South Africa

Arnold, Marion and Brenda Schmahmann, eds. Between Union and Liberation: Women Artists in South Africa, 1910-1994. Burlington, VT: Ashgate, 2005. [Reviewed online by Julie L. McGee on H-Net, available at http://www.h-net.org/reviews/showrev.cgi?path=209571143482345.]

Blacking, J. "Movement, Dance, Music, and the Venda Girls' Initiation Cycle," in Society and Dance: The Social Anthropology of Process and Performance edited by P. Spencer, pp. 64-91. Cambridge, UK: Cambridge University Press, 1985.

Boram-Hays, Carol S. A History of Zulu Beadwork, 1890-1997: Its Types, Forms and Functions. Ph.D., Ohio State University, 2000.

Bowler-Kelley, Alice. "Sur une pointe provenant de Healdtown (Province du Cap)." Journal de la Société des Africanistes 5, no. 1 (1935): pp. 113-116.

Burkitt, M. C. South Africa's Past in Stone and Paint. Cambridge: Cambridge University Press, 1928. [Reviewed by P. Lester, review available online in Journal de la Société des Africanistes 1, no. 2 (1931): pp. 311-312.]

Butler, Shelley Ruth. Post-colonial Challenges: Reinventing Museums in Post-apartheid Cape Town. Ph.D., York University, Canada, 2002.

Coplan, D. In Township Tonight! South Africa's Black City Music and Theatre. London: Longman, 1985.

Delmont, Elizabeth. "Re-envisioning Greater Johannesburg: South African Heritage Development in the First Decade of Democracy." African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 30-35, 94.

Fair, T.J.D. "The Urbanization Process in South Africa." RSA 2000 7, no. 1 (1985): pp. 1-6.

Foster, Jennifer Lynn. For Rent: Backyard Cape Town and the Changing Landscapes of the New South African City. Ph.D., University of Colorado at Boulder, 2002.

Gaule, Sally. "Alternating Currents of Power: From Colonial to Post-Apartheid Spatial Patterns in Newtown, Johannesburg." Urban Studies (London) 42, no. 13 (Dec. 2005): pp. 2335-2361.

Gaylard, Joseph. "The Craft Industry in South Africa: A Review of Ten Years of Democracy." African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 26-29, 94.

Godby, Michael. "After Apartheid: 10 South African Documentary Photographers." African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 36-41, 94.

Godby, Michael. "Art and Politics in a Changing South Africa: Bongi Dhlomo in Conversation with Michael Godby." African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 62-67, 96.

Greenfield, H. J., K. D. Fowler, and L. O. Van Schalkwyk. "Where are the Gardens? Early Iron Age Horticulture in the Thukela River Basin of South Africa." World Archaeology 37, no. 2 (June 2005): pp. 307-328.

Hodes, Rebecca. "HIV/AIDS in South African Documentary Film, c. 1990-2000." Journal of Southern African Studies (London) 33, no. 1 (2007): pp. 153-171.

Iachson, S. M. "Cape Colonial Architecture, Town Planning, and the Crafting of Modern Space in South Africa." Africa Today (Bloomington) 51, no. 4 (Summer 2005): pp. 33-56.

Jarvis, Hugh William. Lithic Sourcing and the Detection of Territoriality among Later Stone Age Hunter-Gatherers in South Africa. Ph.D., State University of New York at Buffalo, 2000.

Jordan, E. G. "Unrelenting Toil? Expanding Archaeological Interpretations of the Female Slave Experience." Slavery and Abolition 26, no. 2 (2005): pp. 217-232.

Klopper, Sandra. "Art and Freedom: South Africa after Apartheid: Introduction." African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 18-24, 93-94.

Klopper, Sandra. "Sacred Fragments: Looking Back at the Art of Paul Stopforth." African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 68-73, 96.

Klopper, Sandra and Michael Godby. "South Africa' Culture of Collecting: The Unofficial History." African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 16-17.

Koloane, David. "South African Art in the Global Context." Présence africaine (Paris) 167-168 (2003): pp. 119-126.

Lallo, Kirankumar. Citizenship, Property, and Place: Land and Housing in South Africa. Ph.D., U. of Southern California, 1998.

Levinsohn, Rhoda. "Rural Kwazulu Basketry." African Arts (Los Angeles) 14, no. 1 (Nov. 1980): pp. 52-7, 88.

Marschall, Sabine. "Gestures of Compensation: Post-Apartheid Monuments and Memorials." Transformation (Durban) 55 (2004): pp. 78-95.

Marschall, Sabine. "Getting the Message Across: Art and Craft in the Service of HIV/AIDS Awareness in South Africa." Visual Anthropology 17, no. 2 (2004): pp. 163-182.

Marx, Lesley. "'Cinema, Glamour, Atrocity': Narratives of Trauma." Social Dynamics (Cape Town) 32, no. 2 (2006): pp. 22-49.

McCarthy, J.J. "Problems of Planning for Urbanization and Development in South Africa: The Case of Natal's Coastal Margins." Geoforum 17, no. 2 (1986): pp. 267-87.

Morton, Elizabeth A. Missions and Modern Art in Southern Africa. Ph.D., Emory University, 2003.

Nettleton, Anitra. "A Review of Family Stories of South Africa: Nine Family Histories (Pretoria: National Cultural History Museum, March 31, 2004 - March 31, 2005)." African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 80-81.

Nettleton, Anitra, Julia Charlton, and Fiona Rankin-Smith. Engaging Modernities: Transformations of the Commonplace. Johannesberg: University of the Witwatersrand Art Galleries, 2003. [Reviewed by Van Robbroech in African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 6-14, 93.

Nolte, Jacqueline. "The Drawings of Bongi Bengu." African Arts (Los Angeles) 33, no. 2 (Summer 2000): pp. 46-59, 91-92.

Owen, G. "Forget Europe, Forget America: Architecture and Apartheid." Journal of Architectural Education 42 (Spring 1989): pp. 3-25; 42 (Summer 1989): 59-61.

Papini, Robert. "Dance Uniform History in the Church of Nazareth Baptists." African Arts (Los Angeles) 37, no. 3 (Autumn 2004): pp. 48-61, 90-92.

Preston-Whyte, Eleanor. "Zulu Bead Sculptors." African Arts (Los Angeles) 24, no. 1 (Jan. 1991): pp. 64-76, 104.

Reynolds, Glenn. "'From Red Blanket to Civilization': Propaganda and Recruitment Films for South Africa's Gold Mines, 1920-1940." Journal of Southern African Studies (London) 33, no. 1 (2007): pp. 133-152.

Robbroech, Lize van. "Reimagining South African National Heritage: Two Ten-Years-of-Democracy Exhibitions." African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 42-47, 94.

Roberts, Allen F. "‘Break the Silence' Art and HIV/AIDS in KwaZulu-Natal." African Arts (Los Angeles) 34, no. 1 (Spring 2001): pp. 36-49, 93-95.

Ross, Doran H. "George Hughes (Portfolio)." African Arts 34, no. 1 (Spring 2001): pp. 50-57.

Rovine, Victoria L. "South Africa from North America: Exporting Identities Through Art." African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 48-55, 95.

Shava, P.V. "South Africa: Popular Theatre and Political Ferment of the 1960s and 1970s." Présence Africaine 136 (1985): pp. 124-49.

Simonin, M. de. "Découverte de vestiges de la civilisation Bantou au Transvaal." Journal de la Société des Africanistes 3, no. 2 (1933): pp. 348-349.

Stevenson, Michael and Michael Graham-Stewart. The Mlungu in Africa: Art from the Colonial Period, 1840-1940.. Cape Town: Michael Stevenson Contemporary, 2003. [Reviewed ny Lize Van Robbroech in African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 6-14, 93.

Tuomi, Krista. "The South African Feature Film Industry: A Comparative Analysis." Social Dynamics (Cape Town) 32, no. 2 (2006): pp. 81-110.

Voorslag. Voorslag: A Magazine of South African Life and Art. Reprint of Numbers 1, 2 and 3 (1926). Killie Campbell Africana Library Reprint Series 5. Pietermaritzburg: University of Natal Press and Durban: Killie Campbell Africana Library, 1985.

Watt, Liese van der. "Tracing: Berni Searle." African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 74-79, 96.

Wells, Julia C. "From Grahamstown to Egazini: using art and history to construct post colonial identity and healing in the New South Africa." African Studies (Witwatersrand) 62, no. 1 (July 2003): pp. 79-98.

Wylie, Diana. "'From the Bottom of Our Hearts': Making Art in a Time of Struggle." African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 56-61, 96.

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