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Abba, Shettima B. “Borno Towns and Their Gates.” Borno Museum Society Newsletter (Maiduguri) 11-12 (April/May/June-July/Aug./Sept. 1992): pp. 15-24.

Abejide, E. Ola. "Gourds and Calabash-Carving Technology in Oyo." Nigerian Heritage: Journal of the National Commission for Museums and Monuments (Lagos) 1 (1992): pp. 38-48.

Abimbola, Wande. "Lagbayi: The Itinerant Wood Carver of Ojowon," in The Yoruba Artist: New Theoretical Perspectives on African Arts edited by Abiodun, Rowland, Henry John Drewal, and John Pemberton III, pp. 137-142. Washington, DC: Smithsonian Institution Press, 1994.

Abiodun, Rowland. "Verbal and Visual Metaphors: Mythical Allusions in Yoruba Ritualistic Art at Ori." Word and Image (London) 3, no. 3 (1987): pp. 252-70.

Abiodun, Rowland, Henry John Drewal, and John Pemberton III, eds.The Yoruba Artist: New Theoretical Perspectives on African Arts. Washington, DC: Smithsonian Institution Press, 1994.

Abiodun, Rowland, Ulli Beier, and John Pemberton. Cloth Only Wears to Shreds: Yoruba Textiles and Photographs from the Ulli Beier Collection. Amherst, MA: Mead Art Museum, Amherst College, 2004. [Reviewed by Lisa Aronson in African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 91-92.]

Abubakar, Nurudeen. "Metallurgy in Northern Nigeria: Zamfara Metal Industry in the 19th Century," in Science and Technology in African History with Case Studies from Nigeria, Sierra Leone, Zimbabwe, and Zambia edited by Gloria Thomas-Emeagwali, pp. 55-77. Lewiston: E. Mellen Press, 1992.

Abumere, S.I. "Categorization of Nigerian Towns." The Nigerian Journal of Economic and Social Studies 37, no.1 (1995): pp. 63-74.

Adams, Monni. The Aesthetics of Power: Gelede Festival of the Western Yoruba. Bunting Institute Working Paper. Cambridge, MA: Mary Ingraham Bunting Institute of Radcliffe College, 1984.

Adebayo, A. G. "The Production and Export of Hides and Skins in Colonial Northern Nigeria." Journal of African History (Cambridge) 33, no. 2 (1992): pp. 273-300.

Adedibu, A.A. "Socio-Economic Areas and Associated Housing Types in Ilorin, Nigeria." African Urban Quarterly 4, no.1-2 (1989): pp. 105-14.

Adegborioye, Kunle. From a Distance: An Exhibition of Paintings (Battersea District Library, London, July 21- August 1, 1992). London: Ranelagh Press, 1992.

Adelamo, A. "The Kainji Dam." Nigeria Magazine 99 (1968).

Adenaike, Tayo. Tayo Adenaike: Solem Notes in 30 Watercolors. New Orleans: Tayo Adenaike, 1992.

Adepegba, Cornelius Oyeleke. Decorative arts of the Fulani nomads. Ibadan: Ibadan University Press, 1986.

Adepegba, Cornelius Oyeleke. "The Essence and Art of Yoruba Sanctuary Pottery." Orita 16, no. 2 (1984): pp. 71-86.

Adepegba, Cornelius Oyeleke. "Ona: The Concept of Art among the Yoruba," in Yoruba Culture, pp. 1-6. Ibadan: Nigerian Field Society, Ibadan Branch, 1992.

Adesanya, Aderonke Adesola. “A Semiotics of Clothing Insignia of Indigenous Secret Societies Among the Ijebu Yoruba,” in Yoruba Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams, pp. 23-48. Ibadan: BookBuilders, 2005.

Adiele, Joyce. "Why Nigerian Women Love Jewelry." NCAC News (Lagos) 1, no. 4 (March 1992): p. 4.

Adjaye, Kwamena Essifile. "Art as Culture." West Africa (London) 3918 (Oct. 19-25, 1992): p. 1800.

Afuba, Chris. Tangled, the Dirge of Depleted Woods: Wood and Metal Sculpture: NDF, Lekki Conservation Centre, Lagos. Lagos: British Council and the Nigerian Conservation Society, 1992.

Agada, Ladi. "Visitors of Borno State Museum." Borno Museum Society Newsletter (Maiduguri) 3-4 (April- May-June 1990): pp. 5-10.

Agbaje-Williams, Babatunde. “Clothed Ritual Trees: An Insight into Yoruba Religious Thoughts,” in Yoruba Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams, pp. 157-187. Ibadan: BookBuilders, 2005.

Agbaje-Williams, Babatunde and Akinwumi Ogundiran. Cultural Resources in Ijesaland, Western Nigeria. Ilesa: Ijesa Cultural Foundation, 1992.

Agboeze, Amaechi and Charlie Nwekeaku. "'Rebels' Who Echo Their Minds." Newswave (Enugu) (April 1, 1991): pp. 20-21.

Agbola, Tunde. "The Housing Construction Process in Nigeria and Its Implication for Urban Growth and Development." African Urban Quarterly 2, no.4 (1987): pp. 398-406.

Agbola, T. "Kaduna." Cities 3, no. 4 (1986): pp. 282-9.

Ahmed, Bello Nuhu. Kano Emirate Palaces: An Architectural and Historical Study. BSc Thesis, Architecture, Ahmadu Bello University, Zaria, 1988.

Ahmed, U. B. "A Taxonomy of Hausa Drama." Nigeria Magazine 53, no. 1 (1985): pp. 19-32.

Ajayi, Wale. Color Waves: An Exhbition of Paintings and Drawings. Lagos: National Commission for Museums and Monuments, 1992.

AKA '92: Annual Art Exhibition. Enugu: AKA Circle of Exhibiting Artists, 1992.

Akakpo, Barbara. "Exhibition by Ademola Akintola." West Africa (London) 3885 (March 2-March 8, 1992): p. 393.

Akenzua, Edun. "The Boa's Palace in Benin." Nigeria Magazine 87 (1965): pp. 244-251.

Akinwumi, Tunde M. "Diffusion of Upo Funerary and Egungun Textiles in the Niger-Benue Confluence Area." Lagos Historical Review (Lagos) 7 (2007): pp. 134-159.

Akinwumi, Tunde M. “‘Ero’: A Celebration of Eldership in the Indigo Cloths of Owo,” in Yoruba Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams, pp. 49-70. Ibadan: BookBuilders, 2005.

Akolo, Jimo. National Council for Arts and Culture Presents an Exhibition of Paintings and Drawings by Prof. Jimo Akolo from 1st August, '92 at the National Gallery of Crafts and Design...Lagos. Lagos: National Council for Arts and Culture, 1992.

Alamu, Akin. From Dreamland: Exhibition 1992. Lagos: Russian Cultural Centre, 1992.

Albert, Isaac O. "Ethnic Residential Segregation in Kano, Nigeria and its Antecedents." African Study Monographs 17, no.2 (1996): pp. 85-100.

Aliyu, Hassan, Chike Azuonye, and Jon Churchill. Hassan Aliyu, Chike Azuonye, Jon Churchill. London: 198 Gallery, 1992.

Alonge, Moji D. "the Progress of the Conservation of Historic Architecture in Lagos, Nigeria: A Critical Observation." Open House International (Newcastle-upon-Tyne) 17, no. 3-4 (1992): pp. 41-45.

Andah, Bassey W. "Building Technology," in Nigeria's Indigenous Technology, pp. 55-70. Ibadan: Ibadan University Press, 1992.

Andah, Bassey W. "Dress Technology," in Nigeria's Indigenous Technology, pp. 88-102. Ibadan: Ibadan University Press, 1992.

Andah, Bassey W. "Extraction and Mining Technology," in Nigeria's Indigenous Technology, pp. 71-88. Ibadan: Ibadan University Press, 1992.

Andah, Bassey W. "Transport and Communication," in Nigeria's Indigenous Technology, pp. 103-117. Ibadan: Ibadan University Press, 1992.

Anikulapo, Jahman. "In the Deep Waters at Didi." Guardian (Lagos) (Sept. 26, 1992): p. 19.

Anozie, Frederick Nkwankwo. "Rock Art in Nigeria," in L'arte e l'ambiente del Sahara preistorico: dati e interpretazioni edited by Giulio Calegari, pp. 61-62. Memorie della Società Italiana di Scienze Naturali e del Museo Civico di Storia Naturale di Milano 26, Fasc. 2. Milan: Società Italiana di Scienze Naturali e del Museo Civico di Storia Naturale di Milano, 1993.

Apter, Andrew Herman. Black Critics and Kings: The Hermeneutics of Power in Yoruba Society. Chicago: University of Chicago Press, 1992.

Aradeon, David. "Space and House Form: Teaching Cultural Significance to Nigerian Students." Journal of Architectural Education 35, no.1 (Fall 1981): pp. 25-7.

Aradeon, Susan B. "Maximizing Mud: Lofty Reinforced-Mud Domes Built with the Assistance of Supernatural Powers in Hausaland." Paideuma 37 (1991): pp. 205-21.

Aremu, P. S. O. “Socio-religious Realities of Yoruba Egungun Costumes,” in Yoruba Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams, pp. 89-114. Ibadan: BookBuilders, 2005.

Aremu, P. S. O. "Textile-like Patterns on Yoruba Carvings." Nigerian Field (Ibadan) 47 (1982): pp. 18-22.

Aremu, P. S. O. "Textile-like Patterns on Yoruba Carvings," in Yoruba Culture, pp. 22-26. Ibadan: Nigerian Field Society, Ibadan Branch, 1992.

Aremu, P. S. O. "Yoruba adire-eleko fabrics." Nigerian Field (Ibadan) 44 (1979): pp. 98-106.

Aremu, P. S. O. "Yoruba adire-eleko fabrics," in Yoruba Culture, pp. 7-15. Ibadan: Nigerian Field Society, Ibadan Branch, 1992.

Aronson, Lisa. "Ijebu Yoruba Aso Olona: A Contextual and Historical Overview." African Arts (Los Angeles) 25, no. 3 (July 1992): pp. 52-63, 101-2.

Arowojolu, Ayo. "National Museum in 'Distress.'" Daily Champion (Lagos) (April 1, 1992): p. 17.

Art royal du Bénin/Royal Art of Benin. Art Tribal/Tribal Art, Special Issue. Geneva: Barbier-Mueller, 1992. [Reviewed in Arts d'Afrique noire (Arnouville) 83 (Autumn 1992): p. 61.]

The Artist Now: 26th Sept.-9th Oct., 1992. Lagos: SNA/Baffles Art Gallery, 1992.

Arts of Africa from the Hegarty Collection: An Exhibition at the Art Gallery, Harmon Fine Arts Center, Drake University, Des Moines, Iowa, U.S.A., February 18 - March 15, 1990. Des Moines, IA: George Hegarty, 1990.

Asakitikpi, Aretha Oluwakemi. “Owo Women’s Religious Textiles,” in Yoruba Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams, pp. 71-88. Ibadan: BookBuilders, 2005.

Asakitikpi, Aretha Oluwakemi. "The Rise and Fall of Broadloom Weaving Among the Yoruba: An Historical Overview." Research Review (Legon) 22, n.s., no. 1 (2006): pp. 73-81.

Asedegbega, Augustine. Harvest of Unity: An Exhibition of Paintings and Sculptures. Lagos: Akin Ogunlesi, 1991.

Audu, Isa. Tsinza: A Monograph of the Bura Xylophone. Final Year Essay, Dept. of Creative Arts, University of Maiduguri, 1990.

"The Avant Garde Gallery." Eye: A Juornal of Contemporary Art (Zaria) 1, no. 1 (Dec. 1992): pp. 40-42.

Ayorinde, Steve. "Ajaero, Jimi King in Los Angeles Art Connection." Guardian (Lagos) May 23, 1992.

Babalola, Daniel Ola. "Chairpersons of the Department of Fine Arts, Ahmadu Bello University, Zaria, 1955-1992." Art History Newsletter (Zaria) 2, no. 1 (Dec. 1992): pp. 1-2.

Babalola, Daniel Ola. "Research in Art History." Art History Newsletter (Zaria) 2, no. 1 (Dec. 1992): pp. 3-4.

Babayemi, Solomon Oyewole. "The Oba (Traditional Ruler) as Patronof Arts and Crafts in Yorubaland." African Notes (Ibadan) 16, no. 1-2 (1992): pp. 1-5.

Babyemi, Solomon Oyewole. "Oyo Palace Organization: past and Present." African Notes 10, no. 1 (1986): pp. 4-22.

Babyemi, Solomon Oyewole. "The Role of Oriki Orile and Itan in the Reconstruction of the Architectural History of the Palace of Gbongan," in The Yoruba Artist: New Theoretical Perspectives on African Arts edited by Abiodun, Rowland, Henry John Drewal, and John Pemberton III, pp. 143-149. Washington, DC: Smithsonian Institution Press, 1994.

Balogun, Sola. "African Culture Shines on Ekefrey's Pallete." Guardian (Lagos) (Jan. 16, 1993): p. 16.

Barberopoulos, Irene. "Traditional Granaries in Nigeria." Nigerian Field 56, no.1-2 (Jan.-June 1990): pp. 47-49.

Barbour, Jane et D. Simmonds, eds. Adire cloth in Nigeria: The Preparation and Dyeing of Indigo Patterned Cloths among the Yoruba. Ibadan: Institute of African Studies, Unversity of Ibadan, 1971. [Review by Geneviève Calame-Griaule available in Journal de la Société des Africanistes 41, no. 2 (1971): p. 267.]

Barclays Young Artist Award, 1992. London: Serpentine Gallery, 1992.

Barkindo, Bawuro M. "The Gates of Kano City: A Historical Survey." Studies in the History of Kano, edited by B.M. Barkindo, pp. 1-30. Ibadan: Heinemann Educational Books (Nig.), 1983.

Barley, Nigel. Foreheads of the Dead: An Anthropological View of Kalabari Ancestral Screens. Washington, D. C. and London: Published for the National Museum of African Art by the Smithsonian Institution Press, 1988.

Bassani, Ezio. "The Ulm Opon Ifa (ca. 1650): A Model for Later Iconography," in The Yoruba Artist: New Theoretical Perspectives on African Arts edited by Abiodun, Rowland, Henry John Drewal, and John Pemberton III, pp. 79-89. Washington, DC: Smithsonian Institution Press, 1994.

Bedaux, Rogier M. A. and Jan Smits. "A Seventeenth-Century Ivory Figure in the Rijksmuseum voor Volkerkunde in Leiden." African Arts (Los Angeles) 25, no. 1 (Jan. 1992): pp. 76-77, 100.

Beier, Ulli. Art in Nigeria: 1960. Cambridge (UK): Cambridge University Press in Coordination with the Information Division, Ministry of Home Affairs, Ibadan, Nigeria, 1960.

Beier, Ulli. "The Palace of the Ogogas in Ikerre." Nigeria Magazine 44 (1954): pp. 303-314.

Beier, Ulli. "Sacred Yoruba Architecture." Nigeria Magazine 64 (1960).

Bello, Sule, ed. The National Creativity Fair: NAFEST '90: A Collection of Speeches, Reports, Comments & Reviews. Lagos: NCAC Publications, 1992.

Ben-Amos, Paula Girshick. Art, Innovation, and Politics in Eighteenth-Century Benin. Bloomington, IN: Indiana University Press, 1999.

Ben-Amos, Paula Girshick. The Art of Benin. Revised Edition. Washington, D.C.: Smithsonian Institution Press, 1995.

Ben-Amos, Paula Girshick. "Artistic Creativity in Benin Kingdom." African Arts 19, no. 3 (1986): pp. 60-3.

Berns, Marla C. "Art, History, and Gender: Women and Clay in West Africa." The African Archaeological Review 11 (1993): pp. 129-148.

Bityong, Y. I. "Culture Nok, Nigeria," in Vallées du Niger, pp. 393-415. Paris: Editions de la Réunion des musées nationaux, 1993.

Bivar, A. D. H. "The Arabic Calligraphy of West Africa." African Language Review 7 (1968): pp. 3-15.

Blackmun, Barbara Winston. "The Elephant and Its Ivory in Benin," in Elephant: The Animal and Its Ivory in African Culture edited by Doran H. Ross, pp. 163-183. Los Angeles: Fowler Museum of Cultural History, University of California, Los Angeles, 1992.

Blier, Suzanne Preston. "Imaging Otherness in Ivory: African Portrayals of the Portuguese ca. 1492." Art Bulletin (New York) 75, no. 3 (September 1993): pp. 375-96.

Bonnell, Letty Wilson. Elephants and Hunters, Diviners and Oracles: Yoruba Carving in Bone and Ivory. Ph.D., University of Maryland, College Park, 2002.

Boullier, Claire. Les Sculptures en terre cuite de style Nok: approche pluridisciplinaire. Mémoire de DEA. Paris: Université de Paris I - Panthéon, 1995-1996.

Bowen, Anne B. "Murals at Afin Oyo." African Arts 10, no. 3 (1977): pp. 42-44.

"A Brass Pendant Mask/Un masque pendentif de métal," in Art royal du Bénin/Royal Art of Benin, pp. 43-46, 51. Art Tribal/Tribal Art, Special Issue. Geneva: Barbier-Mueller, 1992.

"A Brass Ring with Decapitated Bodies/Un anneau de métal aux corps duppliciés," in Art royal du Bénin/Royal Art of Benin, pp. 47-51. Art Tribal/Tribal Art, Special Issue. Geneva: Barbier-Mueller, 1992.

Bräunlein, Peter. "Obiora Udechukwu: Lyriker und Grafiker aus Nigeria." Ika: Zeitschrift für Kulturaustausch & Kulturkalender "Dritte Welt" (Hamburg) 41 (Feb. 1991): pp. 25-26.

Breunig, Peter, Abubakar Garba, and Ibrahim Waziri. "Recent Archaeological Surveys in Borno, Northeast Nigeria." Nyame Akuma (Calgary) 37 (June 1992): pp. 10-17.

Bridges, Nichole. "Inside-Out: Duality and Multiplicity in a Sango Priestess Figure." Elvehjem Museum of Art Bulletin/Biennial Report 1999-2001 (Madison) (2002): pp. 55-9.

Bukar, Hajara Amoni. "Ta Ghecidu: A Tradition Among the Marghi." Borno Museum Society Newsletter (Maiduguri) 2 (Jan.-Feb.-Marhc 1990): pp. 13-25.

Butali, Amsami. Shuwa Female Personal Art. Final Year Essay, Department of Creative Arts, University of Maiduguri, 1990.

Campbell, Bolaji Victor. "Colour Attitudes: A Critique of Seven Nigerian Painters." Artifacts (Lagos) 1, no. 1 (1992): pp. 8-9, 11.

Campbell, Bolaji Victor. "Colour Attitudes: A Critique of Seven Nigerian Painters." Kurio Africana: Journal of Art and Criticism (Ile-Ife) 1, no. 2 (1989): pp. 42-51.

Campbell, Bolaji Victor. "The Trial of 'Traditional' Art: The Bird Symbolism in Contemporary Yoruba Painting," in Principles of "Traditional" African Art edited by Moyo Okediji, pp. 54-69. Ile-Ife: Bard Book, 1992.

Campbell, Bolaji Victor. Yoruba Shrine Painting Traditions: Color, Cosmos, Process and Aesthetics. Ph.D., Univeristy of Wisconsin - Madison, 2001.

Carroll, Kevin. Architectures of Nigeria: Architectures of the Hausa and Yoruba Peoples and of the Many Peoples Between – Tradition and Modernization. London: Ethnographica in association with Lester Crook Academic Publishing for the Society of African Missions (SMA), 1992.

Celebration of Life: An Exhibition of Paintings, Drawings, Sculptures at the Main Hall of the National Commission for Museum and Monuments, Onikan, Lagos. Lagos: First Finance & Trust, 1992.

"Children's Art Centre Opens in Benin." NCAC News (Lagos) 1, no. 4 (March 1992): p. 10.

Chokor, B.A. "Ibadan." Cities 3, no. 2 (1986): pp. 106-16.

Chukueggu, Chinedu Christian. Church Architecture in Owerri Division, 1900-1970. B.A. Thesis, Institute of African Studies, University of Ibadan, 1989.

Chukwuezi, Barch. "Report on the Opening of the Institute of African Studies Museum, University of Nigeria, Nsukka." Ikoro: Bulletin of the Institute of African Studies (Nsukka) 7, no. 1-2 (June 1992): pp. 18-21.

Cole, Herbert M. "Ibo Art and Authority," in African Art and Leadership edited by Douglas Fraser and Herbert M. Cole, pp. 79-98. Madison, WI: The University of Wisconsin Press, 1972.

Cole, Herbert M. "The Igbo: Prestige Ivory and Elephant Spirit Power," in Elephant: The Animal and Its Ivory in African Culture edited by Doran H. Ross, pp. 210-225. Los Angeles: Fowler Museum of Cultural History, University of California, Los Angeles, 1992.

Cole, Herbert M. Mbari: Art and Life among the Owerri Igbo. Bloomington: Indiana University Press, 1982.

Cole, Herbert M. "Mbari is a Dance." African Arts 2, no. 4 (1969): pp. 43-51.

Cole, Herbert M. "Mbari is Life." African Arts 2, no. 3 (1969).

Cole, Herbert M. and Chike Aniakor. Igbo Arts: Community and Cosmos. Los Angeles: Museum of Cultural History, UCLA, 1984.

"Committee for National Galleries, Hall of Fame Commence Work." NACA News (Lagos) 1, no. 4 (March 1992): p. 8.

Computer Inventory of Works by Nigerian Artists in the Museum für Völkerkunde, Frankfurt. Frankfurt am Main: Museum für Völkerkunde, 1992.

"Corporate Sponsorship of Art." NCAC News (Lagos) 1, no. 4 (March 1992): p. 9.

Counts, Charles. "Lergam Legacy: Notes From a Bag of Pottery Fragments." Borno Museum Society Newsletter (Maiduguri) 8-9 (July-Aug.-Sept.-Oct.-Nov.-Dec. 1991): pp. 29-33.

Counts, Charles. "Northern Nigeria Pottery in Transition." Borno Museum Society Newsletter (Maiduguri) 6-7 (Jan.-Feb.-March-April-May-June 1991): pp. 5-12.

Counts, Charles and Hedi Bak. "Kanuri Töpferei - eine Frauensache." Borno Museum Society Newsletter (Maiduguri) 6-7 (Jan.-Feb.-March-April-May-June 1991): p. 38.

Daly, M.C., et. al. "Male and Female Artistry in Kalabari Dress." African Arts 19, no. 3 (1986): pp. 48-51.

Damazai, Adamu. Ngizim Arts and the Use of Natural Colours. Final Year Essay, Department of Creative Arts, University of Maiduguri, 1990.

Damme, Wilfried van. "Beauty in Context (Part 2): Aesthetic Preference and Sociocultural Ideals Among the Igbo and the Asante," in Beauty in Context: Towards an Anthropological Approach to Aesthetics by Wilfried van Damme, pp. 265-307. Leiden, et. al.: E. J. Brill, 1996. [Review by Ed Carter available online in JASO: Journal of the Anthopological Society of Oxford 29, no. 3 (1998): pp. 273-275.]

Dantiye, Nasiru Ibrahim. A Study of the Origins, Status and Defensive Role of Four Kano Frontier Strongholds (Ribats) in the Emirate Period (1809-1903). Ph.D. Thesis, Indiana University, 1985.

Dark, Phillip J. C. The Art of Benin: A Catalogue of an Exhibition of the A. W. F. Fuller and Chicago Natural History Museum Collections of Antiquities from Benin, Nigeria. Chicago: Chicago Natural History Museum, 1962.

Davies, Desmond. "An Artist for All Seasons." New African (London) 302 (Nov. 1992): p. 33.

Dike, P. Chike. "Art, Symbol, and Authority Among the Aro of South East Nigeria." Jahrbuch des Museum für Völkerkunde zu Leipzig (Münster-Hamburg) 39 (1992): pp. 192-200.

Diversity of Creativity in Nigeria: Book of Abstracts: 1st International Conference on the Diversity of Creativity in Nigeria. Ile-Ife: Department of Fine Arts, Obafemi Awolowo University, 1992.

Dmochowski, Zbigniew R. An Introduction to Nigerian Traditional Architecture. Vol. 1. Northern Nigeria; Vol. 2. South-West and Central Nigeria; Vol. 3. South-Eastern Nigeria: The Igbo-Speaking People. London: Ethnoraphica; Lagos: National Commission for Museums and Monuments, 1990. [Reviewed by Razaq Olatunde Rom Kalilu in Nigerian Heritage: Journal of the National Commission for Museums and Monuments (Lagos) 5 (1996): pp. 150-152; Razaq Olatunde Rom Kalilu in Kurio Africana: Journal of Art and Criticism (Ile-Ife) 2, no. 2 (May 1996): pp. 81-83.]

"Doyen of Black Artists: Uzo Egonu, Nigerian Printmaker and Painter." West Africa (London) 3894 (May 4-10, 1992): p. 747.

Drewal, Henry John. African Artistry: Technique and Aesthetics in Yoruba Sculpture: An Exhibition of Yoruba Art from the Arnett Collection April 17 - May 25, 1980, The High Museum of Art, Atlanta. Atlanta, GA: The High Museum, 1980.

Drewal, Henry John. "Flaming Crowns, Cooling Waters: Masquerades of the Ijebu Yoruba." African Arts 20, no. 1 (1986): pp. 32-41.

Drewal, Henry John. "Image and Indeterminacy: Elephants and Ivory Among the Yoruba," in Elephant: The Animal and Its Ivory in African Culture edited by Doran H. Ross, pp. 186-207. Los Angeles: Fowler Museum of Cultural History, University of California, Los Angeles, 1992.

Drewal, Henry John. "Mami Wata Shrines: Exotica and the Construction of Self," in African Material Culture, edited by Mary Jo Arnoldi, et. al., pp. 308-33. Bloomington and Indianapolis, IN: Indiana University Press, 1996.

Drewal, Henry John. "Mermaids, mirrors, and snake charmers: Igbo Mami Wata shrines." African arts 21, no. 2 (1988): pp. 38-45.

Drewal, Henry John and Margaret Thompson Drewal. Gelede: Art and Female Power among the Yoruba. Bloomington, IN: Indiana University Press, 1983.

Drewal, Henry John and John Pemberton III with Rowland Abiodun. Yoruba: Nine Centuries of African Art and Thought. Edited by Allen Wardwell. New York, NY: The Center for African Art in association with Harry N. Abrams, 1989.

Drewal, Margaret Thompson. "Art and Trance among Yoruba Shango Devotees." African Arts (Los Angeles) 20, no. 1 (1986): pp. 60-7.

Drewal, Margaret Thompson. "Embodied Practice/Embodied History: Mastery of Metaphor in the Performances of Diviner Kolawole Ositola," in The Yoruba Artist: New Theoretical Perspectives on African Arts edited by Abiodun, Rowland, Henry John Drewal, and John Pemberton III, pp. 171-190. Washington, DC: Smithsonian Institution Press, 1994.

Drewal, Margaret Thompson. Yoruba Ritual: Performers, Play, Agency. Bloomington and Indianapolis, IN: Indiana University Press, 1992.

Egboh, J. A. "The Ngas Smoking Pipe Bowl (Tul-Taba)." Nigerian Heritage: Journal of the National Commission for Museums and Monuments (Lagos) 1 (1992): pp. 62-76.

Eisen Plastiken aus Nigeria. Bayreuth: Iwalewa-Haus, 1992.

Euba, Akin. "Drumming for the Egungun: The Poet-Musician in Yoruba Masquerade Theater," in The Yoruba Artist: New Theoretical Perspectives on African Arts edited by Abiodun, Rowland, Henry John Drewal, and John Pemberton III, pp. 161-169. Washington, DC: Smithsonian Institution Press, 1994.

Euba, T. "The Ooni of Ife's Are Crown and the Concept of Divine Head." Nigeria Magazine 53, no. 1 (1985): pp. 1-18.

An Exhibition on Animals in Nigerian Sculpture. Lagos: National Commission for Museums and Monuments, 1992.

Eyo, Ekpo and Frank Willett. Treasures of Ancient Nigeria. New York: Alfred A. Knopf, in association with the Detroit Institute of Arts, 1980. [Reviewed by Douglas Fraser in African Arts (Los Angeles) 14, no. 1 (Nov. 1980): pp. 15-22.]

Fagg, Angela. "A Preliminary Report on an Occupation Site in the Nok Valley, Nigeria: Samun Dukiya, AF/70/1." West African Journal of Archaeology 2 (1972): pp. 75-79.

Fagg, Angela. "Thoughts on Nok." African Arts (Los Angeles) 27, no. 3 (July 1994): pp. 79-83, 103.

Fagg, Bernard. "A Life-Size Terra-cotta Head from Nok." Man 56 (1956): p. 89.

Fagg, Bernard. "The Nok Culture: Excavations at Taruga." West African Archaeological Newsletter 1 (1969): pp. 27-30.

Fagg, Bernard. "The Nok Culture in Prehistory." Journal of the Historical Socity of Nigeria 4 (1959): pp. 288-93.

Fagg, Bernard. Nok Terracottas. London and Lagos: Ethnographica, 1977.

Fagg, Bernard. "A Preliminary Note on a Seies of Pottery Figurines from Northern Nigeria." Africa 15, no. 1 (1945): pp. 21-22.

Fagg, Bernard. "Recent Work in West Africa: A New Light on the Nok Culture." World Archaeology 1 (1969): pp. 41-49.

Famule, Olawole Francis. Art and Spirituality: The Ijumu Northeastern-Yoruba Egungun. Ph.D., U. of Arizona, 2005.

Famuyiwa, Jide. "The Role of Traditional Festivals and Modern Festivals of Arts and Culture in the Promotion of Cultural Education in Nigeria." Nigerian Heritage: Journal of the National Commission for Museums and Monuments (Lagos) 1 (1992): pp. 82-88.

Feilberg, Carl Gunnar. "Remarks on some Nigerian house types," in Folk; dansk etnografisk tidsskrift vol. 1 (1959): pp. 15-26.

"Festival in Bayreuth." West Africa (London) 3907 (Aug. 3-9, 1992): pp. 1298-1299.

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Watts, S.J. and Sheldon J. Watts. "Morphology, Planning and Cultural Values: A Case Study of Ilorin, Nigeria. Third World Planning Review 8, no. 3 (1986): pp. 237-49.

The Way We Are: An Exhibition of Contemporary Nigerian Art. Lagos: Headstart CD, 1992.

Wazobia '92: Our Own; An Exhibition of Paintings and Sculptures by Mike Irrifere, Tola Wewe, Oseha Ajokpaezi, J. Igbaro, Sola Bada, E. Crowther Ojo,O. Olaloya, National Museum, Lagos, 7th-17th March 1992. Introduction by Mike Irrifere. Lagos: Wazobian Group of Artists, 1992.

Wente-Lukas, Renate. "Fer et forgeron au sud du lac Tchad (Cameroun, Nigeria)." Journal des africanistes 47, no. 2 (1977): pp. 107-122.

Wente-Lukas, Renate. Die materielle Kultur der nicht-islamischen Ethnien von Nordkamerun und Nordostnigeria. Illustrations by Gisela Wittner. Studien zur Kulturkunde, Bd. 43. Wiesbaden: Steiner, 1977. [Review by Pierre Erny available online in Journal des africanistes 47, no. 2 (1977): pp. 233-234.]

Willett, Frank. "Archaeology and the History of Nigerian Sculpture," in Dall'archeologia all'arte tradizionale africana/De l'archéologie à l'art traditionnel africain/From Archaeology to Traditonal African Art: A cura di Gigi Pezzoli, pp. 37-50. Milano: Centro Studi Archeologia Africana, 1992.

Willett, Frank. "Ife, The Art of an Ancient Nigerian Aristrocracy," in African Art and Leadership edited by Douglas Fraser and Herbert M. Cole, pp. 209-26. Madison, WI: The University of Wisconsin Press, 1972.

Willett, Frank. "Nigerian Thorn Carvings: A Living Monument to Justus Akeredolu." African Arts 20, no. 1 (1986): pp. 48-53.

Willett, Frank. "Stylistic Analysis and the Identification of Artist' Workshops in Ancient Ife," in The Yoruba Artist: New Theoretical Perspectives on African Arts edited by Abiodun, Rowland, Henry John Drewal, and John Pemberton III, pp. 49-57. Washington, DC: Smithsonian Institution Press, 1994.

Witte, Hans. "Ifa Trays from the Osogbo and Ijebu Regions," in The Yoruba Artist: New Theoretical Perspectives on African Arts edited by Abiodun, Rowland, Henry John Drewal, and John Pemberton III, pp. 59-77. Washington, DC: Smithsonian Institution Press, 1994.

Wolff, N.H. "A Hausa Aluminum Spoon Industry." African Arts 19, no. 3 (1986): pp. 40-4.

Woodford, J. "Zaria: Patterns of Settlement in Southern Zaria." Savanna 3, no.1 (1974).

Yai, Olabiyi Babalola. "In Praise of Metonymy: The Concepts of 'Tradition' and 'Creativity' in the Transmission of Yoruba Artistry over Time and Space," in The Yoruba Artist: New Theoretical Perspectives on African Arts edited by Abiodun, Rowland, Henry John Drewal, and John Pemberton III, pp. 107-115. Washington, DC: Smithsonian Institution Press, 1994.

Yamari, Yakubu. Brass Casting among the Bura Rahi and Bura Rampta. Final Year Essay, Dept. of Creative Arts, University of Maiduguri, 1990.

Zahradeen, M.S. "The Place of Mosques in the History of Kano." Studies in the History of Kano, edited by B.M. Barkindo, pp. 57-66. Ibadan: Heinemann Educational Books (Nig.), 1983.

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