Cookie Monster Screams:- Deathcore in Chicago

                                                                           By                     

Adrian J. Segura

                Chicago has always been a diverse cesspool for artists of all kinds. From the Bean to the various murals placed around the city, there is an artist magnetism which pulls people from all parts of the country to this center city of the Midwest. But what lies beneath the surface of mainstream society we see everyday is an uprising of artists, including musicians, who are beginning to shine light on a very known yet unknown form of music. A more brutal, heart pumping, ear shredding, fist clenching genre of Heavy Metal has been rising through the cracks and evolving into an entity unlike any other. Deathcore.

From its humble beginnings in early 2000, deathcore has become one of the well known and most highly favored subgenres of Metal. Throughout this article, I  will discuss the rich history the genre both nationally and locally as well as provide an inside look at the D.I.Y. concepts and promotion of the underground scene in Chicago while providing a unique look into Chicago’s fan base, community, and artist who have lived the underground phenomenon.

Like many overly titled subgenres of Heavy Metal, Deathcore directly derives its name from two genres: Death Metal and Metalcore. If taken even deeper, Metalcore is a subgenre of both Thrash and Hardcore which can vastly help determine how a bands sound will be based on. The primary influences seen in Deathcore are the chromatic, palmed muted riffing accompanied by recurrent key changes. The vocals themselves are very Death Metal in such that they incorporate what is known as Cookie Monster vocals, pig squeals, with some harmonic singing at times. Now while these attributes contribute to the genre, it is necessary to also focus on its Metalcore influences. Many Deathcore bands can agree that breakdowns, which are typically slow downs in the music to about half time, allow for a more brutal, hardcore sound to emerge from their music. The breakdowns allow for usually two guitarists to offset one another. While one rhythmically chugs out riffs, another plays at a much high-pitched melodic way. This is usually accompanied by the drummer who uses a double bass kick to provide an even deeper ambient sound to the breakdown. Although breakdowns have been very common in the Hardcore punk scene, Deathcore has brought this crucial element to their music by using this technique to their advantage and allowing the Metalcore influence to provide a fast, high paced ingredient to their style of play.

Historically, Deathcore has not been a long lived genre but demonstrates its root in both Death Metal and Metalcore. Some bands that have influenced current Deathcore bands include Cannibal Corpse, Nile, Dying Fetus, Decapitated, As I Lay Dying, Shadows Fall, and Killswitch Engage. There are, however, a handful of bands that have brought Deathcore to the center stage and provided a back bone for the genres itself. Bands such as Job For A Cowboy, Animosity, The Black Dahlia Murder, and The Acacia Strain are leading the pack for the genre and have continued to promote their music. Chicago itself has not had as big of an impact on the scene as other parts of the U.S. have but as I  later discuss  in the article, Chicago holds a unique place in many artists who see the city as a Mecca for the underground Deathcore scene.

Like many up and coming bands, promotions are and have always been a key element to providing music to the masses. With website sites like Myspace.com, Purevolume.com and more modern technology, D.I.Y has been dying down rapidly. No longer are bands recording whole albums within weeks due to money and time limits, but now are taking more time, less money, and less effort as well to make music more memorable. With more and more bands beginning to just be carbon copies of one another, it is becoming very difficult for those few bands that truly deserve the attention to be noticed. This then leads to less bands being booked by venues to perform in cities. In the City of Chicago, many metalheads have been forced to travel many hours and miles to suburban clubs who are willing to promote and provide a location for bands to play. Now although it seems that Chicago is not the ideal location for any band to either begin or come to the city to help promote themselves, Chicago has maintained a strong hold in the underground scene. Returning back to the Deathcore scene here in Chicago, what provided a strong urgency for bands to play at Chicago or the Chicagoland area is the extremely strong fan base which has become very unique to Chicago’s status as an underground breeding ground. The vast majority of promotion in the city has been word of mouth which in some sense provides a much more opinionated, personal take on the scene. This helps to promote smaller bands while maintaining an alternative to the normality of radio dribble and demonstrates the impact and importance of the music.

Although it seems that Chicago isn’t an ideal place to begin a band, many of the local artists I spoke to have a very strong connection with Chicago. They spoke about their views on the local Chicago scene, the influences Chicago has played on their music, and the major attributes Chicago has provided to help promote the genre and it’s followers. “Chicago actually has a very nice mixture of talented metal bands. First getting into the mix of things you may need to search around a little bit, but once you run into one good band, you'll usually come across the best of the best” “The metal scene right now, sadly, has always been full of carbon copies and wannabees. Some may say we're just another carbon copy too and to an extent we agree. Its very hard to be 100% original in anything now a days though. As long as you’re being yourselves and genuinely writing music and playing what you enjoy from your heart that’s what counts in the end” (Oceano). “Chicago has always been a little more innovative then other cities. That's probably because it doesn't have the glam associated with it that comes with the coastal cities. I fuck)”(hewhocorrupts). “In the Chicago scene, it makes it hard to sound different when so many bands come out sounding just like copies. Whether people think were another carbon copy, we play what we love and what we like” (Desecrate the Hour).

As stated before, with the advent of the internet, D.I.Y. promotion has severely dropped and it has relentlessly affected local acts. “Band and show promotion could use a big improvement in Chicago, but with Myspace and the internet people are getting lazy. Basically more promo needs to be done physically and not just by sitting in front of a computer screen and posting bulletins” (Oceano). “The whole Myspace thing wasn't around which eventually helped spawn a lot of the fashion and trend you see now. things were more D.I.Y” (hewhocorrupts).  While many of these bands are continuing to thrive in the Chicago Deathcore scene, they hope that more can be done to help promote them and their scene to a wider audience. One location in Chicago has been doing so for the past 8 years.

Located in the Northside of Chicago, Metal Haven has been a main source and outlet for metalheads of all parts of Chicagoland. I recently spoke with the manager of Metal Haven to have his input on the current underground Deathcore scene as well as the Metal scene in general in Chicago.

“In Chicago, the underground metal scene is emerging as of lately. Chicago is the 2nd biggest metal scene in the U.S. other than probably New York, so there’s a lot more people in the actual scene and a lot more bands have come out of the underground from Chicago than most other cities in the U.S.  The Chicago scene seems more fervent and dedicated to the music itself and whether it’s the number of people which makes the scene bigger, there is sort of a community aspect to the underground scene here in Chicago. When you go out to shows, you see a lot of the same people going to see these bands here in the city which strengthens this growing underground Metal community. This is probably what makes our scene a lot more unique and diverse than other cities because there is more interaction between the people who go to support these bands. “

He then delves into Chicago promotion and Deathcore in the city. “This store is a meeting point for many of the bands in Chicago. I allow them to bring in these little ads to look for other people in bands who share their same ideals and this again brings us back to the whole communal aspect of Chicago underground scene. Only with a scene this big can records stores like Metal Haven to stay open and continue to promote Heavy Metal. The deathcore scene was very strong back in the early 2000’s but lately with companies like Victory Records signing so many deathcore and metalcore bands, it puts a glut in the market and oversaturated the market and doesn’t allow for better bands to be seen. A lot of the bands now are heading towards the Death Metal scene and trying to leave behind those elements of metalcore to diversify themselves.”

While the Deathcore scene has seen it high times and low times, Chicago provides a major contribution to those bands hoping to make a word for themselves. With its vast fanbase, community style of communication, and people and places like Metal Haven helping to continue the scene, Chicago can stand proud in saying that it has a major impact on the Deathcore scene, its fans, and the artists who continue to play the music they love. This zine is not here to brag about how heavy Deathcore is or how radically different i t is from mainstream music, but serves as an creative outlet to demonstrate this underground culture which continues to thrive every single day of its existence. This phenomenon has grown beyond anything imaginable in the city of Chicago while maintaining its underground status and has shown how no matter how much society is bombarded with Disney-like, suburban b.s., there is always a love for the brutal, heavy, and alternative. So for those of you reading this, all that’s left to say is rock on, rock hard, and keep it METAL!

 

 

 

 

 



 

Links & Contact Info

myspace.com/desecratethefuckinghour

myspace.com/hewhocorrupts

myspace.com/xoceano

metalhavenchicago.com

You can drop me a line at animepunk5@yahoo.com for any info

Check out my Myspace page at:

www.myspace.com/animepunk5