethiopian Art: Sponsored by the Royal Asiatic Society: Held at the Warburg Institute of the University of London, October 21 and 22, 1986, pp. 30-40. London: The Pindar Press, 1989.
• Henze, Paul B. "The Monastery of Märtula Maryam: Questions and Speculations About its Architecture and Ornamentation," in The Indigenous and the Foreign in Christian Ethiopian Art: On Portuguese-Ethiopian Contacts in the 16th-17th Centuries: Papers from the Fifth International Conference on the History of Ethiopian Art (Arrábida, 26-30 November 1999) edited by Manuel João Ramos and Isabel Boadvida, pp. 49-58. Hants, England: Ashgate, 2004. [Reviewed by Peri Klemm in International Journal of African Historical Studies (Boston) 39, no. 1 (2006): pp. 162-163.]
• Henze, Paul B. "Oromo Tomb Architecture and Art" in Aspects of Ethiopian Art: From Ancient Axum to the 20th Century. edited by Paul B. Henze, pp. 120-125. London: Jed Press, 1993.
• Henze, Paul B. "Weynam Kidane Mehret: An Experience in Cultural Preservation," in Proceedings of the Sixth International Conference on the History of Ethiopian Art, Addis Ababa, 5-8 November 2002 edited by Birhanu Teferra and Richard Pankhurst, pp. 31-108. Addis Ababa: Institute of Ethiopian Studies, Addis Ababa University, 2003.
• Jarekegm, A. Mortuary Practices of Aksumite Ethiopia with Particular Reference to the Gudit Stelae Field (GSF) Site. Ph.D., Cambridge (UK), 1998.
• Jedlowski, Alessandro and Michael W. Thomas. "Representing ‘Otherness’ in African Popular Media: Chinese Characters in Ethiopian Video-Films." Journal of African Cultural Studies 29, no. 1 China-Africa Media Interactions: Media and Popular Culture Between Business and State Intervention (2017): pp. 63-80.
• Jenkins, Earnestine. "Four Miniatures from 18th-19th Century Sawa: An African Perspective?" in Aspects of Ethiopian Art: From Ancient Axum to the 20th Century. edited by Paul B. Henze, pp. 102-108. London: Jed Press, 1993.
• Johnson, Edwin. "Patronage of Contemporary Ethiopian Orthodox Painters," in Proceedings of the Sixth International Conference on the History of Ethiopian Art, Addis Ababa, 5-8 November 2002 edited by Birhanu Teferra and Richard Pankhurst, pp. 173-184. Addis Ababa: Institute of Ethiopian Studies, Addis Ababa University, 2003.
• Johnston, Hannah. "Hannah Johnston on Julie Mehretu," in Four Generations: The Joyner/Giuffrida Collection of Abstract Art edited by Courtney J. Martin, pp. 196-201. New York: Gregory R. Miller, 2016.
• Jordan, Howard.  Exhibition of Falasha Art.  Bronxville, NY:  Sarah Lawrence College, 1971.
• Juel-Jensen, Bent. "An Aksumite Survival in Late Mediaeval Ethiopian Miniatures," in Proceedings of the First International Conference on the History of Ethiopian Art: Sponsored by the Royal Asiatic Society: Held at the Warburg Institute of the University of London, October 21 and 22, 1986, pp. 41-43. London: The Pindar Press, 1989.
• Juel-Jensen, Bent. "The Evolution of the Ethiopian Cross," in Aspects of Ethiopian Art: From Ancient Axum to the 20th Century. edited by Paul B. Henze, pp. 17-27. London: Jed Press, 1993.
• Kaïteris,Constantin.  Rouleaux magiques éthiopiens – I. Déroulement de l’ange.  Apt: L’Archange Minotaure, 2006.
• Kaïteris,Constantin.  Rouleaux magiques éthiopiens – II.  Enchantement du demon.  Apt: L’Archange Minotaure, 2006.
• Kaplan, Steven and Chaim Rosen. "Created in their Own Image: A Comment on Beta Israel Figurines." Cahiers d'études africaines 36, no. 141-142 (1996): pp. 171-182.
• Kidane, Girma. Contemporary Art in Ethiopia, 1977. Addis Ababa: Berhanena Selam Printing Press, 1977.
• Kidane, Girma. "Four Traditional Ethiopian Painters and Their Life Histories," in Proceedings of the First International Conference on the History of Ethiopian Art: Sponsored by the Royal Asiatic Society: Held at the Warburg Institute of the University of London, October 21 and 22, 1986, pp. 72-77. London: The Pindar Press, 1989.
• Kimura, Birgitta K. An Archaeological Investigation into the History and Socio-Political Organization of Konso, Southern Ethiopia. Ph.D., University of Florida, 2004.
• Kindred, Wendy. "Skunder and Modern Ethiopian Art" in Aspects of Ethiopian Art: From Ancient Axum to the 20th Century. edited by Paul B. Henze, pp. 126-133. London: Jed Press, 1993.
• Mason, Ruth.  “Telling Our Story.”  Na’amat Woman 19, no. 1 (Winter 2003): pp. 8-12.
• McEwan, Robin. "The Revelation Illuminations of Qwesquam and Derasge as Assertions of Political Destiny," in Proceedings of the Sixth International Conference on the History of Ethiopian Art, Addis Ababa, 5-8 November 2002 edited by Birhanu Teferra and Richard Pankhurst, pp. 120-139. Addis Ababa: Institute of Ethiopian Studies, Addis Ababa University, 2003.
• Mellors, John and Anne Parsons. "Manuscript and Book Production in South Gondar in the Twenty First Century," in Proceedings of the Sixth International Conference on the History of Ethiopian Art, Addis Ababa, 5-8 November 2002 edited by Birhanu Teferra and Richard Pankhurst, pp. 185-199. Addis Ababa: Institute of Ethiopian Studies, Addis Ababa University, 2003.
• Mercier, Jacques. Art That Heals: The Image as Medicine in Ethiopia. New York. Museum for African Art, 1997.
• Mercier, Jacques. Vierges d’Ethiopie. Montpellier, France: Archange minotaure, 2004.
• Miquel, André. "Ethiopian National Library: The Archaeology Department Addis Ababa/Bibliothèque nationale éthiopienne: La section d'archéologie Addis-Abéba." Museum 9, no. 3 (1956): pp. 192-193.
• Moges, Girma. "African Characteristics in Traditional Ethiopian Art" in Aspects of Ethiopian Art: From Ancient Axum to the 20th Century. edited by Paul B. Henze, pp. 109-113. London: Jed Press, 1993.
• Moore, Eine. "Ethiopian Crosses from the 12th to the 16th Century," in Proceedings of the First International Conference on the History of Ethiopian Art: Sponsored by the Royal Asiatic Society: Held at the Warburg Institute of the University of London, October 21 and 22, 1986, pp. 110-114. London: The Pindar Press, 1989.
• Morin, Didier. "Remarques sur l'habitation traditionnelle des Afar," in Modern Ethiopia: from the Accession of Menilek II to the Present: Proceedings of the Fifth International Conference of Ethiopian Studies, Nice, 19-22 December 1977 edited by Joseph Tubiana. Rotterdam: Balkema, 1980. [Review by Marc Abélès available online in Journal des africanistes 47, no. 2 (1977): pp. 162-163.]
• Muehlbauer, Mikael. “An African “Constantine” in the Twelfth Century: The Architecture of the Early Zagwe Dynasty and Egyptian Episcopal Authority.” Gesta 62 no. 2 (2023): pp. 127–152.
• Muehlbauer, Mikael. Bastions of the Cross: Medieval Rock-Cut Cruciform Churches of Tigray, Ethiopia. Dumbarton Oaks Studies 49. Washington, DC: Dumbarton Oaks Press, 2023.
• Muehlbauer, Mikael. “The Disappearance of the Ethiopian Baptismal Font,” in Baptême et baptistères: regards croisés sur l’initiation chrétienne entre Antiquité Tardive et Moyen Âge - Actes du colloque international d’études. Sorbonne Université, Paris, 12-13 Novembre 2020, edited by Beatrice Caseau, Vincent Michel, and Lucia-Maria Orlandi, pp. 92–107. Biblioteca di Archeologia e Storia dell’Arte 1. Milan: Silvana Editoriale, 2023.
• Munro-Hay, Stuart. "The Iconography of Axumite Coinage," in Aspects of Ethiopian Art: From Ancient Axum to the 20th Century. edited by Paul B. Henze, pp. 28-32. London: Jed Press, 1993.
• Nagy, Rebecca Martin and Achamyeleh Debela. "Adbar and Angel: Evocations of Spiritual Forces in Contemporary Ethiopian Art," in Proceedings of the Sixth International Conference on the History of Ethiopian Art, Addis Ababa, 5-8 November 2002 edited by Birhanu Teferra and Richard Pankhurst, pp. 264-278. Addis Ababa: Institute of Ethiopian Studies, Addis Ababa University, 2003.
• Nersessian, V. N. "The Ethiopian Manuscript Collection in the British Library," in Proceedings of the First International Conference on the History of Ethiopian Art: Sponsored by the Royal Asiatic Society: Held at the Warburg Institute of the University of London, October 21 and 22, 1986, pp. 63-68. London: The Pindar Press, 1989.
• Niederstadt, Leah. "Framing Images: The Evolution of a Narrative Format in Ethiopian Popular Painting," in Proceedings of the Sixth International Conference on the History of Ethiopian Art, Addis Ababa, 5-8 November 2002 edited by Birhanu Teferra and Richard Pankhurst, pp. 311-322. Addis Ababa: Institute of Ethiopian Studies, Addis Ababa University, 2003.
• Pankhurst, Alula. "The Rift Valley Decorated Oromo Memorial Monuments: Development, Transformations, and Artistic Representations," in Proceedings of the Sixth International Conference on the History of Ethiopian Art, Addis Ababa, 5-8 November 2002 edited by Birhanu Teferra and Richard Pankhurst, pp. 323-340. Addis Ababa: Institute of Ethiopian Studies, Addis Ababa University, 2003.
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