Reading the Vincent de
Paul Icon
at the Rosati House,
Vincentian Community Chapel, Chicago, Illinois
by James E. Swift,
C.M.
Artist: Meltem
Aktas
The
icon of Vincent de Paul
celebrates incarnation. Creation is diffused with the light of the incarnation.
This insight is central to an understanding of Vincent and of Vincentian
spirituality.
The icon presents an oval movement of beggar – resembling a Palestinian
Jesus – and an aged Vincent de Paul. The two figures interacting form the heart
of the icon’s message – the discovery that the beggar is Christ. We find Christ
in the poor who in turn transform us into Christ.
The tree to the left of the beggar creates a vertical point of entry for
meditation. As we enter the icon we become the tree and observe the relationship
between Vincent and the beggar, the relationship between ourselves and Christ
reflected in the poor. The tree becomes a sign of our ongoing growth in the
Christian Life. Moving through the beggar’s back one looks directly at Vincent.
Vincent’s eyes focus on the bread. This creates a parallel oval at the center of
the icon. While Vincent is probably giving the bread to the beggar, it is
difficult to tell by looking at the hands of the figures. It is possible that
the beggar is about to place the bread in Vincent’s hand. Herein lies the
theological truth of the icon: Once we find Christ in the poor, the poor have as
much to give to us as we do to them. The poor person becomes Christ and we
become Vincent. In this exchange we receive from Christ, from the beggar, as
much as we give. Vincent de Paul said, “You will find that charity is a heavy
burden to carry…It is only because of your love, only your love, that the poor
will forgive you the bread you have given them.”
The beggar’s deformed hand parallels Vincent’s left foot. The
relationship suggests a dynamism. The beggar’s poverty enriches Vincent;
Vincent’s wealth enriches the beggar. Or perhaps it is the other way around: the
beggar’s esteem enriches Vincent’s poverty. The awkward position of Vincent’s
foot and the beggar’s hand suggest a relationship between the poverty of the
beggar and the poverty of Vincent. The tattered edges of Vincent’s coat
underline the Parallel. Vincent stands with a listening attitude; he experiences
something of his own weakness, brokenness and poverty, and awareness affirmed as
he enters the world of the beggar and hears his gift.
The sharing of bread clearly refers to Eucharist. The exchange is on
mutuality against the cloudy backdrop of divinization – God has penetrated the
world of earth with the heavenly world. The cluster of stones and the barren
branch at the far right side evoke the story of Jesus’ temptation in Luke’s
gospel. The devil said to him, “If you are God’s Son, order this stone to turn
into bread.” Jesus answered, “The Scripture says, ‘Man cannot live on bread
alone’” (Luke 4:3-4). The bread they give each other ultimately sustains
life.
The beggar and Vincent step out from three horizontal planes. The lower
third is the ground upon which the figures stand; the middle the ground upon
which Saint-Lazare, the ancient Vincentian mother house is built; and the top
section fades into the heavens. Saint-Lazare is suspended between heaven and
earth like the New Jerusalem coming down from heaven; it is cloud-like and
diffused in the heavenly light. This is the sphere of sharing between Vincent
and the beggar; this is the place of encounter between the human and the divine.
Saint-Lazare, sign of the heavenly Jerusalem, Floats on the diffused light of
God’s glory now permeating the earthly sphere. The contrast between the heavenly
world and the beggar the divine presence, the person of Christ living in our
world.