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Return to Bibliography of African Art by Nations
Adams, Monni. "To Deny Death: Succession Rites among the Wè/Guéré, Canton Boo, Western Côte d'Ivoire."
Zeitschrift für Ethnologie (Braunschweig) 117 (1992): pp. 89-116.
Adams, Monni. "Women and Masks Among the Western We of Ivory Coast." African Arts (Los Angeles) 19, no.
2 (1986): pp. 46-55.
Adams, Monni. "Women's Art as Gender Strategy Among the We of Canton Boo." African Arts (Los Angeles)
26, no. 4 (October 1993): pp. 32-43, 84-5.
Adams, Monni and T. Rose Holdcraft. "Dida Woven Raffia Cloth from Côte d'Ivoire." African Arts (Los
Angeles) 25, no. 3 (July 1992): pp. 42-51, 100-2.
Albaret, Lucette and Martine Bercovy. Hommage à Veronique Wirbel et oeuvres Vohou Vohou de la donation
Yankel. Paris: Musée National des Arts d'Afrique et d'Océanie, 1992.
Arts of Africa from the Hegarty Collection: An Exhibition at the Art Gallery, Harmon Fine Arts Center, Drake
University, Des Moines, Iowa, U.S.A., February 18 - March 15, 1990. Des Moines, IA: George Hegarty, 1990.
Bernus, E. "Un type d’habitat ancien en Côte-d’Ivoire." Les cahiers d’Outre-mer 17 (1964): ????.
Bernus, E. "Kong et sa région." Études éburnéennes 8 (1960): ????.
Bernus, E. "Notes sur l’histoire de Korhogo." Bulletin IFAN 23 (B), 1-2 (1961): ????.
Bravmann, René.
"Masking Tradition and Figurative Art Among the Islamized Mande," in African Images: Essays in African Iconology edited by Daniel F. McCall and Edna G. Bay, pp. 144-169. Boston University Papers on Africa 6. New York: Africana Publishing Co., 1975.
Chauveau, J.P. "Le fer, l'outil et la monnaie: hypothèse à partir du jede, ancien couteau à debrousser
baule (Côte d'Ivoire)," in Les instruments aratoires en Afrique tropicale: la fonction et le signe edited by J.
Peltre-Wurtz, pp. 471-84. Cahiers ORSTOM, Série Sciences Humaines 10, no. 3-4. Paris: ORSTOM, 1984.
Christin, Olivier and Armelle Filliat. "Abidjan: Un urbanisme capital," in Architectures françaises outre-mer:
Abidjan, Agadir, Alep, Alger, Bangui, Beyrouth, Brazzaville, Cansado, Casablanca, Conakry, Dakar, Damas, Hanoi,
Libreville, Niamey, Orleansville, Ouagadougou, Riyadh, Tananarive, Tunis, Yaoundé, pp. 239-257. Collection Villes.
Liège: Mardaga, 1992.
Deluz, Ariane. "Le meurtre de la mère dans le culte du Zamble." Journal des Africanistes (Paris) 62, no.
2 (1992): pp. 183-191.
Domian, Sergio. Architecture soudanaise: vitalite d'une tradition urbaine et monumentale: Mali,
Cote-d'Ivoire, Burkina Faso, Ghana. Paris: Harmattan, c1989.
Domowitz, Susan. "Wearing Proverbs: Anyi Names for Printed Factory Cloth." African Arts (Los Angeles)
25, no. 3 (July 1992): pp. 82-7, 104.
Förster, Till. "Leben und Arbeit: Über Kunst und Gesellschaft bei den Senufo II," in Die Fremde Form:
l'Esthétique des autres edited by Wolfgang Marschall, Meinhard Schuster, and Theres Gähwiler-Walder, pp. 149-170.
Ethnologica Helvetica 16. Berne: Schweizerische Ethnologische Gesellschaft, 1992.
Glaze, A.J. "Dialectics of Gender in Senufo Masquerades." African Arts (Los Angeles) 19, no. 3 (1986):
pp. 30-9.
Guenneguez, André and Ato Guenneguez. Art de la Côte d’Ivoire et ses voisins. Paris: Harmattan, 1992. [Reviewed in Arts d’Afrique noire (Arnouville) 84 (Winter 1992): p. 62.]
Himmelheber, Hans. "Gold-Plated Objects of Baule Notables," in African Art and Leadership edited by Douglas Fraser and Herbert M. Cole, pp. 185-208. Madison, WI: The University of Wisconsin Press, 1972.
Himmelheber, Hans. Negerkünstler. Stuttgart: Strecker und Schröder, 1935. [Reviewed by Charles Ratton, review available online in Journal de la Société des Africanistes 5, no. 2 (1935): p. 259.]
"Ouattara." Revue Noire (Paris) 5 (June-July-Aug. 1992): pp. 36-47.
Pivin, Jean Loup. Aboudramane. Paris: Galerie Praz-Delavallade, 1992.
Ravenhill, Philip L. "An African Triptych: On the Interpretation of Three Parts and the Whole." Art Journal
(New York) 47, no. 2 (1988): pp. 88-94.
Ravenhill, Philip L. Baule Statuary Art: Meaning and Modernization. Working Papers in the Traditional
Arts, 5. Philadelphia: Institute for the Study of Human Issues, 1980.
Ravenhill, Philip L. Dreams and Reverie: Images of Otherworld Mates Among the Baule, West Africa.
Washington and London: Smithsonian Institution Press, 1996.
Ravenhill, Philip L. "Likeness and Nearness: The Intentionality of the Head in Baule Art." African Arts
(Los Angeles) 33, no. 2 (Summer 2000): pp. 60-71, 92.
Ravenhill, Philip L. "Of Pachiderms and Power: Ivory and the Elephant in the Art of Central Côte d'Ivoire," in
Elephant: The Animal and Its Ivory in African Culture edited by Doran H. Ross, pp. 114-133. Los Angeles: Fowler
Museum of Cultural History, University of California, Los Angeles, 1992.
Ravenhill, Philip L. "Un triptique africain: De l'interprétation des trois parties et du tout." Arts d'Afrique
noire (Arnouville) 83 (Autumn 1992): pp. 17-29.
Reed, Daniel B. Dan Ge Performance: Masks and Music in Contemporary Côte d'Ivoire. Bloomington, IN:
Indiana University Press, 2003. [Reviewed by Philip M. Peek in African Arts (Los Angeles) 37, no. 4 (Winter 2004):
pp. 90-91.]
Savané, Yaya. "Using Local Resources to Serve Museums in Africa: The Example of the Musée National d'Abidjan
(Côte d'Ivoire)." CIAO News (Dakar) 1-2 (1992-1993): pp. 1-2.
Sumberg, Barbara A. A History of Cloth Production and Use in the Gouro Region of Côte-d'Ivoire. Ph.D.,
University of Minnesota, 2001.
Spruit, Wim. "De andere wereld van de Baule." Nieuwsbrief van de Vereniging Vrienden van Ethnografica
(Otterlo) 38 (1992): pp. 36-39.
Steiner, Christopher B. "The Invisible Face: Masks, Ethnicity, and the State in Côte d'Ivoire." Museum
Anthropology (Washington, D.C.) 16, no. 3 (Oct. 1992): pp. 53-57.
Visona, Monica Blackmun. "Portraiture Among the Lagoon Peoples of Cote d'Ivoire." African Arts (Los
Angeles) 23, no. 4 (October 1990): pp. 54-61, 94-5.
Vogel, Susan Mullin. Baule: African Art, Western Eyes. New Haven, CT: Yale University Press, 1997.
[Reviewed online by Robert T. Soppelsa on H-Net, available at
http://www.h-net.org/reviews/showrev.cgi?path=14122927306626.]
Vogel, Susan Mullin. Baule Art as the Expression of a World View. Ph.D. dissertation. New York: New York
University, 1977.
Vogel, Susan Mullin. Beauty in the Eyes of the Baule: Aesthetics and Cultural Values. Working Papers in
the Traditional Arts, 6. Philadelphia: Institute for the Study of Human Issues, 1980.
Yacoob, M. "Ahmadiyya and Urbanization: Easing the Integration of Rural Women in Abidjan." Asian and African
Studies 20, no. 1 (1986): pp. 125-40.
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