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Afuba, Chris. Tangled, the Dirge of Depleted Woods: Wood and Metal Sculpture: NDF, Lekki Conservation Centre, Lagos. Lagos: British Council and the Nigerian Conservation Society, 1992.
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Barros, P. de. "Bassar: A Quantified, Chronologically Controlled, Regional Approach to a Traditional Iron Production Centre in West Africa." Africa 56, no. 2 (1986): pp. 148-74.
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Ben-Amos, Paula Girshick. The Art of Benin. Revised Edition. Washington, D.C.: Smithsonian Institution Press, 1995.
"A Brass Pendant Mask/Un masque pendentif de métal," in Art royal du Bénin/Royal Art of Benin, pp. 43-46, 51. Art Tribal/Tribal Art, Special Issue. Geneva: Barbier-Mueller, 1992.
"A Brass Ring with Decapitated Bodies/Un anneau de métal aux corps duppliciés," in Art royal du Bénin/Royal Art of Benin, pp. 47-51. Art Tribal/Tribal Art, Special Issue. Geneva: Barbier-Mueller, 1992.
Camara, Seydou. "Les Numun et la métallurgie ancienne du fer au Manden.” Etudes maliennes (Bamako) 46 (1992): pp. 5-33.
Celis, Georges and Emmannuel Nzikobanyanka. La métallurgie traditionnelle au Burundi: Techniques et croyances. Archives d'anthropologie 25. Tervuren: Musée royal d'Afrique centrale, 1976. [Reviewed by Jean-Pierre Chrétien, review available online in Journal des africanistes 50, no. 50-1 (1980): pp. 157-158.]
Chauveau, J.P. "Le fer, l'outil et la monnaie: hypothèse à partir du jede, ancien couteau à debrousser baule (Côte d'Ivoire)," in Les instruments aratoires en Afrique tropicale: la fonction et le signe edited by J.
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Coulaud, Daniel. "Les forgerons à la lisière forestière du Nord-Betsiléo (Madagascar)" Journal de la Société des Africanistes 43, no. 2 (1973) : pp. 235-242.
Crowley, Daniel J. "Fon Brass Tableaux as Historical Documents." African Arts 20, no. 1 (1986): pp. 54-9.
Crowley, Daniel J. "Forowa: Ghanaian Brass Shea Butter Boxes." Unpublished paper presented at the African Studies Association, Philadelphia, 1972.
Dark, Phillip J. C. The Art of Benin: A Catalogue of an Exhibition of the A. W. F. Fuller and Chicago Natural History Museum Collections of Antiquities from Benin, Nigeria. Chicago: Chicago Natural History Museum, 1962.
David, Nicholas. "Between Bloomery and Blast Furnace: Mafa Iron-Smelting Technology in North Cameroon."
African Archaeological Review (Cambridge) 7 (1989): pp. 183-208.
David, Nicholas and Yves Le Bléis. Dokwaza: Last of the African Iron Masters. [videorecording] Calgary:
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Dérendinger. "Les curieuses mines de fer de Télé-Nugar (Tchad)." Journal de la Société des Africanistes 6, no. 2 (1936): pp. 197-204.
Dieterlen, Germaine and Z. Ligers. "Un objet-rituel bozo, le Maniyalo." Journal de la Société des Africanistes 28 (1958): pp. 33-42.
Dongmo, David. "L'exploitation artisanale de l'or dans la province de l'est (Cameroun)." Revue de géographie du Cameroun (Yaoundé) 8, no. 1 (1986): pp. 20-6.
Doutoum, Mahamat Adoum. "Place et statut des forgerons dans la société maba du Tchad." Journal des africanistes (Paris) 60, no. 2 (1990): pp. 149-160.
Échard, N. "Note sur les forgerons de l'Ader (Pays Hausa, République du Niger)." Journal de la Société des Africanistes 35, no. 2 (1965): pp. 353-372.
Eisen Plastiken aus Nigeria. Bayreuth: Iwalewa-Haus, 1992.
Essomba, Joseph-Marie. "Archéologie et recherches en métallurgie du fer et âge du fer ancien au Cameroun (nécessité d'une intervention des sciences de la nature)," in Archéologie africaine et sciences de la nature appliquées à l'archéologie: 1er symposium international, Bordeaux 1983, pp. 467-72. Paris: A.C.C.T., 1986.
See Essomba. L'Art traditionnel au Cameroun: statues et masques.
Essomba, Joseph-Marie. "Quelques analyses des sites de métallurgie ancienne du fer de Pan-Pan en pays Basa (sud-Cameroun)." NSI: bulletin de liaison des archéologues du monde bantu (Libreville) 3 (1988): pp. 15-19.
Essomba, Joseph-Marie. "Le fer dans le développement des sociétés traditionnelles du sud Cameroun." West African Journal of Archaeology (Ibadan) 16 (1986): pp. 1-24.
Fowler, Ian. Babungo: A Study of Iron Production, Trade and Power in a Nineteenth Century Ndop Plain Chiefdom
(Cameroon). Ph.d., University of London, 1990.
Fox, C. "Asante Brass Casting." African Arts 19, no. 4 (1986): pp. 66-71.
Friede, H. M. and R. H. Steel. "Traditional Wooden Drum Bellows of South Western Africa." South African
Archaeological Bulletin 41 (1986): pp. 12-16.
Gabler, Sigrid Carrie. Iron Furnaces and Future Kings: Craft Specialization and the Emergence of Political
Power in Central Madagascar. Ph.D., U. of Michigan, 2005.
Gast, Marceau. "Cadenas," in Encyclopédie berbère, volume 11. Bracelets-Caprarienses, pp. 1692-1696. Aix-en-Provence, France: EDISUD, 1992.
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Hecht, Elisabeth-Dorothea. "The Hand-Cross Collection of the Institute of Ethiopian Studies: A Project Report," in Proceedings of the First International Conference on the History of Ethiopian Art: Sponsored by the Royal Asiatic Society: Held at the Warburg Institute of the University of London, October 21 and 22, 1986, pp. 115-120. London: The Pindar Press, 1989.
Herbert, Eugenia W. "Lost-Wax Casting in the Cameroon Grassfields," in West African Economic and Social History: Studies in Memory of Marion Johnson edited by David Henige and T. C. McCaskie, pp. 69-80. Madison, WI: African Studies Program: University of Wisconsin, 1990.
Johnson, M.A. "The French Impact upon African Art: The Case of Senegalese Goldsmiths," in Double Impact: France and Africa in the Age of Imperialism edited by G.W. Johnson, pp. 259-79. Contributions in Comparative Colonial Studies 16. Westport, CT: Greenwood Press, 1985.
Juel-Jensen, Bent. "The Evolution of the Ethiopian Cross," in Aspects of Ethiopian Art: From Ancient Axum to the 20th Century. edited by Paul B. Henze, pp. 17-27. London: Jed Press, 1993.
Kita, K.M. "La technique traditionelle de la métallurgie du fer chez les Balega de Pangi (Zaire)." Muntu 3 (1985): pp. 85-99.
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Lacoste, Camille. "Sabres Kabyles." Journal de la Société des Africanistes 28 (1958): pp. 111-191.
Lebeuf, Jean-Paul and Annie Lebeuf. Les Arts des Sao: Cameroun, Tchad, Nigeria. Paris: Chêne, 1977. [Review by Françoise Treinen-Claustre available online in Journal des africanistes 47, no. 2 (1977): pp. 218-220.]
Lebeuf, Jean-Paul. "Bracelets anthropomorphes de Ga?ie (Tchad)." Journal de la Société des Africanistes 35, no. 1 (1965): pp. 7-10.
Lebeuf, Jean-Paul. "Les collections Sao du Musée Lebaudy (Cabrerets, Lot)." Journal de la Société des Africanistes 13 (1943): pp. 183-186.
Magnant, Jean-Pierre. La terre Sara, terre tchadienne. Villes et entreprises. Paris: L'Harmattan, 1986.
s McNaughton, Patrick R. The Mande Blacksmiths: Knowledge, Power and Art in West Africa. Bloomington, IN: Indiana University Press, 1988.
Moore, Eine. "Ethiopian Crosses from the 12th to the 16th Century," in Proceedings of the First International Conference on the History of Ethiopian Art: Sponsored by the Royal Asiatic Society: Held at the Warburg Institute of the University of London, October 21 and 22, 1986, pp. 110-114. London: The Pindar Press, 1989.
Nevadomsky, J. "The Benin Bronze Horseman as the Ata of Idah." African Arts 19, no. 4 (1986): pp. 40-7, 85.
Prussin, Labelle. “David in West Africa: No More Forever?” Yale University Art Gallery Bulletin (2005): pp. 88-109.
Prussin, Labelle. “Judaic Threads in the West African Tapestry: No More Forever?” Art Bulletin 88, no. 2 (June 2006): 328-353.
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Rivallain, Josette. "Paléomonnaies africaines: Moyens d'approche et fonctionnement: Un exemple en pays Sara, sud du Tchad." Economies et sociétés (Paris) 20, no. 2 (1986): pp. 31-48.
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Ross, Doran H. Gold of the Akan from the Glassell Collection. Houston, TX: Houston Museum of Fine Arts,
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Schneider, Klaus and Sabine Weingarten. "Schmeidehandwerk und Eisenverhüttung bei den Dagara in Burkina Faso." Archiv fur Völkerkunde (Vienna) 46 (1992): pp. 157-188.
Schnell, R. "Sur un marteau de pierre emmanché recueilli en Côte d'Ivoire." Journal de la Société des Africanistes 18, no. 1 (1948): pp. 127-128.
Seligman, Thomas K. and Kristyne Loughran, eds. Art of Being Tuareg: Sahara Nomads in a Modern World. Stanford and Los Angeles, CA: Iris and B. Gerald Cantor Center for Visual Arts, Stanford University and UCLA Fowler Museum of Cultural History, 2006.
Shore, D. "Steel-Making in Ancient Africa," in Blacks in Science: Ancient and Modern edited by I. Van Sertima, pp. 157-62. New Brunswick: Transaction Books, 1983.
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Tijani, Abba Isa. Kanuri Brasses. Final Year Essay, Dept. of Creative Arts, University of Maiduguri,
1990.
Tijani, Abba Isa. "Kanuri Brasses." Borno Museum Society Newsletter (Maiduguri) 11-12 (April-May-June-
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Tubiana, Marie-José. "'Hommes sans voix': De l'image que les Beri donnent de leurs forgerons," in Afrika-Studien: Eike Haberland zum 65. Geburstag edited by Herrmann Jungraithmayr, Andreas Kronenberg, and Karl Heinz Striedter, pp. 335-350. Paideuma: Mitteilungen zur Kulturkunde 36 (1990). Wiesbaden, Stuttgart: Franz Steinger Verlag, 1990.
Wente-Lukas, Renate. "Fer et forgeron au sud du lac Tchad (Cameroun, Nigeria)." Journal des africanistes 47, no. 2 (1977): pp. 107-122.
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