Those below can be found using
Google Scholar and/or a university's on-line library website
Helen
Davies,
"All rock and roll is homosocial," 2001 Popular Music
20,3 pp.301-319
S.
Frith, "Look!
Hear! The Uneasy Relationship of Music and Television,"
Popular Music 21,
#3 (2002): 277-290
Weinstein,
"Youth," pp.101-110 in Bruce Horner and Thomas Swiss
(eds.), Key Terms in Popular Music and Culture,
Malden, MA:
Blackwell, 1999
Weinstein,"Expendable
Youth: The Rise and Fall of Youth Culture,"
pages
67-85 in Jonathon Epstein (ed.)Adolescents and their Music: If
It's
Too Loud, You're Too Old, Hamden, CT: Garland Publishing, 1994
Weinstein,
"The History of Rock's Pasts through Rock Covers," pp.
137-151
in Thomas Swiss et al.(eds.), Mapping the Beat: Popular Music
and
Contemporary
Theory, Malden, MA: Blackwell, 1998
Weinstein,"Rock
Bands: Collective Creativity," pages 205-222 in
Muriel
G. Cantor and Cheryl Zollars (eds.) Current Research on
Occupations
and Professions, Vol.8 (Creators of Culture: Occupations and
Professions
in Culture Industries) Greenwich, CT: JAI Press, 1993
Weinstein,
"Art vs. Commerce:Deconstructing a (Useful) Romantic
Illusion,"
pp.56-69 in Karen Kelly and Evelyn McDonnell (eds.), Stars
Don't
Stand
Still in the Sky: Music and Myth, New York: New York
University
Press,
1999
Weinstein,"Knockin'
the Rock: Popular Music Defined as a Social
Problem,"
pages 23-34 in Craig Calhoun and George Ritzer (eds.)
Perspectives
on
Sociology, New
York: McGraw-Hill, 1996
