Cameroon/Cameroun

Abega, Séverin Cécile. Les Choses de la forêt. Les masques des princes tikar de Nditam. Yaoundé: Presses de l'Université catholique d'Afrique centrale, 2000.

Adesokan, Akinwumi. Worlds that Flourish: Postnational Aesthetics in West African Videofilms, African Cinema, and Black Diasporic Writings. Ph.D., Cornell U., 2005.

Aradeon, Susan B. "Moufou Architecture." African Arts (Los Angeles) 14, no. 1 (November 1980): pp. 58-60, 88.

Ardener, E. W. Historical Notes on the Scheduled Monuments of West Cameroon, With Notes on Some Unscheduled Sites in the Western Grassfields by E. M. Chilver and P. M. Kaberry. Buea: Government Printer, Ministry of Education and Social Welfare and West Cameroon Antiquities Commission, 1965.

Argenti, Nicolas. "African Aesthetics: Moving to See the Mask." JASO: Journal of the Anthropological Society of Oxford 23, no. 3 (1992): pp. 197-215.

Argenti, Nicolas. The Intestines of the State: Youth, Violence, and Belated Histories in the Cameroon Grassfields.  Chicago: University of Chicago Press, 2007.  [Reviewed online by Scott MacEachern on H-Net, available at http://www.h-net.msu.edu/reviews/showrev.php?id=22978.]

Arts of Africa from the Hegarty Collection: An Exhibition at the Art Gallery, Harmon Fine Arts Center, Drake University, Des Moines, Iowa, U.S.A., February 18 - March 15, 1990. Des Moines, IA: George Hegarty, 1990.

Asombang, Raymond N. "Interpreting Standing Stones in Africa: Case Study in North-West Cameroon." Antiquity (Gloucester) 78, no. 300 (June 2004): pp. 294-305.

Asombang, Raymond N. "Museums and African Identity: The Museum in Cameroon - A Critique." Cultural Resource Management: An African Dimension edited by Bassey W. Andah. Special issue of West African Journal of Archaeology (Ibadan) 20 (1990): pp. 188-198.

Asombang, Raymond N. "Sacred Centers and Urbanization in West Central Africa." In Beyond Chiefdoms Edited by Susan Keech McIntosh, pp. ?. Cambridge (UK): Cambridge University Press, 1999.

Asombang, Raymond N. and Pierre de Maret. "Reinvestigating Shum Laka: the December 1991-March 1992 Campaign." NSI: Bulletin de liason des archéologues du monde bantu (Libreville) 10-11 (1992): pp. 13-16.

Atangana, Christiane. "Les fosses d'Okolo (Sud du Cameroun): Fouilles et axes de recherches." Nyame akuma (Duluth) 38 (Dec. 1992): pp. 7-13.

Barley, Nigel. "Designing Women, Cameroon," in Queens, Queen Mothers, Priestesses, and Power: Case Studies in African Gender edited by Flora S. Kaplan, pp. 371-380. New York: New York Academy of Sciences, 1997.

Barley, Nigel. "The Linguistic Image in the Interpretation of African Objects." African Languages and Cultures 1, no. 2 (1988): pp. 93-105.

Barley, Nigel. "Placing the West African Potter," in Earthenware in Asia and Africa: A Colloquium held 21-23 June 1982 edited by John Picton, p. 93-105. London: University of Lond, Percival David Foundation for Chinese Art, 1984.

Barley, Nigel. "The Warp and Woof of Culture." RAIN 59 (Dec. 1983): pp. 7-8.

Barreteau, Daniel, and Michèle Delneuf. "La céramique traditionnelle giziga et mofu (Nord-Cameroun): Etude comparée des techniques, des formes et du vocabulaire," in Relations interethniques et culture materielle dans le bassin du lac Tchad: Actes du IIIème Colloque MEGA-TCHAD, Paris, ORSTOM, 11-12 septembre 1986 edited by Daniel Barreteau and Henry Tourneaux, pp. 121-155. Paris: Editions de l'ORSTOM, 1990.

Barreteau, Daniel, Lilian Sorin-Barreteau with Alioun Bayo Mana. "La poterie chez les Mofu-Gudur: des gestes, des formes et des mots," in Le milieu et les hommes: recherches comparatives et historiques dans le bassin du Lac Tchad: actes de 2ème colloque Méga-Tchad ORSTOM BONDY, le 3 et 4 octobre 1985 edited by Daniel Barreteau and Henri Tourneaux, pp. 287-339. Paris: ORSTOM, 1988.

Beek, Wouter van. "The Ideology of Building: The Interpretation of Compound Patterns Among the Kapsiki of North Cameroon," in Op zoek naar mens en materiele cultuur: Feestbundel aangeboden aan J. D. van der Waals ter gelegenheid van zijn emeritaat edited by Harry Fokkens, Pieteke Banga and Mette Bierma, pp. 147-162. Groningen, Netherlands: Rijks Universiteit Groningen, 1986.

Beguin, J. P. L'habitat au Cameroun. Paris: ORSTOM and Union Française, 1952.

Bejeng Soh, Pius. Abakpa – Mankon – Bamenda: Creation and Evolution of an Urban Centre in a Traditional Milieu. Travaux et documents de l'institut des sciences humaines. Yaoundé: Délégation Générale à la recherché scientifique et technique, 30th May 1983.

"Bili Bidjocka," in Anthologie de l'art africaine du XXe siècle edited by N'Goné Fall and Jean Loup Pivin, pp. 334-5. Paris: Editions Revue Noire, 2001.

"Bili Bidocka." Revue noire (Paris) 4 (March-April-May 1992): pp. 8-11.

"Bill Akwa Bétotè: 'Corps Instrumental.'" Balafon (Paris) 103 (April-May 1992): p. 14.

Brain, Robert and Adam Pollock. Bangwa Funerary Sculpture. Art and Society Series. London: Duckworth, 1972.

Cameroun art et architecture: 4 novembre 1988 - 13 février 1989. Cahiers de l'ADEIAO 7. Paris: Musée national des arts africains et océaniens, 1988.

Campbell, Kenneth F. "L'agwe, Masque spécifiquement Widekum = Agwe, Unique Mask of of the Widekum." Arts d'Afrique noire (Arnouville) 67 (Autumn 1988): pp. 17-27.

Chem-Langhee, B., et. al. "Nto' Nso' and Its Occupants: Privileged Access and Internal Organisation in the Old and New Palaces." Paideuma 31 (1985): pp. 151-81.

Claes, Philippe. "A propos des céramiques de Mimboman et d'Okolo: premières analyses," in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 215-227. Série Archéologie africaines. Paris: Karthala, 1992.

Clark, Tim. "Rediscovering Sustainable Architecture." Open House International (Newcastle-upon-Tune) 17, no. 3-4 (1992): pp. 34-40.

Clarke, Christa. "A Personal Journey: Central African Art from the Lawrence Gussman Collection. African Arts 34, no. 1 (Spring 2001): pp. 16-35, 93.

Clist, Bernard. "Des derniers chasseurs aux premiers métallurgistes: Sédentarisation et débuts de la métallurgie du fer (Cameroun, Gabon, Guinée équatoriale)," in Paysages quaternaires de l'Afrique dentrale atlantique edited by Raymond Lanfranchi and Dominique Schwartz, pp. 458-478. Paris: Editions de l'ORSTOM, 1990.

D'Almeida, Fernando. "Le triomphe de la volonté." Bingo Nouveau (Paris) 408, no. 51 (1987).

David, Nicholas. "The Archaeology of Ideology: Mortuary Practices in the Central Mandara Highlands, Northern Cameroon," in An African Commitment: Papers in Honour of Peter Lewis Shinnie edited by Judy Sterner and Nicholas David, pp. 181-210. Calgary: University of Calgary Press, 1992.

David, Nicholas. "Between Bloomery and Blast Furnace: Mafa Iron-Smelting Technology in North Cameroon." African Archaeological Review (Cambridge) 7 (1989): pp. 183-208.

David, Nicholas. "Reconnaissance in Cameroun." West African Archaeological Newsletter 10 (1968): pp. 24-26.

David, Nicholas and Yves Le Bléis. Dokwaza: Last of the African Iron Masters. Videorecording. Calgary: University of Calgary, 1988.

David, Nicholas and A. Scott MacEachern. "The Mandara Archaeological Project: Preliminary Results of the 1984 Season," in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 109-131. Série Archéologie africaines. Paris: Karthala, 1992.

David, Nicholas and A. Scott MacEachern. "The Mandara Archaeological Project: Preliminary Results of the 1984 Season," in Le milieu et les hommes: recherches comparatives et historiques dans le bassin du Lac Tchad: actes de 2ème colloque Méga-Tchad ORSTOM BONDY, le 3 et 4 octobre 1985 edited by Daniel Barreteau and Henri Tourneaux, pp. 51-80. Paris: ORSTOM, 1988.

David, Nicholas and Judy Sterner. "The Mandara Archaeological Project, 1984-1987." Nyame Akuma (Calgary) 29 (December 1987): pp. 2-8.

David, Nicholas, Judy Sterner and Kodzo Gavua. "Why Pots are Decorated." Current Anthropology (Chicago) 29, no. 3 (June 1988): pp. 365-89.

De Crits, Emmanuel. "Excavations at Banock, Grassfields, Cameroon." Nyame Akuma (Duluth) 38 (Dec. 1992): pp. 13-17.

DeLancey, Mark D. "The Origins of the ‘Hausa Dome'." Ngaoundéré-Anthropos (Tromsø) 5 (2000): pp. 71-86.

DeLancey, Mark D. Representing Rulership: Palace Architecture, Spatial Orientation, Ritual Movement, and Secrecy in Northern Cameroon. Ph.D., Harvard U., 2004.

Delneuf, Michèle. "L'approche archéologique régionale du Diamaré (Nord-Cameroun)," in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 37-40. Série Archéologie africaines. Paris: Karthala, 1992.

Delneuf, Michèle. "Histoire du peuplement et cultures materielles: la poterie Giziga du Diamare (nord Cameroun)," in Langues et cultures dans le bassin du lac Tchad: journées d'études les 4 et 5 septembre 1984, ORSTOM (Paris) edited by Daniel Barreteau, pp. 87-104. Paris: ORSTOM, 1987.

De Maret, P. "La recherche archéologique au Cameroun," in La recherche en sciences humaines au Cameroun: journée d'étude Bruxelles, 20 juin 1989 edited by P. Salmon and J.-J. Symoens, pp. 37-51. Brussels: Académie Royale des Sciences d'Outre-Mer, 1991.

Dillon, R.G. "Chiefly Households in Precolonial Meta' Society." Paideuma 31 (1985): pp. 3-13.

Dognin, René. Des calebasses et des vaches: notes sure la sémiologie du décor des calebasses peul (Cameroun). Bondy: ORSTOM-Latah, 1987.

Dongmo, David. "L'exploitation artisanale de l'or dans la province de l'est (Cameroun)." Revue de géographie du Cameroun (Yaoundé) 8, no. 1 (1986): pp. 20-6.

Edwards, Joanna P. "Art Styles from the Coastal Region or Forestland of Cameroon," in Bibliographic Surveys of African Peoples, vol. 2. pp. 7, 11. Bloomington, IN: Department of Fine Arts, Indiana University, 1981

Ejedepang-Koge, S.N. The Tradition of a People, Bakossi: A Historico-Socio-Anthropological Study of One of Cameroon's Bantu Peoples. Revised Edition. Washington, D.C.: S.N. Ejedepang-Koge, 1986.

Elouga, Martin. "Sémiologie des motifs décoratifs de la céramique actuelle d'un groupe bantu du sud-Cameroun: Les Beti de la Lékié." NSI: Bulletin de liason des archéologues du monde bantu (Libreville) 10-11 (1992): pp. 17-24.

Engard, Ronald K. Bringing the Outside In: Commensality and Incorporation in Bafut Myth, Ritual, Art and Social Organization. Ph.D. Dissertation, Indiana University, 1986.

Essomba, Joseph-Marie, ed. L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986. Série Archéologie africaines. Paris: Karthala, 1992.

Essomba, Joseph-Marie. "L'archéologie du Cameroun: compte rendu du colloque international (6-9 janvier 1986)." Nyame Akuma (Edmonton) 28 (April 1987): pp. 2-4.

Essomba, Joseph-Marie. "Archéologie du Sud du Cameroun: Notes préliminaires au site de Nkometou (Mfomakap)," in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 229-245. Série Archéologie africaines. Paris: Karthala, 1992.

Essomba, Joseph-Marie. "Archéologie et recherches en métallurgie du fer et âge du fer ancien au Cameroun (nécessité d'une intervention des sciences de la nature)," in Archéologie africaine et sciences de la nature appliquées à l'archéologie: 1er symposium international, Bordeaux 1983, pp. 467-72. Paris: A.C.C.T., 1986.

Essomba, Joseph-Marie. L'Art traditionnel au Cameroun: statues et masques. Suresnes (France): Jean Dupuch, 1982.

Essomba, Joseph-Marie. Bibliographie critique de l'archéologie camerounaise. Yaoundé: Librairie universitaire, Université de Yaoundé, 1986.

Essomba, Joseph-Marie. "Dix ans de recherches archéologiques au Cameroun méridional (1979-1989)." Nsi: bulletin de liaison des archéologues du monde bantu (Libreville) 6 (1989): pp. 33-57.

Essomba, Joseph-Marie. "Le fer dans le développement des sociétés traditionnelles du sud Cameroun." West African Journal of Archaeology (Ibadan) 16 (1986): pp. 1-24.

Essomba, Joseph-Marie. "Le public et les recherches archéologiques au Cameroun," in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 327-337. Série Archéologie africaines. Paris: Karthala, 1992.

Essomba, Joseph-Marie. "Quelques analyses des sites de métallurgie ancienne du fer de Pan-Pan en pays Basa (sud-Cameroun)." NSI: bulletin de liaison des archéologues du monde bantu (Libreville) 3 (1988): pp. 15-19.

Etienne-Nugue, Jocelyne. Crafts and the arts of living in the Cameroon. Baton Rouge: Louisiana State University Press, 1982.

Forkl, Hermann. "Innerafrikanische Akkulturation bei den Wad'ela, einem Stamm der Kerdi-Mur< (Nordkamerun)," in Festschrift Lazlo Vajda edited by Claudius Müller and Hans-Joachim Paproth, pp. 63-77. Münchner Beiträge zur Völkerkunde 1. Munich: Hirmer, 1988.

Forni, Silvia. "Containers of Life: Pottery and Social Relations in the Grassfiels (Cameroon)." African Arts (Los Angeles) 40, no. 1 (Spring 2007): pp. 42-53.

Fourneau, Jacques. "Le néolithique au Cameroun: Les haches de pierre polie de Bafia et leur signification dans les sociétés indigènes actuelles." Journal de la Société des Africanistes 5, no. 1 (1935): pp. 67-84.

Fouts, Salome Wekisa. Werewere Liking, Sony Labou Tansi, and Tchicaya U Tam'si: Pioneers of 'new theater' in Francophone Africa. Ph.D., Ohio State U., 2004.

Fowler, Ian. Babungo: A Study of Iron Production, Trade and Power in a Nineteenth Century Ndop Plain Chiefdom (Cameroon). Ph.d., University of London, 1990.

Frenay, Patrick. "Le réseau urbain camerounais: caractéristiques principales, dynamique actuelle, alternatives futures." Revue belge de géographie 111, no.3-4 N.S. (1987): 105-40.

Frobenius, Leo. Peuples et sociétés traditionelles du Nord-Cameroun. Translated from the German by Eldridge Mohammadou. Studien zur Kulturkunde 83. Stuttgart: Franz Steiner Verlag, 1987.

"Gabriel Tatsinkou," in Anthologie de l'art africaine du XXe siècle edited by N'Goné Fall and Jean Loup Pivin, pp. 146-7. Paris: Editions Revue Noire, 2001.

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Gauthier, Jean-Gabriel. Archéologie du Massif du Tinguelin. Bordeaux: Centre Univ. Polycopiage, 1964.

Gauthier, Jean-Gabriel. Archéologie du pays Fali, nord Cameroun. Paris: Editions du Centre national de la recherche scientifique, 1979.

Gauthier, Jean-Gabriel. "Un depot ancien en pays Fali, Nord-Cameroun." West African Journal of Archaeology 6: pp. 131-139.

Gauthier, Jean-Gabriel. "Les Fali du Cameroun septentrional." Colloques Internationaux du Centre National de la Recherche Scientifique 551, no. 1 (1981): 187-203.

Gauthier, Jean-Gabriel. Les Fali de Ngoutchoumi: Hou et Talo: montagnards du Nord-Cameroun. Oosterhout, Netherlands: Anthropological Publications, 1969.

Gauthier, Jean-Gabriel. "Gravures rupestres et peintures du pays Fali (Nord Cameroun)," in L'arte e l'ambiente del Sahara preistorico: dati e interpretazioni edited by Giulio Calegari, pp. 257-260. Memorie della Società Italiana di Scienze Naturali e del Museo Civico di Storia Naturale di Milano 26, Fasc. 2. Milan: Società Italiana di Scienze Naturali e del Museo Civico di Storia Naturale di Milano, 1993.

Gauthier, Jean-Gabriel. "L'habitation des Fali de Ngoutchoumi." Société Linéenne de Bordeaux 100, 1961.

Gauthier, Jean-Gabriel. "Organisation des necropoles et tradition orale: l'example du pays fali Nord-Cameroun." Bulletins et memoires, Societe d'anthropologie de Paris 2, no. 3-4 (1990): 201-218.

Gauthier, Jean-Gabriel. "Le site de Hou, près de Katako (Nord Cameroun): Etude d'un dépot culturel à statuettes anthropomorphes." Bulletin trimestriel du Socété d'anthropologie du Sud-Ouest (Bordeaux) 22, no. 4 (Nov. 1987): pp. 227-235.

Gauthier, Jean-Gabriel. "Sites et gisements archéologiques en pays fali," in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 41-49. Série Archéologie africaines. Paris: Karthala, 1992.

Gavua, Kodzo. Style in Mafa Material Culture. Thesis, Dept. of Archaeology, University of Calgary, 1990.

Geary, Christraud M. "Basketry in the Aghem-Fungom Area of the Cameroon Grassfields." African Arts 20, no. 3 (May 1987): pp. 42-53, 89-90.

Geary, Christraud M. "Elephants, Ivory and Chiefs: The Elephant and the Arts of the Cameroon Grassfields," in Elephant: The Animal and Its Ivory in African Culture edited by Doran H. Ross, pp. 228-257. Los Angeles: Fowler Museum of Cultural History, University of California, Los Angeles, 1992.

Geary, Christraud M. Images from Bamum: German Colonial Photography at the Court of King Njoya, Cameroon, West Africa, 1902-1915. Washington, D.C.: Smithsonian Institution Press for the National Museum of African Art, 1988.

Geary, Christraud M. "Impression of the African Past: Interpreting Ethnographic Photographs from Cameroon." Visual Anthropology (Chur, NY) 3, no. 2-3 (1990): pp. 289-315.

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Geary, Christraud M. "'On the Savannah': Marie Pauline Thorbecke's Images from Cameroon, West Africa (1911-12)." Art Journal (New York) 49, no. 2 (Summer 1990): pp. 150-158.

Geary, Christraud M. "Palace and Chieftaincy in Weh, North West Province, Cameroon." Paideuma 31 (1985): pp. 183-201.

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Gosselain, Olivier P. and Paul-Louis van Berg. "Style, individualité et taxonomie chez les potières Bafia du Cameroun." Bulletin du Centre Genevoise d'Anthropologie (Geneva) 3 (1991-1992): pp. 99-114.

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Harter, Pierre. "Royal Commemorative Figures in the Cameroon Grasslands: Ateu Atsa, A Bangwa Artist." African Arts (Los Angeles) 23, no. 4 (October 1990): pp. 70-77, 96.

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Holl, Augustin F. C. "The Cemetery of Houlouf in Northern Cameroon (AD 1500-1600): Fragments of a Past Social System." African Archaeological Review (Cambridge) 12 (1994): 133-70.

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Holl, Augustin F. C. "Systématique archéologique et processus culturels: Essai d'archéologie régionale dans le secteur de Houlouf (Nord-Cameroun)," in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 51-78. Série Archéologie africaines. Paris: Karthala, 1992.

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Lauber, Wolfgang. Deutsche architektur in Kamerun 1884-1914: Deutsche architekten und Kameruner wissenschaftler dokumentieren die bauten der deutschen epoche in Kamerun/Afrika (German Architecture in Cameroon 1884-1914: German Architects and Cameroon Scientists Document the Building of the German Epoch in Cameroon/Africa). Stuttgart: Kramer, 1988.

Lauber, Wolfgang. Palaste und gehofte im Grasland von Kamerun: Traditionelle holzarchitektur eines westafrikanischen Landes (Palaces and Farmstands in Cameroon: Traditional Wooden Architecture of a West African Land). Stuttgart: Kramer, 1990.

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Lebeuf, Jean-Paul. "Le fer, le bois, et la fibre: la chasse chez les Fali," in Ethnologiques: hommages à Marcel Griaule editd by Solange de Ganay, pp. 217-38. Paris: Hermann, 1987.

Lebeuf, Jean-Paul. "Maisons Peules du Cameroon," in Itinerances...en pays Peul et ailleurs, vol. 2 Littératures et cultures, pp. 269-287. Paris: Société des Africanistes, 1981.

Lebeuf, Jean-Paul. "Note sommaire sur l'habitation fali (Nord-Cameroun)." Journal 11: 225.

Lebeuf, Jean-Paul. "La place des Sao parmi les anciennes populations protohistoriques des basses vallées du Chari et du Logone," in Dall'archeologia all'arte tradizionale africana/De l'archéologie à l'art traditionnel africain/From Archaeology to Traditonal African Art: A cura di Gigi Pezzoli, pp. 103-108. Milano: Centro Studi Archeologia Africana, 1992.

Lebeuf, Jean-Paul. "Populations anciennes du sud du lac Tchad," in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 91-99. Série Archéologie africaines. Paris: Karthala, 1992.

Lebeuf, Jean-Paul and Annie Masson-Detourbet Lebeuf. Les Arts des Sao: Cameroun, Tchad, Nigeria. Paris: Chêne, 1977.

Lebeuf, Jean-Paul and Annie Masson-Detourbet Lebeuf. "Monuments symboliques du palais royal de Logone-Birni (Nord-Cameroun)." Journal 25 (1955): 25-34.

Lebeuf, Jean-Paul and Maxime Rodinson. "Les mosquées de Fort-Lamy (A.E.F.)." BIFAN (July 19, 1952): 970-4.

Lingtig, Bettina von. “Ateu Atsa, les sculpteurs, les prêtres: rois et la mémoire iconographique des Bangwa au Cameroun/AteuAtsa, beeldsnijders, priester: koningen en het verbeelde geheugen van de Bangwa in Kameroen,” In Mains de maîtres: à la découvertes des sculpteurs d’Afrique/Masterhands: Afrikaanse beeldhouwers in de kijker edited by Bernard de Grunne, 95-117. Brussels: Espace Culturel BBL, 2001.

Lintig, Bettina von. Die bildende Kunst der Bangwa : Werkstatt-Traditionen und Künstlerhandschriften. Munster: Akademischer Verlag, 1994.

Loumpet-Galitzine, Alexandra. "Ibrahim Njoya, maître du dessin bamoun," in Anthologie de l'art africaine du XXe siècle edited by N'Goné Fall and Jean Loup Pivin, pp. 102-5. Paris: Editions Revue Noire, 2001.

Lyons, Diane. Men's Houses, Women's Spaces: An Ethnoarchaeological Study of Gender and Household Design in Dela, North Cameroon. Ph.D. Dissertation, Simon Fraser University, 1992.

Lyons, Diane. "The Politics of House Shape: Round vs. Rectilinear Domestic Structures in Déla Compounds, Northern Cameroun." Antiquity 70, no. 268 (June 1996): pp. 351-367.

MacEachern, A. Scott. "Ethnicity and Stylistic Variation Around Mayo Plata, Northern Cameroon," in An African Commitment: Papers in Honour of Peter Lewis Shinnie edited by Judy Sterner and Nicholas David, pp. 211-230. Calgary: University of Calgary Press, 1992.

Malaquais, Dominique. "Une nouvelle liberté? Art et politique urbaine à Douala." Afrique & histoire, special issue Villes d'Afrique: Circulation et expressions culturelles edited by Odile Goerg (Paris) 5 (April 2006): pp. ????.

Marchal, Henri. "Un enrichissement prestigieux pour le musée national des Arts d'Afrique et d'Océanie: le legs du Dr. Pierre Harter." Revue du Louvre et des Musées de France (Paris) 42, no. 1 (April 1992): pp. 10-15.

Maret, Pierre de. "Sédentarisation, agriculture et métallurgie du Sud-Cameroun: synthèse des recherches depuis 1978," in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 247-262. Série Archéologie africaines. Paris: Karthala, 1992.

"Mbezele Solo Aloys," in Anthologie de l'art africaine du XXe siècle edited by N'Goné Fall and Jean Loup Pivin, pp. 143. Paris: Editions Revue Noire, 2001.

Mbida Mindzie, Christophe. "Archaeological Research in South Cameroon: Preliminary Results on the 1990 Field Season." Nyame Akuma (Calgary) 37 (June 1992): pp. 2-4.

Mbida Mindzie, Christophe. "Etude préliminaire du site de Ndindan et datation d'une première série de fosses," in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 263-284. Série Archéologie africaines. Paris: Karthala, 1992.

Mbida Mindzie, Christophe. "Fouilles archéologiques au sud-Cameroun: résultats préliminaires de la mission de l'été 1990." NSI: Bulletin de Liason des archéologues du monde bantu (Libreville) 10-11 (1992): pp. 6-8.

Migraine-George, Therese. From Dramatic Roles to Political Agencies: The Aesthetics and Politics of African Women's Representations. Ph.D., University of Colorado at Boulder, 2000.

Morgan, Thomas Bruce and Hilke Hennig. The Ethnography of Pottery: a Fulani Case Seen in Archaeological Perspective. A McCaleb module in anthropology. Addison-Wesley modular publications 21. Reading, MA: Addison-Wesley Pub. Co., 1972.

Mori, Jun. "The Pottery-forming Techniques in Bamessing and Vicinity, West Cameroon," in Africa 3 edited by Shohei Wada and Paul K. Eguchi, pp. 247-264. Senri Ethnological Studies 15. Osaka: National Museum of Ethnology, 1984.

Muller, Jean-Claude. "Inside, Outside, and Inside Out: Masks, Rulers, and Gender among the Dìì and Their Neighbors." African Arts 34, no. 1 (Spring 2001): pp. 58-71, 95-96.

Muraz, G. "Les cache-sexe du Centre-africain." Journal de la Société des Africanistes 2, no. 1 (1932): pp. 103-112.

Musa, Daniel Kanjo. Nso' Traditional Sculpture: An Interpretation of Motifs. Kumbo Nso', Cameroon: Musa Heritage Gallery, 1996.

Mveng, R. P. Engelbert. L'art et l'artisanat africains. Yaoundé: Editions Clé, 1980.

Mveng, Engelbert. "Protection et conservation du patrimoine culturel: à quand le Musée National du Cameroun?" in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 287-293. Série Archéologie africaines. Paris: Karthala, 1992.

Mveng, Engelbert, et. al. "Table ronde: Peuplement ancien du Cameroun," in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 323-325. Série Archéologie africaines. Paris: Karthala, 1992.

Nkwi, Paul "The Kom Palace: Its Foundation, Growth and Significance." Paideuma 31 (1985): pp. 105-10.

Northern, Tamara. The Art of Cameroon. Washington, D.C.: Smithsonian Institution, 1984. [Reviewed by Paula Ben-Amos. Africana Journal (New York) 14, no. 2-3 (1983): pp. 266-7.]

Northern, Tamara. Art of the Cameroon Grasslands: Splendor and Secrecy. New York: Pace Gallery and Ancient Art, 1979.

Northern, Tamara. Expressions of Cameroon Art: The Franklin Collection. Beverly Hills: Rembrandt Press, 1986.

Northern, Tamara. The Sign of the Leopard: Beaded Art of Cameroon. A Loan Exhibition from the Cameroon Collections of the Linden-Museum Stuttgart. Storrs, CT: The William Benton Museum of Art, The University of Connecticut, 1975.

Ossah Mvondo, Jean-Paul. "Identification du site metallurgique de Madoumba, centre Cameroun: les premières données archéologiques." Nyame Akuma (Duluth) 38 (Dec. 1992): pp. 17-19.

Ossah Mvondo, Jean-Paul. "Prospection archéologique dans le Département du Ntem, Province du sud-Cameroun, Août 1991." NSI: Bulletin de liason des archéologues du monde bantu (Libreville) 10-11 (1992): pp. 9-12.

Ossah Mvondo, Jean-Paul. "Recherches archéologique dans le Nord-Ouest (Cameroun): Le site métallurgique de Ba." Nyame Akuma (Ames, IA) 33, no. 2 (June 1990)pp. 2-3.

"Pascale Marthine Tayou," in Anthologie de l'art africaine du XXe siècle edited by N'Goné Fall and Jean Loup Pivin, pp. 352-3. Paris: Editions Revue Noire, 2001.

Perrois, Louis. “Les rois sculpteurs au Cameroun,” in Ni anonyme ni impersonnel: 3e colloque européen sur les arts d’Afrique noire, pp. ????. Collection Arts d’Afrique Noir 3. Arnouville: Collection Arts d’Afrique Noir, 1999.

Perrois, Louis and Michel Dieu. "Culture matérielle chez les Koma-Gimbe des monts Atlantika (Nord-Cameroun): Les gens de la bière de mil," in Relations interethniques et culture materielle dans le bassin du lac Tchad: Actes du IIIème Colloque MEGA-TCHAD, Paris, ORSTOM, 11-12 septembre 1986 edited by Daniel Barreteau and Henry Tourneaux, pp. 175-182. Paris: Editions de l'ORSTOM, 1990.

Perrois, Louis and Jean-Paul Notué. Rois et sculpteurs de l'Ouest Cameroun: la panthère et la mygale. Paris: Karthala and ORSTOM, 1997.

Perrois, Louis and Jean-Paul Notue. "Contribution à l'étude des arts plastiques du Cameroun." Muntu (Libreville) 4-5 (1986): pp. 165-222.

Pius, Soh Bejeng. "The Signification and Role of Royal Symbols on Grassfield Politics," in Africa 3 edited by Shohei Wada and Paul K. Eguchi, pp. 265-287. Senri Ethnological Studies 15. Osaka: National Museum of Ethnology, 1984.

Plass, Margaret. The King's Day. Chicago: Chicago Natural History Museum, 1956.

Pradelles de Latour, C.-H. "Le palais du chef dans une chefferie bamiléké: Bangoua." Paideuma 31 (1985): pp. 31-47.

Price, D. "The Palace and Its Institutions in the Chiefdom of Ngambe." Paideuma 31 (1985): pp. 85-103.

Pruitt, Sharon. Art of the Cameroon: Selections from the Spelman College Collection of African Art. Athens, GA: Georgia Museum of Art, University of Georgia, 1990.

Reche, Otto Das abia-Glücksspiel der Jaunde und die Darstellungen auf den Spielmarken. Mitteilungen aus dem Museum für Völkerkunde in Hamburg 9. Hamburg: Museum für Völkerkunde, 1924.

Robert, Marc. La restauration du palais des Sultans de Bamoum à Foumban Paris: UNESCO, 1980.

Robertson, Ian G. "Hoes and Metal Templates in Northern Cameroon," in An African Commitment: Papers in Honour of Peter Lewis Shinnie edited by Judy Sterner and Nicholas David, pp. 231-240. Calgary: University of Calgary Press, 1992.

Rowlands, Michael. "Notes on the Material Symbolism of Grassfields Palaces." Paideuma 31 (1985): pp. 203-13.

Rudy, Suzanne. "Royal Sculpture in the Cameroons Grasslands" in African Art and Leadership edited by Douglas Fraser and Herbert M. Cole, pp. 123-37. Madison, WI: The University of Wisconsin Press, 1972.

Schmidt, Peter R. and Raymond N Asombang. "Archaeological Survey in Northwestern Cameroon." Nyame Akuma (Ames, IA) 34 (Dec. 1990): pp. 10-16.

Schneider, Evan and Gilbert D. Schneider. Cameroon Highland Heritage: The Schneider Collection. Portland, OR: Intercultural Education Services, 1992.

Schneider, Evan and Gilbert D. Schneider. Prestige Drinking Horns in the Schneider Collection: Images and Field Notes. Portland, OR: Intercultural Education Services, 1992.

Seignobos, Christian. Nord Cameroun: Montagnes et Hautes Terres. Collection architectures traditionnelles. Roquevaire (France): Editions Parenthèses, 1982.

Seignobos, Christian. "Note sur les poteries faîtières du Nord-Cameroun," in Relations interethniques et culture materielle dans le bassin du lac Tchad: Actes du IIIème Colloque MEGA-TCHAD, Paris, ORSTOM, 11-12 septembre 1986 edited by Daniel Barreteau and Henry Tourneaux, pp. 157-174. Paris: Editions de l'ORSTOM, 1990.

Shanklin, Eugenia. "The Odyssey of the Afo-a-Kom." African Arts (Los Angeles) 23, no. 4 (October 1990): pp. 62-9, 95-6.

Shanklin, Eugenia. "The Path to Laikom: Kom Royal Court Architecture." Paideuma 31 (1985): pp. 111-50.

"She's Passing Down the Woven Word." Essence (New York) 23, no. 1 (May 1992): p. 24.

Shimada, Yoshihito. "Formation de la civilisation 'complexe': Islam et vêtements en Afrique su-saharienne: Etude de cas de l'Adamawa." Senri Ethnological Studies (Osaka) 31 (1992): pp. 373-422.

Siroto, Leon. Masks and social organization among the Bakwele people of Western Equatorial Africa. Ph.D., Columbia University, 1969.

Siroto, Leon. "Njom: The Magical Bridge of the Beti and Bulu of Southern Cameroon." African Arts (Los Angeles) 10, no. 2 (Jan. 1977) pp. 38-51, 90-91.

Siroto, Leon. "Spoons from Western Equatorial Africa," in Spoons in African Art: Cooking, Serving, Eating, Emblems of Abundance edited by Lorenz Homberger, pp. 56-73. Zurich: Museum Rietberg, 1991.

Slogar, Christopher Lawrence. Iconography and Continuity in West Africa: Calabar Terracottas and the Arts of the Cross River Region of Nigeria/Cameroon. Ph.D., U. of Maryland, College Park, 2005.

Sterner, Judy. "Sacred Pots and 'Symbolic Reservoirs' in the Mandara Highlands of Northern Cameroon," in An African Commitment: Papers in Honour of Peter Lewis Shinnie edited by Judy Sterner and Nicholas David, pp. 171-179. Calgary: University of Calgary Press, 1992.

Tardits, Claude. "Le palais royal de Foumban." Paideuma 31 (1985): pp. 65-83.

Van Beek, Walter E. A. "The Dirty Smith: Smell as a Social Frontier Among the Kapsiki/Higi of North Cameroon and North-Eastern Nigeria." Africa (London) 62, no. 1 (1992): pp. 38-58.

Vander Linden, Marc M. "Social Dynamics and Pottery Distribution in the Faro Department, Northern Cameroon." African Archaeological Review 18, no. 3 (2001): pp. 135-151.

Vogelzang, Jacques. "Naar aanleiding van een met kralen versierd krukje uit Bandjoun." Nieuwsbrief van de Vereniging Vrienden van Ethnografica (The Netherlands) 41 (Winter 1992): pp. 14-20.

Warnier, Jean-Pierre. "The Mankon Palace." Paideuma 31 (1985): pp. 15-29.

Warnier, Jean-Pierre. "Archéologie et peuplement ancien sur les hauts plateaux de l'Ouest camerounais," in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 339-342. Série Archéologie africaines. Paris: Karthala, 1992.

Warnier, Jean-Pierre. "Rapport préliminaire sur la métallurgie du group Chap," in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 197-212. Série Archéologie africaines. Paris: Karthala, 1992.

Webb, Virginia-Lee. "The Photographs of Paul Gebauer." African Arts 20, no. 2 (February 1987): pp. 46-51, 82.

Wilcox, Rosalind G. "Elephants, Ivory, and Art: Duala Objects of Persuasion," in Elephant: The Animal and Its Ivory in African Culture edited by Doran H. Ross, pp. 260-273. Los Angeles: Fowler Museum of Cultural History, University of California, Los Angeles, 1992.

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