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- Ahmed, U.B. "A Taxonomy of Hausa Drama." Nigeria Magazine 53, no. 1 (1985): pp. 19-32.
- Ambe, Hila Rious N. Change Aesthetics in Anglophone Cameroon Drama and Theater. Bayreuth African Studies 83. Bayreuth: Pia Thielmann and Eckhard Breitinger, 2007. [Reviewed by Gilbert Doho in Research in African Literatures 39, no. 3 (2008): pp. 223-224.]
- Anderson, Gary, Lena Simic, David Haley, Zoe Svendsen, Lucy Neal, and Emelda Ngufor Samba. "Troubling practices: short responses." Research in Drama Education 17, no. 2 (2012): pp. 289-306.
- Bame, K.N. Come to Laugh: African Traditional Theatre in Ghana. New York: Lilian Barber, 1985.
- Chiangong, Mforbe Pepetual. Rituals in Cameroon drama: a semiological interpretation of the plays of Gilbert Doho, Bole Butake and Hansel Ndumbe Eyoh. Bayreuth African studies series, 90. Eckersdorf, Germany: Pia Thielmann & Eckhard Breitinger, 2011. [Reviewed by Naomi Nkealah in English in Africa 39, no. 3 (2012): p. 98; by Emmanuel Fru Doh in Africa (Cambridge University Press) (2012): pp. 670-671.]
- Coplan, D. In Township Tonight! South Africa's Black City Music and Theatre. London: Longman, 1985.
- Doho, Gilbert. "Theatre and Environmental Education in Cameroon/Women in Theatre for Development in Cameroon: Participation, Contributions and Limitations." Research in African Literatures 39, no. 2 (2008): pp. 166-169.
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- Fouts, Salome Wekisa. Werewere Liking, Sony Labou Tansi, and Tchicaya U Tam'si: Pioneers of 'new theater' in Francophone Africa. Ph.D., Ohio State U., 2004.
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- Le Lay, Maëline."Literary and Theatrical Circulations in the Democratic Republic of Congo, Rwanda and Burundi: From the Belgian Colonial Empire to the Africa of the Great Lakes." Artl@s Bulletin 5, no. 2 (Fall 2016): pp. 43-56.
- Migraine-George, Therese. From Dramatic Roles to Political Agencies: The Aesthetics and Politics of African Women's Representations. Ph.D., University of Colorado at Boulder, 2000.
- Nkealah, Naomi. "Women’s Contribution to the Development of Anglophone Cameroonian Drama: The Plays of Anne Tanyi-Tang." Research in African Literatures 45, no. 2 (2014): pp. 122-134.
- Oloruntoba-Oju, Omotayo. "From Alarinjo to Arugba: Continuities in Indigenous Nigerian Drama." African Identities 11, no. 4 (Nov. 2013): pp. 395-406.
- Owomoyela, O. "Give Me Drama or...: The Argument on the Existence of Drama in Traditional Africa." African Studies Review 28, no. 4 (1985): pp. 28-45.
- Plastow, Jane. "Teatro Asmara: understanding Eritrean drama through a study of the national theatre." Journal of African Cultural Studies 29, no. 3 (Sept. 2017): pp. 311-330.
- Ricard, A. "Théâtre pour le peuple et théâtre du peuple." CREDU Newsletter 16 (1985): pp. 42-51.
- Samba, Emelda Ngufor. Women in theatre for development in Cameroon: participation, contributions and limitationsi>. Bayreuth African studies 74. Bayreuth, Germany: Bayreuth University, 2005. [Reviewed by Gilbert Doho in Research in African Literatures 39, no. 2 (2008): pp. 166-169.]
- Shava, P.V. "South Africa: Popular Theatre and Political Ferment of the 1960s and 1970s." Présence Africaine 136 (1985): pp. 124-49.
- Takem, John Tiku. Theatre and environmental education in Cameroon. Bayreuth African studies 76. Bayreuth: Pia Thielmann and Eckhard Breitinger, 2005. [Reviewed by Gilbert Doho in Research in African Literatures 39, no. 2 (2008): pp. 166-169.]