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Return to Bibliography of African Art by Nations
Senegal
Ago, Fabrizio. "Monumenti della valle del fiume Senegal." Rivista dell’ Instituto Italo-Africano 3
(1976): pp. 569-85.
Ago, Fabrizio. Moschee in adobe: storia e tipologia nell'Africa occidentale. Rome: Edizioni Kappa, 1982.
Aïdara, Abdoul Hadar. Saint-Louis du Sénégal d'hier à aujourd'hui. Brinon-sur-Sauldre, France: Grandvaux,
2005.
Aleong, Stanley. Structure Résidentielle des Serer Ndut à Tivigne Tanghor (Sénégal). MA Thesis,
Université de Montréal, 1970.
Bellot, Jean-Pierre. "Dakar dans les prés de Sangalkam: l’influence de Dakar sur la proche campane: cas de la
communauté rurale de Sangalkam." La péri-urbanisation dans les pays tropicaux, edited by Pierre Vennetier. Cedex:
Centre d’études de géographie tropicale, 1989: pp. 5-76.
Bernus, Edmond. "Ahouati, notes sur une village Dida." Etudes eburnéennes 6 (1957): pp. 213-229.
Betts, Raymond F. "Dakar: ville impériale, 1857-1960," in Colonial Cities edited by R.J. Ross and G.J.
Telkamp, pp. 193-206. Comparative Studies in Overseas History 5. Dordrecht: Martinus Nijhoff, 1985.
Betts, Raymond F. "Establishment of the medina in Dakar, Senegal." Africa 42, no. 2 (1971): pp. 143-152.
Boulègue, J. "Mosquées de Style Soudanais au Fuuta Tooro." Notes Africaines 134 (136) (1972): PP. 117-9.
Bourdier, Jean-Paul. "Houses of Light." Mimar 39 (v. 11, no.2) (June 1991): pp. 60-67.
Bourdier, Jean-Paul. "The Rural Mosques of Futa Toro." African Arts (Los Angelese) 26, no. 3 (July 1993):
pp. 32-45, 86.
Bourdier, Jean-Paul. "Triangles of Light: Tokolor Dwellings." Mimar 43 (June 1992): pp. 68-75.
Bourdier, Jean-Paul and Trinh T. Minh-ha. Drawn from African Dwellings. Bloomington and Indianapolis,
Indiana: Indiana University Press, 1996.
Cantone, Cleo. "A Mosque in a Mosque: Some Observations on the Rue Blanchot Mosque in Dakar & Its Relation to Other Mosques in the Colonial Period." Cahiers d'études africaines (Paris) 46, cah. 182 (2006): pp. 363-387.
Dilley, Roy M. "Dreams, Inspiration and Craftwork among Tukolor Weavers," in Dreaming, Religion, and Society in Africa edited by M. C. Jedrej and Rosalind Shaw. Leiden: E. J. Brill, 1992.
Dilley, Roy M. "Tukulor Weavers and the Organisation of Their Craft in Village and Town." Africa 56, no. 2 (1986): pp. 124-47.
Dilley, Roy. "The Visibility and Invisibility of Production: In Different Social Contexts among Senegalese Craftsmen," in <em>Commodification: Things, Agency, and Identities (<u>The Social Life of Things</u> Revisited)</em> edited by M. J. van Binsbergen and Peter L. Geschiere, pp. 227-241. Munich: Lit Verlag, 2005.
Dione, Marème. "Dakar au fil des plans," in Architectures françaises outre-mer: Abidjan, Agadir, Alep,
Alger, Bangui, Beyrouth, Brazzaville, Cansadon, Casablanca, Conakry, Dakar, Damas, Hanoi, Libreville, Niamey,
Orleansville, Ouagadougou, Riyadh, Tananarive, Tunis, Yaoundé, pp. 220-237. Liège: Mardaga, 1992.
Diop, M. Adama. "Caractères et signification spatio-temporels du patrimoine bâti lusitain en Sénégambie:
XVe-XVIIe siècles." Studia 52 (1994): pp. 25-48.
Diop, Momar Coumba and Mamadou Diouf. "Pouvoir central et pouvoir local: la crise de l’institution municipale
au Sénégal." Pouvoirs et cités d’Afrique noire: décentralisations en questions, edited by Sylvy Jaglin and Alain
Dubresson. Paris: Karthala, 1993: pp. 101-25.
Diouf, Coumba Ndoffène. "A propos du plan de réorganisation des reserves du Musée d'art africain de l'IFAN,
Dakar." West African Museums Project Bulletin (Dakar) 3 (1992): pp. 26-31.
Diouf, Mamadou. "Fresque murales et écriture de l'histoire: Le Sét Sétal à Dakar." Politique
africaine (Paris) 46 (1992): pp. 41-54.
Diouf, Mamadou. "Islam: Peinture sous verre et idéologie populaire," in Art pictural zaïrois edited by
Bogumil Jewsiewicki, pp. 29-40. Sillery, Quebec: Septentrion, 1992.
"Fashion-Design/Mode-Design." Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 32-33.
Fleury, Marie-France. "Un Village Diakhanké du Sénégal Oriental: Missirah." Les Cahiers d’Outre-Mer
37, no. 145 (1984): pp. 63-86.
Fofana, Amadou T. The Films of Ousmane Sembene: Discourse, Politics, and Aesthetics. Ph.D., University of
Wisconsin - Madison, 2005.
Galaup, Alain. "Les villages-centres du Sénégal." Les cahiers d’Outre-Mer 44, no.174 (1991): pp. 187-206.
Gessain, Monique. Environnement Végétal et Anthropologie Écologique des Bassari du Sénégal Oriental:
Evolution du Village d’Etyolo Depuis 1900. Ph.D. Thesis, Université Pierre et Marie Curie, 1975.
Gessain, Monique. "Un Village de la Savane Sud-Soudanienne Etyolo en Pays Bassari." Documents du Centre
Recherches Anthropologiques du Musée de l’Homme 4 (1981).
Girard, Jean. L’or du Bambouk: Une dynamique de civilisation ouest-africaine: Du royaume de Gabou à la
Casamance. Genève: Georg Editeur, 1992. [Reviewed by Andrew F. Clark in Journal of African History (Cambridge)
35, no. 2 (1994): pp. 309-310.]
"Glass Paintings from Senegal," in Elephant: The Animal and Its Ivory in African Culture edited by Doran H. Ross,
pp. 78-79. Los Angeles: Fowler Museum of Cultural History, University of California, Los Angeles, 1992.
Gumpert, Anita. "Howard Opper on 'The Beads of Diakité.'" Bead Society of Greater Washington Newsletter
(Washington, DC) 9, no. 2 (April-June 1992): pp. 5-6.
Haardt, Caroline. "Gorée, Island of Slaves." UNESCO Courier (Paris) (October 1992): pp. 48-50.
Hamès, Constant and Alain Epelboin. "Trois vêtements talismaniques provenant de Sénégal (décharge de
Dakar-Pikine)." Bulletin d'études orientales (Damascus) 44 (1992): pp. 217-241.
Harney, Elizabeth. In Senghor's Shadow: Art, Politics, and the Avant-Garde in Senegal, 1960-1995.
Objects/Histories: Critical Perspectives on Art, Material Culture, and Representation. Durham, NC: Duke University Press,
2004. [Reviewed by Ginette Curry in African Studies Review (New Brunswick) 48, no. 3 (Dec. 2005): pp. 198-199; Mark D.
DeLancey in The International Journal of African Historical Studies (Boston) 38, no. 3 (2005): pp. 569-571; online by
John Peffer on H-Net, available at http://www.h-net.
org/reviews/showrev.cgi?path=302031160692984.]
Heath, Deborah. "Fashion and Anti-Fashion, and Heteroglossia in Urban Senegal." American Ethnologist
(Washington, DC) 19, no. 1 (Feb. 1992): pp. 19-33.
Hinchman, Mark Alan. African Rococo: House and Portrait in Eighteenth-Century Senegal. Ph.D., University
of Chicago, 2000.
Hinchman, Mark Alan. "House and Household on Gorée, Senegal, 1758-1837." Journal of the Society of
Architectural Historians (Chicago) 65, no. 2 (June 2006): pp. 166-187.
"Iba N'Diaye: Musée Dynamique, Dakar 1977." African Arts (Los Angeles) 10, no. 3 (1977): pp. 72-73.
Johnson, M.A. "The French Impact upon African Art: The Case of Senegalese Goldsmiths," in Double Impact:
France and Africa in the Age of Imperialism edited by G.W. Johnson, pp. 259-79. Contributions in Comparative Colonial
Studies 16. Westport, CT: Greenwood Press, 1985.
Katchka, Kinsey. Putting Art in Place: Exhibiting Community and Cultural Policy in Twentieth Century Senegal.
Ph.D., Indiana University, 2002.
Kennedy, Jean. "Artists of the Image and Loom: Sénégal," in New Currents, Ancient Rivers: Contemporary African
Artists in a Generation of Change, pp. 97-107. Washington, DC: Smithsonian Institution Press, 1992.
Leblanc, Colette. "Un Village de la Vallée du Sénégal: Amadi-Ounare." Les Cahiers d’Outre-Mer 66 (1964): pp. 117-48.
Leering, Carola. "Fodé Camara: 'Je suis un Africain qui peint, ce qui est différent à un peintre Africain," in De receptie van Afrikaanse kunst, pp. 18-22. Amsterdam: Stichting Kunstilicht, 1992.
Lifszyc, Deborah. "L'Institut d'Afrique à Dakar et les recherches sahariennes.Journal de la Société des Africanistes 7, no. 2 (1937): pp. 233-235.
Mark, Peter. The Wild Bull and the Sacred Forest: Form, Meaning, and Change in Senegambian Initiation Masks. Cambridge: Cambridge University Press, 1992. [Reviewed by Monni Adams in International Journal of African Historical Studies (Boston) 26, no. 2 (1992): pp. 407-409; Thomas O. Beidelman in Anthropos (Fribourg) 88, no. 1-3 (1992): pp. 261-262; Lisa Aronson in African Studies Review (Atlanta) 36, no. 3 (Dec. 1993): pp. 148-151; Josette Rivallain in Journal des Africanistes (Paris) 63, no. 2 (1992): pp. 128-130; Michael C. Lambert in Museum Anthropology (Arlington) 18, no. 2 (June 1994): pp. 61-62.]
Martin, V. and ?. Becker. "Sites protohistoriques de la Sénégambie," in Atlas National du Sénégal, pp. 48-51. Paris: I.G.N., 1977. [Reviewed by Cyr. Descamps, review available online in Journal des africanistes 50, no. 50/1 (1980): pp. 161-163.]
"Matar." Revue noire (Paris) 4 (March-April-May 1992): pp. 12-15.
McIntosh, Susan Keech, Roderick J. McIntosh, and Hamady Bocoum. "The Middle Senegal Valley Project: preliminary
Results from the 1990-1991 Field Season." Nyame Akuma (Duluth) 38 (December 1992): pp. 47-61.
Moderne Kunst aus dem Senegal: Städtische Galerie Wendlingen am Neckar, 3 November - 6 Dezember 1987. Stuttgart:
Künstlerbund Baden-Wurttemberg, 1987.
See Moyer, Eileen. "A Review of Musulmanes, Musulmanes au Caire, a Téhéran, Istanbul,
Paris, Dakar.
See Moyer, Eileen. "A Review of Urban Islam.
Mushengyezi, Aaron. "Reimaging Gender and African Tradition? Ousmane Sembène's 'Xala' Revisited." Africa
Today (Bloomington) 51, no. 1 (2004): pp. 47-62.
Niane, Idy Carras, Vieux Savané and Boubacar Boris Diop. Sét Sétal: La seconde génération des barricades.
Dakar: Sud éditions-Collection Ruptures, 1991.
"Panorama: Peintres, sculpteurs - painters, sculptors, Dakar, Sénégal." Revue noire (Paris) 7 (Dec. 1992-Feb.
1993): pp. 17-25.
Pfaff, F. The cinema of Ousmane Sembene, A Pioneer of African Film. Contributions in Afro-American and
African Studies 79. Westport, CT: Greenwood Press, 1984.
Pivin, Jean Loup. “El Hadji Sy.” Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 10-12.
Pivin, Jean Loup. “Joe Ouakam: Art as a Path to Knowledge/L'art comme voie de connaissance.” Revue noire
(Paris) 7 (Dec. 1992-Feb. 1993): pp. 7-9.
Pivin, Jean Loup. “Kan-Si.” Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): p. 23.
Pivin, Jean Loup. “Sét Sétal: The Story of the Word that Kills/Histoire d'une parole qui tue.” Revue noire
(Paris) 7 (Dec. 1992-Feb. 1993): pp. 4-6.
Pivin, Jean Loup and Issa Samb. “Mor Faye.” Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 4-6.
Roberts, Allen F. and Mary Nooter Roberts. "Papisto Boy' (Portfolio)." African Arts (Los Angeles) 33,
no. 2 (Summer 2000): pp. 72-79, 92.
Roberts, Allen F. and Mary Nooter Roberts. A Saint in the City: Sufi Arts of Urban Senegal. Los Angeles,
CA: UCLA Fowler Museum of Cultural History, 2003.
Rosen, Miriam. Albert Benamou présente Asse: Peintures: Découvertes, Grand Palais, 1992, 14-23 février.
Paris: A. B. Galleries, 1992.
Rosen, Miriam. "Asse." Artforum (New York) 30, no. 6 (Feb. 1992): p. 108.
Sinou, Alain. "Saint-Louis du Senegal au debut du XIXe siecle: du comptoir a la ville." Cahiers d'etudes
africaines 29, no.115-116 (1989): pp. 377-395.
Sy, Serigne Babacar. "Serigne Mbaye Camara." Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 13-15.
Thiam, Mandiomé. La céramique au Sénégal: archéologie et histoire. Ph.D., Université de Paris I,
Panthéon-Sorbonne, 1991.
Thilmans, G., C. Descamps, and ?. Khayat. Protohistoire du Sénégal: Recherches archéologiques Vol. I. Les sites mégalithiques. Mémoires de l'IFAN 91. Dakar: IFAN, 1980. [Reviewed by Raymond Mauny, review available online in Journal des africanistes 50, no. 50/1 (1980): p. 167.]
'Yala yana': Kunst der Gegenwart aus dem Senegal. Stuttgart: Institut für Auslandsbeziehungen, 1991.
Yacouba, Jacob. "Renouveau de la peinture sénégalaise." Balafon 80 (1987): p. 50.
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