Wood Sculpture
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- Abimbola, Wande. "Lagbayi: The Itinerant Wood Carver of Ojowon," in The Yoruba Artist: New Theoretical Perspectives on African Arts edited by Abiodun, Rowland, Henry John Drewal, and John Pemberton III, pp. 137-142. Washington, DC: Smithsonian Institution Press, 1994.
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- Adams, Monni. "Women and Masks Among the Western We of Ivory Coast." African Arts 19, no. 2 (1986): pp. 46-55.
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- Afuba, Chris. Tangled, the Dirge of Depleted Woods: Wood and Metal Sculpture: NDF, Lekki Conservation Centre, Lagos. Lagos: British Council and the Nigerian Conservation Society, 1992.
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- Bastin, Marie-Louise. La sculpture tshokwe. Paris: Chaffin, 1982.
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- Damme-Linseele, Annemieke Van. "Nkanu and Mbeko Art and Ritual." African Arts (Los Angeles) 37, no. 3 (Autumn 2004): pp. 12-23, 90.
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- Einstein, Carl. La sculpture africaine. Trad. Thérèse and Raymond Burgard. Documents d'art. Paris: Les éditions de G. Crès, 1922.
- Essomba, Joseph-Marie. L'Art traditionnel au Cameroun: statues et masques. Suresnes (France): Jean Dupuch, 1982.
- Eyoum, Jean-Pierre Félix, et al. Duala und Deutschland: verflochtene Geschichte: die Familie Manga Bell und koloniale Beutekunst: der Tangué der Bele Bele/Douala et l’Allemagne: une histoire croisée: la famille Manga Bell et l’oeuvre d’art colonial pillé : le “Tangué” des Bele Bele. Köln: Schmidt von Schwind, 2011.
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- Fischer, Eberhard and Hans Himmelheber. The Arts of the Dan in West Africa. Zürich: Museum Rietberg, 1984.
- Fischer, Eberhard, Hans Himmelheber, and Ulrike Himmelheber. Guro: masks, performances, and master carvers in Ivory Coast. Zurich: Museum Rietberg; Munich and New York: Prestel, 2008.
- Fischer, Eberhard and Jorg Böner. Dan artists: the sculptors Tame, Si, Tompieme and Son: their personalities and work. Zurich: Scheidegger and Spiess, 2014.
- Fischer, Eberhard and Lorenz Homberger. Masks in Guro Culture, Ivory Coast. Zürich: Museum Rietberg and New York: The Center for African Art, 1986.
- Fischer, Eberhard, et al. African masters: art from the Ivory Coast. Zurich: Museum Rietberg and Scheidegger and Spiess, 2014.
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- Frank, Barbara E. and Phillips Stevens, Jr. "Postscripts to "The Agbeni Shango Shrine." African Arts 32, no. 1, Special Issue: Authorship in African Art 2 (Spring 1999): pp. 12-13, 87.
- Gagliardi, Susan Elizabeth. Senufo Unbound: Dynamics of Art and Identity in West Africa. Cleveland: The Cleveland Museum of Art; Milan: 5 Continents Editions, 2014.
- Ganay, Solange de. "Une statuette d'ancêtre." Journal des Africanistes (Paris) 54, no. 1 (1984): pp. 120-4.
- Gardi, B. Zaire Masken Figuren. Basel: Museum fürVolkerkunde und Schweizerische Museum für Volkskunde, 1986.
- Glaze, A.J. "Dialectics of Gender in Senufo Masquerades." African Arts 19, no. 3 (1986): pp. 30-9.
- Glidden, Harold W. "Fatimid Carved-Wood Inscriptions in the Collections of the University of Michigan." Ars Islamica 6, no. 1 (1939): pp. 94-95.
- Gordon, G. B. "Arabic Art." The Museum Journal (Philadelphia) 13, no. 1 (March 1922): pp. 9-31.
- Gottschalk, Burkhard. Bei den Wahrsagern im Land der Lobi : die Kunst, Verborgenes zu entdecken. Africa incognita. Düsseldorf: Verlag U. Gottschalk, 1999.
- Grottanelli, Vingi L. "Somali Wood Engravings," in African Arts (Los Angeles) 1, no. 3 (Spring 1968): pp. 8-13, 72-73, 96.
- Grottanelli, Vingi L. "Somali Wood Engravings," in Family and Work in Rural Societies: Perspectives on Non-Wage Labour edited by N. Long, pp. 97-104. London: Tavistock, 1984.
- Grunne, Bernard de. "La statuaire fang: Une forme d'art classique?" Tribal Arts (Paris) 2 (1994): pp. 47-56.
- Hall, H. U. "A Baluba Chieftain's Staff." The Museum Journal (Philadelphia) 14, no. 3 (Sept. 1923): pp. 192-199.
- Hall, H. U. "Congo and West African Woodcarvings." The Museum Journal (Philadelphia) 14, no. 1 (March 1923): pp. 47-84.
- Hall, H. U. "Great Benin Royal Altar." The Museum Journal (Philadelphia) 13, no. 2 (June 1922): pp. 105-168.
- Hall, H. U. "Notes on Some Congo and West African Woodcarvings." The Museum Journal (Philadelphia) 14, no. 2 (June 1923): pp. 101-134.
- Hart, W. A. "Sculptures of the Njayei Society Among the Mende." African Arts (Los Angeles) 26, no. 3
(July 1993): pp. 46-53, 86.
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- Hecht, Elisabeth-Dorothea. "The Hand-Cross Collection of the Institute of Ethiopian Studies: A Project Report," in Proceedings of the First International Conference on the History of Ethiopian Art: Sponsored by the Royal Asiatic Society: Held at the Warburg Institute of the University of London, October 21 and 22, 1986, pp. 115-120. London: The Pindar Press, 1989.
- Hellmich, Christina, Manuel Jordán, and Robert A. Kato. Embodiments: Masterworks of African Figurative Sculpture. New York: Delmonico Books; Prestel, 2015.
- Himmelheber, Hans. Negerkünstler. Stuttgart: Strecker und Schröder, 1935. [Reviewed by Charles Ratton, review available online in Journal de la Société des Africanistes 5, no. 2 (1935): p. 259.]
- Homberger, Lorenz, Christraud M. Geary, and Hans-Joachim Koloss. Cameroon: Art and Kings. Zürich: Museum Rietberg, 2008.
- Jordán, Manuel. Chokwe!: Art and Initiation Among Chokwe and Related Peoples. Munich; New York: Prestel, 1998.
- Juel-Jensen, Bent. "The Evolution of the Ethiopian Cross," in Aspects of Ethiopian Art: From Ancient Axum to the 20th Century. edited by Paul B. Henze, pp. 17-27. London: Jed Press, 1993.
- Knöpfli, Hans. Crafts and technologies: some traditional craftsmen of the Western Grasslands of Cameroon - vol. 2. Sculpture and symbolism: woodcarvers and blacksmiths. Basel: Basel Mission, 1999.
- Laburthe-Tolra, Philippe and Christaine Falgayrette-Leveau. Fang. Paris: Musée Dapper, 1991.
- Lamp, F. "The Art of the Baga: A Preliminary Inquiry." African Arts 19, no. 2 (1986): pp. 64-7.
- Lintig, Bettina von. Die bildende Kunst der Bangwa : Werkstatt-Traditionen und Künstlerhandschriften. Munster: Akademischer Verlag, 1994.
- Die Lobi-Sammlung Peter Loebarth/The Lobi Collection Peter Loebarth/La collection Lobi de Peter Loebarth. Hannover: Ethnographika, 2006.
- Martinez, Jessica Levin. "Ephemeral Fang Reliquaries." African Arts 43, no. 1 (2010): pp. 28-43.
- Massa, Gabriel. Sculptures des trois Volta. Saint-Maur-des-Fossés: Sépia; Société des amateurs de l’art africain, 2001.
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- McCall, D. "A Lobi Woodcarving." African Arts 20, no. 1 (1986): pp. 77-9.
- Meyer, Piet. Kunst und Religion der Lobi. Publikationsstiftung für das Museum Rietberg Zürich 3. Zürich: Museum Rietberg Zürich, 1981.
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- Musa, Daniel Kanjo. Nso' Traditional Sculpture: An Interpretation of Motifs. Kumbo Nso', Cameroon: Musa Heritage Gallery, 1996.
- Obi, Amanze. "Fleeting Moments of Fantasy." Guardian (Lagos) (Sept. 27, 1992): p. B7.
- O'Kane, Bernard. "A Tale of Two Minbars: Woodwork in Egypt and Syria on the Eve of the Ayyubids," in Ferdowsi, the Mongols and the History of Iran: Art, Literature and Culture from Early Islam to Qajar Persia: Studies in Honour of Charles Melville edited by Robert Hillenbrand, et. al., pp. 316-326. International Library of Iranian Studies 45. London: I.B. Tauris & Co. in association with the Iran Heritage Foundation, 2013.
- Panella, Cristiana. "Bamako's Woodcarvers as Pariahs of Cultural Heritage: Between Marginalization and State Representation." Africa Today 58, no. 3 (Spring 2012): pp. 41-56.
- Peek, P.M. "The Isoko Ethos of Ivri." African Arts 20, no. 1 (1986): pp. 42-7.
- Perrois, Louis. Arts ancestral du Gabon. Geneva: Musée Barbier-Mueller, 1985.
- Perrois, Louis. Arts du Gabon. Arnouville, France: Editions Arts d’Afrique, 1979.
- Perrois, Louis. Byeri Fang : Sculptures d’ancêtres en Afrique. Paris: Editions RMN, 1992.
- Perrois, Louis. “Le Maître de la Sébé: les figures de reliquaire kota ‘à tête de mort’ de l’est du Gabon/De Meester van de Sébé: de Kota-reliekbeelden met doodshoofd uit Oost-Gabon,” In Mains de maîtres: à la découvertes des sculpteurs d’Afrique/Masterhands: Afrikaanse beeldhouwers in de kijker edited by Bernard de Grunne, 141-159. Brussels: Espace Culturel BBL, 2001.
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- Sarpong, Peter. The Sacred Stools of the Akan. Accra: Ghana Publishing Corporation, 1971.
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