Senegal

Ago, Fabrizio. "Monumenti della valle del fiume Senegal." Rivista dell’ Instituto Italo-Africano 3 (1976): pp. 569-85.

Ago, Fabrizio. Moschee in adobe: storia e tipologia nell'Africa occidentale. Rome: Edizioni Kappa, 1982.

Aïdara, Abdoul Hadar. Saint-Louis du Sénégal d'hier à aujourd'hui. Brinon-sur-Sauldre, France: Grandvaux, 2005.

Aleong, Stanley. Structure Résidentielle des Serer Ndut à Tivigne Tanghor (Sénégal). MA Thesis, Université de Montréal, 1970.

Appia, Béatrice. "Masques de Guinée française et de Casamance d'après des dessins d'enfants noirs." Journal de la Société des Africanistes 13 (1943): pp. 153-182.

Bellot, Jean-Pierre. "Dakar dans les prés de Sangalkam: l’influence de Dakar sur la proche campane: cas de la communauté rurale de Sangalkam." La péri-urbanisation dans les pays tropicaux, edited by Pierre Vennetier. Cedex: Centre d’études de géographie tropicale, 1989: pp. 5-76.

Bernus, Edmond. "Ahouati, notes sur une village Dida." Etudes eburnéennes 6 (1957): pp. 213-229.

Betts, Raymond F. "Dakar: ville impériale, 1857-1960," in Colonial Cities edited by R.J. Ross and G.J. Telkamp, pp. 193-206. Comparative Studies in Overseas History 5. Dordrecht: Martinus Nijhoff, 1985.

Betts, Raymond F. "Establishment of the medina in Dakar, Senegal." Africa 42, no. 2 (1971): pp. 143-152.

Beurnier, Reine. "Artisans et artisanes de Saint-Louis du Sénégal." Outre-Mer: Revue générale de colonisation (Paris) 9, no. 4 (December 1937): pp. 279-300.

Boulègue, J. "Mosquées de Style Soudanais au Fuuta Tooro." Notes Africaines 134 (136) (1972): PP. 117-9.

Bourdier, Jean-Paul. "Houses of Light." Mimar 39 (v. 11, no.2) (June 1991): pp. 60-67.

Bourdier, Jean-Paul. "The Rural Mosques of Futa Toro." African Arts (Los Angelese) 26, no. 3 (July 1993): pp. 32-45, 86.

Bourdier, Jean-Paul. "Triangles of Light: Tokolor Dwellings." Mimar 43 (June 1992): pp. 68-75.

Bourdier, Jean-Paul and Trinh T. Minh-ha. Drawn from African Dwellings. Bloomington and Indianapolis, Indiana: Indiana University Press, 1996.

Cantone, Cleo. "A Mosque in a Mosque: Some Observations on the Rue Blanchot Mosque in Dakar & Its Relation to Other Mosques in the Colonial Period." Cahiers d'études africaines (Paris) 46, cah. 182 (2006): pp. 363-387.

Dilley, Roy M. "Dreams, Inspiration and Craftwork among Tukolor Weavers," in Dreaming, Religion, and Society in Africa edited by M. C. Jedrej and Rosalind Shaw. Leiden: E. J. Brill, 1992.

Dilley, Roy M. "Tukulor Weavers and the Organisation of Their Craft in Village and Town." Africa 56, no. 2 (1986): pp. 124-47.

Dilley, Roy. "The Visibility and Invisibility of Production: In Different Social Contexts among Senegalese Craftsmen," in <em>Commodification: Things, Agency, and Identities (<u>The Social Life of Things</u> Revisited)</em> edited by M. J. van Binsbergen and Peter L. Geschiere, pp. 227-241. Munich: Lit Verlag, 2005.

Dione, Marème. "Dakar au fil des plans," in Architectures françaises outre-mer: Abidjan, Agadir, Alep, Alger, Bangui, Beyrouth, Brazzaville, Cansadon, Casablanca, Conakry, Dakar, Damas, Hanoi, Libreville, Niamey, Orleansville, Ouagadougou, Riyadh, Tananarive, Tunis, Yaoundé, pp. 220-237. Liège: Mardaga, 1992.

Diop, M. Adama. "Caractères et signification spatio-temporels du patrimoine bâti lusitain en Sénégambie: XVe-XVIIe siècles." Studia 52 (1994): pp. 25-48.

Diop, Momar Coumba and Mamadou Diouf. "Pouvoir central et pouvoir local: la crise de l’institution municipale au Sénégal." Pouvoirs et cités d’Afrique noire: décentralisations en questions, edited by Sylvy Jaglin and Alain Dubresson. Paris: Karthala, 1993: pp. 101-25.

Diouf, Coumba Ndoffène. "A propos du plan de réorganisation des reserves du Musée d'art africain de l'IFAN, Dakar." West African Museums Project Bulletin (Dakar) 3 (1992): pp. 26-31.

Diouf, Mamadou. "Fresque murales et écriture de l'histoire: Le Sét Sétal à Dakar." Politique africaine (Paris) 46 (1992): pp. 41-54.

Diouf, Mamadou. "Islam: Peinture sous verre et idéologie populaire," in Art pictural zaïrois edited by Bogumil Jewsiewicki, pp. 29-40. Sillery, Quebec: Septentrion, 1992.

"Fashion-Design/Mode-Design." Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 32-33.

Fleury, Marie-France. "Un Village Diakhanké du Sénégal Oriental: Missirah." Les Cahiers d’Outre-Mer 37, no. 145 (1984): pp. 63-86.

Fofana, Amadou T. The Films of Ousmane Sembene: Discourse, Politics, and Aesthetics. Ph.D., University of Wisconsin - Madison, 2005.

Galaup, Alain. "Les villages-centres du Sénégal." Les cahiers d’Outre-Mer 44, no.174 (1991): pp. 187-206.

Gessain, Monique. Environnement Végétal et Anthropologie Écologique des Bassari du Sénégal Oriental: Evolution du Village d’Etyolo Depuis 1900. Ph.D. Thesis, Université Pierre et Marie Curie, 1975.

Gessain, Monique. "Un Village de la Savane Sud-Soudanienne Etyolo en Pays Bassari." Documents du Centre Recherches Anthropologiques du Musée de l’Homme 4 (1981).

Girard, Jean. L’or du Bambouk: Une dynamique de civilisation ouest-africaine: Du royaume de Gabou à la Casamance. Genève: Georg Editeur, 1992. [Reviewed by Andrew F. Clark in Journal of African History (Cambridge) 35, no. 2 (1994): pp. 309-310.]

"Glass Paintings from Senegal," in Elephant: The Animal and Its Ivory in African Culture edited by Doran H. Ross, pp. 78-79. Los Angeles: Fowler Museum of Cultural History, University of California, Los Angeles, 1992.

Gumpert, Anita. "Howard Opper on 'The Beads of Diakité.'" Bead Society of Greater Washington Newsletter (Washington, DC) 9, no. 2 (April-June 1992): pp. 5-6.

Haardt, Caroline. "Gorée, Island of Slaves." UNESCO Courier (Paris) (October 1992): pp. 48-50.

Hamès, Constant and Alain Epelboin. "Trois vêtements talismaniques provenant de Sénégal (décharge de Dakar-Pikine)." Bulletin d'études orientales (Damascus) 44 (1992): pp. 217-241.

Harney, Elizabeth. In Senghor's Shadow: Art, Politics, and the Avant-Garde in Senegal, 1960-1995. Objects/Histories: Critical Perspectives on Art, Material Culture, and Representation. Durham, NC: Duke University Press, 2004. [Reviewed by Ginette Curry in African Studies Review (New Brunswick) 48, no. 3 (Dec. 2005): pp. 198-199; Mark D. DeLancey in The International Journal of African Historical Studies (Boston) 38, no. 3 (2005): pp. 569-571; online by John Peffer on H-Net, available at http://www.h-net. org/reviews/showrev.cgi?path=302031160692984.]

Heath, Deborah. "Fashion and Anti-Fashion, and Heteroglossia in Urban Senegal." American Ethnologist (Washington, DC) 19, no. 1 (Feb. 1992): pp. 19-33.

Hinchman, Mark Alan. African Rococo: House and Portrait in Eighteenth-Century Senegal. Ph.D., University of Chicago, 2000.

Hinchman, Mark Alan. "House and Household on Gorée, Senegal, 1758-1837." Journal of the Society of Architectural Historians (Chicago) 65, no. 2 (June 2006): pp. 166-187.

"Iba N'Diaye: Musée Dynamique, Dakar 1977." African Arts (Los Angeles) 10, no. 3 (1977): pp. 72-73.

Johnson, M.A. "The French Impact upon African Art: The Case of Senegalese Goldsmiths," in Double Impact: France and Africa in the Age of Imperialism edited by G.W. Johnson, pp. 259-79. Contributions in Comparative Colonial Studies 16. Westport, CT: Greenwood Press, 1985.

Katchka, Kinsey. "Exhibiting 'the Popular': Urban Cultures and Globalism in Postcolonial West Africa." JASO: Journal of the Anthopological Society of Oxford 31, no. 3 (2000): pp. 329-343.

Katchka, Kinsey. Putting Art in Place: Exhibiting Community and Cultural Policy in Twentieth Century Senegal. Ph.D., Indiana University, 2002.

Kennedy, Jean. "Artists of the Image and Loom: Sénégal," in New Currents, Ancient Rivers: Contemporary African Artists in a Generation of Change, pp. 97-107. Washington, DC: Smithsonian Institution Press, 1992.

Lebeuf, Jean-Paul. "Quelques types de poulaillers africains." Journal de la Société des Africanistes 12 (1942): pp. 33-47.

Leblanc, Colette. "Un Village de la Vallée du Sénégal: Amadi-Ounare." Les Cahiers d’Outre-Mer 66 (1964): pp. 117-48.

Leering, Carola. "Fodé Camara: 'Je suis un Africain qui peint, ce qui est différent à un peintre Africain," in De receptie van Afrikaanse kunst, pp. 18-22. Amsterdam: Stichting Kunstilicht, 1992.

Lifszyc, Deborah. "L'Institut d'Afrique à Dakar et les recherches sahariennes.Journal de la Société des Africanistes 7, no. 2 (1937): pp. 233-235.

Mark, Peter. The Wild Bull and the Sacred Forest: Form, Meaning, and Change in Senegambian Initiation Masks. Cambridge: Cambridge University Press, 1992. [Reviewed by Monni Adams in International Journal of African Historical Studies (Boston) 26, no. 2 (1992): pp. 407-409; Thomas O. Beidelman in Anthropos (Fribourg) 88, no. 1-3 (1992): pp. 261-262; Lisa Aronson in African Studies Review (Atlanta) 36, no. 3 (Dec. 1993): pp. 148-151; Josette Rivallain in Journal des Africanistes (Paris) 63, no. 2 (1992): pp. 128-130; Michael C. Lambert in Museum Anthropology (Arlington) 18, no. 2 (June 1994): pp. 61-62.]

Martin, V. and ?. Becker. "Sites protohistoriques de la Sénégambie," in Atlas National du Sénégal, pp. 48-51. Paris: I.G.N., 1977. [Reviewed by Cyr. Descamps, review available online in Journal des africanistes 50, no. 50/1 (1980): pp. 161-163.]

"Matar." Revue noire (Paris) 4 (March-April-May 1992): pp. 12-15.

McIntosh, Susan Keech, Roderick J. McIntosh, and Hamady Bocoum. "The Middle Senegal Valley Project: preliminary Results from the 1990-1991 Field Season." Nyame Akuma (Duluth) 38 (December 1992): pp. 47-61.

Moderne Kunst aus dem Senegal: Städtische Galerie Wendlingen am Neckar, 3 November - 6 Dezember 1987. Stuttgart: Künstlerbund Baden-Wurttemberg, 1987.

See Moyer, Eileen. "A Review of Musulmanes, Musulmanes au Caire, a Téhéran, Istanbul, Paris, Dakar.

See Moyer, Eileen. "A Review of Urban Islam.

Mushengyezi, Aaron. "Reimaging Gender and African Tradition? Ousmane Sembène's 'Xala' Revisited." Africa Today (Bloomington) 51, no. 1 (2004): pp. 47-62.

Niane, Idy Carras, Vieux Savané and Boubacar Boris Diop. Sét Sétal: La seconde génération des barricades. Dakar: Sud éditions-Collection Ruptures, 1991.

"Panorama: Peintres, sculpteurs - painters, sculptors, Dakar, Sénégal." Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 17-25.

Pfaff, F. The cinema of Ousmane Sembene, A Pioneer of African Film. Contributions in Afro-American and African Studies 79. Westport, CT: Greenwood Press, 1984.

Pivin, Jean Loup. “El Hadji Sy.” Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 10-12.

Pivin, Jean Loup. “Joe Ouakam: Art as a Path to Knowledge/L'art comme voie de connaissance.” Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 7-9.

Pivin, Jean Loup. “Kan-Si.” Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): p. 23.

Pivin, Jean Loup. “Sét Sétal: The Story of the Word that Kills/Histoire d'une parole qui tue.” Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 4-6.

Pivin, Jean Loup and Issa Samb. “Mor Faye.” Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 4-6.

Roberts, Allen F. and Mary Nooter Roberts. "Papisto Boy' (Portfolio)." African Arts (Los Angeles) 33, no. 2 (Summer 2000): pp. 72-79, 92.

Roberts, Allen F. and Mary Nooter Roberts. A Saint in the City: Sufi Arts of Urban Senegal. Los Angeles, CA: UCLA Fowler Museum of Cultural History, 2003.

Rosen, Miriam. Albert Benamou présente Asse: Peintures: Découvertes, Grand Palais, 1992, 14-23 février. Paris: A. B. Galleries, 1992.

Rosen, Miriam. "Asse." Artforum (New York) 30, no. 6 (Feb. 1992): p. 108.

Sinou, Alain. "Saint-Louis du Senegal au debut du XIXe siecle: du comptoir a la ville." Cahiers d'etudes africaines 29, no.115-116 (1989): pp. 377-395.

Sy, Serigne Babacar. "Serigne Mbaye Camara." Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 13-15.

Thiam, Mandiomé. La céramique au Sénégal: archéologie et histoire. Ph.D., Université de Paris I, Panthéon-Sorbonne, 1991.

Thilmans, G., C. Descamps, and ?. Khayat. Protohistoire du Sénégal: Recherches archéologiques Vol. I. Les sites mégalithiques. Mémoires de l'IFAN 91. Dakar: IFAN, 1980. [Reviewed by Raymond Mauny, review available online in Journal des africanistes 50, no. 50/1 (1980): p. 167.]

Vajda, Georges. "Contribution à la connaissance de la littérature arabe en Afrique Occidentale." Journal de la Société des Africanistes 20, no. 2 (1950): pp. 229-237.

'Yala yana': Kunst der Gegenwart aus dem Senegal. Stuttgart: Institut für Auslandsbeziehungen, 1991.

Yacouba, Jacob. "Renouveau de la peinture sénégalaise." Balafon 80 (1987): p. 50.

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