Contemporary Art
Adegborioye, Kunle. From a Distance: An Exhibition of Paintings (Battersea District Library, London, July 21-August 1, 1992). London: Ranelagh Press, 1992.
Adenaike, Tayo. Tayo Adenaike: Solem Notes in 30 Watercolors. New Orleans: Tayo Adenaike, 1992.
Adjaye, Kwamena Essifile. "Art as Culture." West Africa (London) 3918 (Oct. 19-25, 1992): p. 1800.
African Art Now - Urban Culture from Africa. Tokyo: the Africa Society of Japan, 1993.
Africas: The Artist and the City: A Journey and an Exhibition. Barcelona: Centre de Cultura Contemporania de Barcelona, 2001.
Africus: Johannesburg Biennale. Johannesburg: Transitional Metropolitan Council, 1995.
Afuba, Chris. Tangled, the Dirge of Depleted Woods: Wood and Metal Sculpture: NDF, Lekki Conservation Centre, Lagos. Lagos: British Council and the Nigerian Conservation Society, 1992.
Agathe, J. Wegzeichen: Kunst aux Ostafrika, 1974-1989/Signs: Art from East Africa, 1974-1989. Frankfurt am Main: Museum für Völkerkunde, 1990.
Agboeze, Amaechi and Charlie Nwekeaku. "'Rebels' Who Echo Their Minds." Newswave (Enugu) (April 1, 1991): pp. 20-21.
Ajayi, Wale. Color Waves: An Exhbition of Paintings and Drawings. Lagos: National Commission for Museums and Monuments, 1992.
AKA '92: Annual Art Exhibition. Enugu: AKA Circle of Exhibiting Artists, 1992.
Aka-Evy, Jean-Luc. "Considérations historiques sur les tendances actuelles de la sculpture congolaise moderne."
Présence africaine (Paris) 167-168 (2003): pp. 195-205.
Akakpo, Barbara. "Exhibition by Ademola Akintola." West Africa (London) 3885 (March 2-March 8, 1992): p.
393.
Akolo, Jimo. National Council for Arts and Culture Presents an Exhibition of Paintings and Drawings by Prof.
Jimo Akolo from 1st August, '92 at the National Gallery of Crafts and Design...Lagos. Lagos: National Council for Arts
and Culture, 1992.
Alamu, Akin. From Dreamland: Exhibition 1992. Lagos: Russian Cultural Centre, 1992.
Aliyu, Hassan, Chike Azuonye, and Jon Churchill. Hassan Aliyu, Chike Azuonye, Jon Churchill. London: 198
Gallery, 1992.
Amselle, Jean-Loup. L'art de la friche: Essai sur l'art africain contemporain. Paris: Flammarion, 2005.
[Reviewed by Tobias Wendl in Cahiers d'études africaines (Paris) 181 (2006): pp. ????.]
Anikulapo, Jahman. "In the Deep Waters at Didi." Guardian (Lagos) (Sept. 26, 1992): p. 19.
Arnold, Marion and Brenda Schmahmann, eds. Between Union and Liberation: Women Artists in South Africa,
1910-1994. Burlington, VT: Ashgate, 2005. [Reviewed online by Julie L. McGee on H-Net, available at
http://www.h-net.org/reviews/showrev.cgi?path=209571143482345.]
Asedegbega, Augustine. Harvest of Unity: An Exhibition of Paintings and Sculptures. Lagos: Akin Ogunlesi,
1991.
Bailey, David A., Ian Baucom, and Sonia Boyce, eds. Shades of Black: Assembling Black Arts in 1980s Britain.
Durham, NC: Duke University Press in association with Institute of International Visual Arts and African and Asian Visual
Artists' Archive, 2005.
Balogun, Sola. "African Culture Shines on Ekefrey's Pallete." Guardian (Lagos) (Jan. 16, 1993): p. 16.
Barclays Young Artist Award, 1992. London: Serpentine Gallery, 1992.
Beier, Ulli. Art in Nigeria: 1960. Cambridge (UK): Cambridge University Press in Coordination with
the Information Division, Ministry of Home Affairs, Ibadan, Nigeria, 1960.
Bettelheim, Judith, ed. Afrocuba: Works on Paper 1968-2003. San Francisco: San Francisco State University,
2005.
Bräunlein, Peter. "Obiora Udechukwu: Lyriker und Grafiker aus Nigeria." Ika: Zeitschrift für Kulturaustausch &
Kulturkalender "Dritte Welt" (Hamburg) 41 (Feb. 1991): pp. 25-26.
Campbell, Bolaji Victor. "The Trial of 'Traditional' Art: The Bird Symbolism in Contemporary Yoruba Painting," in
Principles of "Traditional" African Art edited by Moyo Okediji, pp. 54-69. Ile-Ife: Bard Book, 1992.
Celebration of Life: An Exhibition of Paintings, Drawings, Sculptures at the Main Hall of the National Commission for
Museum and Monuments, Onikan, Lagos. Lagos: First Finance & Trust, 1992.
Chazal, Malcolm de. L'ombre d'une île : Malcolm de Chazal. with Bernard Violet and Hervé Masson. Toulouse : L'Ether vague, 1994.
Contemporary Ethiopian Artists at Fondo del Sol. Washington, D.C.: Fondo del Sol Visual Art and Media Center, 1984.
"Cut Florae and Faunae." Bambolse (Kumase) 1, no. 2 (Feb. 19-21, 1992): pp. 19-21.
D'Almeida, Fernando. "Le triomphe de la volonté." Bingo Nouveau (Paris) 408, no. 51 (1987).
Davies, Desmond. "An Artist for All Seasons." New African (London) 302 (Nov. 1992): p. 33.
Domino, Christophe and André Magnin. L'art africain contemporain. Tableaux choisis. Paris, Éditions Scala, 2005. [Reviewed by Cédric Vincent in Cahiers d'études africaines (Paris) 185 (2007): ????.]
"Doyen of Black Artists: Uzo Egonu, Nigerian Printmaker and Painter." West Africa (London) 3894 (May 4-10, 1992):
p. 747.
Firstenberg, Lauri Michelle. Against the Archive: Toward Indeterminacy and the Internationalization of Contemporary Art. Ph.D., Harvard University, 2005.
"Les graveurs de poto-poto: Résumé de la Conférence du professeur Rolf Italiaander (décembre 1960, Société des Africanistes)" Journal de la Société des Africanistes 30, no. 2 (1960): pp. 229-231.
Haavan, John. "the Sculpture Garden of the Department of Fine Arts, Ahmadu Bello University, Zaria." Art History Newsletter (Zaria) 2, no. 1 (Dec. 1992): p. 6.
Hanussek, Christian. "Cameroon: An Emerging Art Scene." Nka Journal of Contemporary African Art (Ithaca) 13/14 (Spring/Summer 2001): pp. 100-105.
Harney, Elizabeth. Ethiopian Passages: Contemporary Art from the Diaspora. London: Philip Wilson
Publishers, 2003. [Reviewed by Peri M. Klemm in African Art 37, no. 3 (Autumn 2007): pp. 8-11, 86.]
Harney, Elizabeth. In Senghor's Shadow: Art, Politics, and the Avant-Garde in Senegal, 1960-1995. Objects/Histories: Critical Perspectives on Art, Material Culture, and Representation. Durham, NC: Duke University Press, 2004. [Reviewed by Ginette Curry in African Studies Review (New Brunswick) 48, no. 3 (Dec. 2005): pp. 198-199; Mark D. DeLancey in The International Journal of African Historical Studies (Boston) 38, no. 3 (2005): pp. 569-571; online by John Peffer on H-Net, available at http://www.h-net.org/reviews/showrev.cgi?path=302031160692984.]
Harris, Michael D. "Beyond Aesthetics: Visual Activism in Ile-Ife," in The Yoruba Artist: New Theoretical Perspectives on African Arts edited by Abiodun, Rowland, Henry John Drewal, and John Pemberton III, pp. 201-215. Washington, DC: Smithsonian Institution Press, 1994.
"Iba N'Diaye: Musée Dynamique, Dakar 1977." African Arts (Los Angeles) 10, no. 3 (1977): pp. 72-73.
L'Ile Maurice vue par les artistes, 1800-1900: Mauritius Seen by the Artists 1800-1900. Port Louis,
Mauritius: Editions de la Table ovale, 1980.
See Jari. Zaria Unites: An Exhibition of Paintings and Sculptures.
Jegede, Dele, ed. Images of the Nigerian Nation. Foreward by Dele Jegede. Introduction by Ola Oloidi. Lagos: Society of Nigerian Artists, 1992.
Karnouk, Liliane. Modern Egyptian Art: 1910-2003. New York: The American University in Cairo Press, 2005.
Karnouk, Liliane. Modern Egyptian Art: The Emergence of a National Style. Forward by P. J. Vatikiotis. Cairo: The American University in Cairo Press, 1988.
Kidane, Girma. Contemporary Art in Ethiopia, 1977. Addis Ababa: Berhanena Selam Printing Press, 1977.
Kindred, Wendy. "Skunder and Modern Ethiopian Art" in Aspects of Ethiopian Art: From Ancient Axum to the 20th Century. edited by Paul B. Henze, pp. 126-133. London: Jed Press, 1993.
Koloane, David. "South African Art in the Global Context." Présence africaine (Paris) 167-168 (2003): pp. 119-126.
Lasserre, Isabell. "Le forum des artistes." Balafon (Abidjan) 93 (1990): pp. 48-54, 58-59.
Living with Art: The Westmoreland Collection: An Exhibition of Contemporary Art & Objects, Lagos, 1992. Lagos: Westmoreland Collection, 1992.
Living with Art II: The Masters: The Williams Lacy Swing Collection, Residence of the Ambassador of the United States, Ikoyi, Lagos, Nigeria, November 25-29, 1992. Lagos: Inalegwu Okwa Exhibition, 1992.
Magnin, André and Jacques Soulillou, eds. Contemporary Art of Africa. New York: Harry N. Abrams, 1996.
[Reviewed online by Dele Jegede on H-Net, available at
http://www.h-net.org/reviews/showrev.cgi?path=23969875569366.]
Marschall, Sabine. "Gestures of Compensation: Post-Apartheid Monuments and Memorials." Transformation (Durban) 55 (2004): pp. 78-95.
Mason, John. "Yoruba-American Art: New Rivers to Explore," in The Yoruba Artist: New Theoretical Perspectives on African Arts edited by Abiodun, Rowland, Henry John Drewal, and John Pemberton III, pp. 241-250. Washington, DC: Smithsonian Institution Press, 1994.
Niane, Idy Carras, Vieux Savané and Boubacar Boris Diop. Sét Sétal: La seconde génération des barricades.
Dakar: Sud éditions-Collection Ruptures, 1991.
Nolte, Jacqueline. "The Drawings of Bongi Bengu." African Arts (Los Angeles) 33, no. 2 (Summer 2000):
pp. 46-59, 91-92.
Nwanze, Sam. "Directional Image of Visual Arts." National Concord (Lagos) (June 18, 1992): p. 5; (June
25, 1992): p. 5; (July 9, 1992): p. 5.
Obi, Amanze. "Fleeting Moments of Fantasy." Guardian (Lagos) (Sept. 27, 1992): p. B7.
Okeke, Chika. "A Narrowing of Art." Daily Times (Lagos) (Oct. 31, 1992): p. 17.
Okeke, Chika. "Nigerian Women Artists: Amazons of a New Order." Classique (Lagos) (Oct. 5, 1992).
"Panorama: Peintres, sculpteurs - painters, sculptors, Dakar, Sénégal." Revue noire (Paris) 7 (Dec. 1992-Feb.
1993): pp. 17-25.
Pivin, Jean Loup. Aboudramane. Paris: Galerie Praz-Delavallade, 1992.
Pivin, Jean Loup. “Sét Sétal: The Story of the Word that Kills/Histoire d'une parole qui tue.” Revue noire
(Paris) 7 (Dec. 1992-Feb. 1993): pp. 4-6.
Roberts, Allen F. and Mary Nooter Roberts. "'Papisto Boy' (Portfolio)." African Arts (Los Angeles) 33,
no. 2 (Summer 2000): pp. 72-79, 92.
Roberts, Allen F. and Mary Nooter Roberts. A Saint in the City: Sufi Arts of Urban Senegal. Los Angeles,
CA: UCLA Fowler Museum of Cultural History, 2003.
Ross, Doran H. "George Hughes (Portfolio)." African
Arts 34, no. 1 (Spring 2001): pp. 50-57.
Sendegeya, Pierre-Claver. Anthologie des sculpteurs et peintres burundais contemporainsParis: Nathan &
Agence de coopération culturelle et technique, 1989.
See as-Shal. Mahmoud Said (1897-1964).
Sibanda, D.J. "Zimbabwe in the World of Sculpture." Insight 84, no. 2 (1984): pp. 2-6.
Souindoula, Simâo. "Biennial of Contemporary Bantu Art: African Art Revived." Courier: Africa-Caribbean-
Pacific-European Union (Brussels) 123 (Sept.-Oct. 1990): pp. 47-50.
Souindoula, Simâo. "Bienniale de l'art Bantu contemporain: Renouveau de l'art africain." Le Courrier:
Afrique-Caraïbes-Pacifiques-Communauté Européene (Brussels) 123 (Sept.-Oct. 1990): pp. 47-50.
Staking, Kimberlee. "Spirits in Steel: Recovering Cultural Identity Through the Scuplture of Sokari Douglas
Camp." The Maryland Historian 29, no. 1-2 (Winter 2005): pp. 69-84.
Steward, James Christen, et. al. Betye Saar: Extending the Frozen Moment. Berkeley, CA: University of
California Press, 2005.
Sultan, Olivier. Life in Stone: Zimbabwean Sculpture – Birth of a Contemporary Art Form. Photographs by
Peter Fernandes. Harare: Baobab Books, 1994.
Voorslag. Voorslag: A Magazine of South African Life and Art. Reprint of Numbers 1, 2 and 3 (1926).
Killie Campbell Africana Library Reprint Series 5. Pietermaritzburg: University of Natal Press and Durban: Killie
Campbell Africana Library, 1985.
Wahlman, Maude. Contemporary African Arts. Chicago: Field Museum of Natural History, 1974.
Washington, Forrester B. Contemporary Artists of Africa. New York: Division of Social Research and
Experimentation, Harmon Foundation, 1960.
Watt, Liese van der. "Tracing: Berni Searle." African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp.
74-79, 96.
The Way We Are: An Exhibition of Contemporary Nigerian Art. Lagos: Headstart CD, 1992.
Wazobia '92: Our Own; An Exhibition of Paintings and Sculptures by Mike Irrifere, Tola Wewe, Oseha Ajokpaezi, J. Igbaro, Sola Bada, E. Crowther Ojo,O. Olaloya, National Museum, Lagos, 7th-17th March 1992. Introduction by Mike Irrifere. Lagos: Wazobian Group of Artists, 1992.
Wolde, Seyoum. "Gebre Kristos Desta: Painter and Poet," in Aspects of Ethiopian Art: From Ancient Axum to the 20th Century. edited by Paul B. Henze, pp. 134-140. London: Jed Press, 1993.
See 'Yala yana': Kunst der Gegenwart aus dem Senegal.