Textiles, Dress, and Fashion
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- Abiodun, Rowland, Ulli Beier, and John Pemberton. Cloth Only Wears to Shreds: Yoruba Textiles and Photographs from the Ulli Beier Collection. Amherst, MA: Mead Art Museum, Amherst College, 2004. [Reviewed by Lisa Aronson in African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 91-92.]
- Adams, Monni. "Fon Applicquéd Cloths." African Arts (Los Angeles) 12, no. 2 (1980): pp. 28-41, 87-88.
- Adams, Monni. "Kuba Embroidered Cloth." African Arts 12, no. 1 (Nov. 1978): pp. 24-39+106-107.
- Adams, Monni and T. Rose Holdcraft. "Dida Woven Raffia Cloth from Côte d'Ivoire." African Arts (Los Angeles) 25, no. 3 (July 1992): pp. 42-51, 100-2.
- Adesanya, Aderonke Adesola. “A Semiotics of Clothing Insignia of Indigenous Secret Societies Among the Ijebu Yoruba,” in Yoruba Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams, pp. 23-48. Ibadan: BookBuilders, 2005.
- Adler, Peter and Nicholas Barnard. African Majesty: The Textile Art of the Ashanti and Ewe. New York: Thames and Hudson, 1992. [Reviewed in American Craft (New York) 53, no. 3 (June-July 1993): p. 28; Christopher D. Roy in Choice (Middletown) 30, no. 7 (March 1993): p. 1128.]
- Adler, Peter and Nicholas Barnard. "Asafo!" Hali: The International Magazine of Fine Carpets and Textiles
(London) 14, no. 5 (Oct. 1992): pp. 106-110.
- Adler, Peter and Nicholas Barnard. Asafo! African Flags of the Fante. New York: Thames and Hudson,
1992. [Reviewed by George Nelson Preston, African Arts (Los Angeles) 26, no. 3 (July 1993): pp. 83-4; Anne Rogers in
Piecework (Loveland) 2, no. 3 (May-June 1994): pp. 92-93; Susan M. Olcott in Library Journal (New York) 117,
no. 8 (Nov. 1, 1992): p. 82.]
- Agbaje-Williams, Babatunde. “Clothed Ritual Trees: An Insight into Yoruba Religious Thoughts,” in Yoruba
Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde
Agbaje-Williams, pp. 157-187. Ibadan: BookBuilders, 2005.
- Akinwumi, Tunde M. "Diffusion of Upo Funerary and Egungun Textiles in the Niger-Benue Confluence Area." Lagos
Historical Review (Lagos) 7 (2007): pp. 134-159.
- Akinwumi, Tunde M. “‘Ero’: A Celebration of Eldership in the Indigo Cloths of Owo,” in Yoruba Religious
Textiles: Essays in Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams,
pp. 49-70. Ibadan: BookBuilders, 2005.
- Akou, Heather Marie. Macrocultures, Migration, and Somali Malls: A Social History of Somali Dress and
Aesthetics. Ph.D., U. of Minnesota, 2005.
- Alphadi. "Croire à l'Afrique: La cronique de la mode d'Alphadi/Africa's Credibility: Alphadi's Fashion Chronicle."
Revue Noire (Paris) 4 (March-April-May 1992): p 6.
- Andah, Bassey W. "Dress Technology," in Nigeria's Indigenous Technology, pp. 88-102. Ibadan: Ibadan
University Press, 1992.
- Aremu, P. S. O. “Socio-religious Realities of Yoruba Egungun Costumes,” in Yoruba Religious Textiles: Essays in
Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams, pp. 89-114. Ibadan:
BookBuilders, 2005.
- Aremu, P. S. O. "Textile-like Patterns on Yoruba Carvings." Nigerian Field (Ibadan) 47 (1982): pp. 18-22.
- Aremu, P. S. O. "Textile-like Patterns on Yoruba Carvings," in Yoruba Culture, pp. 22-26. Ibadan:
Nigerian Field Society, Ibadan Branch, 1992.
- Aremu, P. S. O. "Yoruba adire-eleko fabrics." Nigerian Field (Ibadan) 44 (1979): pp. 98-106.
- Aremu, P. S. O. "Yoruba adire-eleko fabrics," in Yoruba Culture, pp. 7-15. Ibadan: Nigerian Field
Society, Ibadan Branch, 1992.
- Aronson, Lisa. "Ijebu Yoruba Aso Olona: A Contextual and Historical Overview." African Arts (Los
Angeles) 25, no. 3 (July 1992): pp. 52-63, 101-2.
- Aronson, Lisa. "The Language of West African Textiles." African Arts (Los Angeles) 25, no. 3 (July
1992): pp. 36-40, 100.
- Asakitikpi, Aretha Oluwakemi. “Owo Women’s Religious Textiles,” in Yoruba Religious Textiles: Essays in Honour
of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams, pp. 71-88. Ibadan: BookBuilders,
2005.
- Asakitikpi, Aretha Oluwakemi. "The Rise and Fall of Broadloom Weaving Among the Yoruba: An Historical Overview." Research Review (Legon) 22, n.s., no. 1 (2006): pp. 73-81.
- Asamoah-Yaw, Ernest. Kente Cloth: Introduction to History. New York: Ghanam Textiles Inc., 1992.
- Banoum, Betrade Ngo-Ngijol and Anne Patricia Rice. “Embodying African Women's Epistemology: International Women's Day Pagnes in Cameroon” in Writing through the Visual and Virtual: Inscribing Language, Literature, and Culture in Francophone Africa and the Caribbean edited by Renée Larrier and Oussiena D. Alidou. London: Lexington Books, 2015.
- Barbour, Jane et D. Simmonds, eds. Adire cloth in Nigeria: The Preparation and Dyeing of Indigo Patterned Cloths among the Yoruba. Ibadan: Institute of African Studies, Unversity of Ibadan, 1971. [Review by Geneviève Calame-Griaule available in Journal de la Société des Africanistes 41, no. 2 (1971): p. 267.]
- Barley, Nigel. "The Warp and Woof of Culture." RAIN 59 (Dec. 1983): pp. 7-8.
- Bayo, Abdoulie. Traditional Crafts in the Gambia. Banjul: n.p., 1992.
- Beck, Rose Marie. "Texts on Textiles: Proverbiality as Characteristic of Equivocal Communication at the East African Coast (Swahili)." Journal of African Cultural Studies (London) 17, no. 2 (Dec. 2005): pp. 131-160.
- Bedaux, Rogier M. A. and Rita Bolland. "Tellem, reconnaissance archéologique d'une culture de l'Ouest africain au Moyen-Age: les Textiles." Journal des africanistes 50, no. 50/1 (1980): pp. 9-23.
- Bernolles, J. "Note sur l'ornementation d'un chapeau Peul en usage dans la région de Djougou." Notes
Africaines 98 (1963): pp. 47-50.
- Biedronska-Slotowa, B. "Early 15th-Century Byzantine and Mamluk Textiles from Wawel Cathedral,
Cracow." Bulletin du Centre International d’Etudes des Textiles Anciens (Lyons) 72 (1994): pp.
13-19.
- Bolland, Rita. "Clothing from Burial Caves in Mali, 11th-18th Century," in History, Design, and Craft in West African Strip-Woven Cloth: Papers Presented at a Symposium Organized by the National Museum of African Art, Smithsonian Institution, February 18-19, 1988, pp. 53-81. Washington, DC: The National Museum of African Art, 1992.
- Brett-Smith, Sarah C. "Empty Space: The Architecture of Dogon Cloth," Res: Anthropology and aesthetics 19-20 (1990-1991): pp. 162-177.
- Brett-Smith, Sarah C. The Silence of the Women: Bamana Mud Cloths. Milan: 5 Continents Editions, 2014.
- Broderie d'Alger: florilège de soie. Paris: Institut du Monde Arabe, 1992.
- Clarke, Duncan. “Central Africa: Cameroon, Congo,” in African Textiles: The Karun Thakar Collection edited by Karun Thakar, et. al. Munich: Prestel, 2015.
- Curatola, Giovanni. "A Sixteenth-Century Quarrel about Carpets." Muqarnas 21 (2004): pp. 129-138.
- Daly, M.C., et. al. "Male and Female Artistry in Kalabari Dress." African Arts 19, no. 3 (1986): pp. 48-51.
- Darish, Patricia. "Dressing for the Next Life: Raffia Textile Production and Use among the Kuba of Zaire," in Cloth and Human Experience edited by Annette B. Weiner and Jane Schneider, pp. 117-140. Washington, D.C. and London: Smithsonian Insittution Press, 1989.
- Demerdash, Nancy. "The Quilts of Bisa Butler." The Textile Museum Journal, 2022.
- Dennis, Ahiagble Bob. The Pride of Ewe Kente. Legon, Accra: Sub-Saharan Publishers, 2004.
- Detourbet, A. Masson. "Le tissage du raphia chez les Batéké (Moyen-Congo)." Journal de la Société des Africanistes 27, no. 1 (1957): pp. 67-79.
- Dilley, Roy M. "Dreams, Inspiration and Craftwork among Tukolor Weavers," in Dreaming, Religion, and Society in Africa edited by M. C. Jedrej and Rosalind Shaw. Leiden: E. J. Brill, 1992.
- Dilley, Roy M. "Itinerant Tukolor Weavers: Their Economic Niche and Aspects of Social Identity." Nomadic Peoples 21-22 (Dec. 1986): pp. 117-133.
- Dilley, Roy M. "Tukulor Weavers and the Organisation of Their Craft in Village and Town." Africa 56, no. 2 (1986): pp. 124-47.
- Domowitz, Susan. "Wearing Proverbs: Anyi Names for Printed Factory Cloth." African Arts (Los Angeles) 25, no. 3 (July 1992): pp. 82-7, 104.
- Doris, David T. "Destiny World: Textile Casualties in Southern Nigeria." African Arts 39, no. 2 (Summer 2006): pp. 36-47, 86-88.
- Duponchel, Pauline. Formes, fonctiones et significations des textiles traditionnels de coton tissés et teints du Mali. Mémoire de DEA, Université de Paris I, Panthéon-Sorbonne, 1990.
- Duponchel, Pauline. Textiles Bògòlan du Mali. Neuchâtel: Musée d'Ethnographie, 2004. [Reviewed by Pascal James Imperato in African Studies Review (New Brunswick) 48, no. 2 (Sept. 2005): pp. 174-177.]
- Dzide, Dan. "Kente Fever." West Africa (London) 3877 (Jan. 6-12, 1992): p. 4.
- Edwards, Elizabeth and Linda Cheetham. "On Top of the World: A New Exhibition at the Pitt Rivers Museum, Oxford." JASO: Journal of the Anthropological Society of Oxford 17, no. 1 (1986): pp. 46-49.
- Edwards, Joanna P. "The Sociological Significance and Uses of Mende Country Cloth," in History, Design, and Craft in West African Strip-Woven Cloth: Papers Presented at a Symposium Organized by the National Museum of African Art, Smithsonian Institution, February 18-19, 1988, pp. 133-168. Washington, DC: The National Museum of African Art, 1992.
- Engelbrecht, Beate and Bernhard Gardi, ed. Man Does Not Go Naked: Textilien und Handwerk aus afrikanischen und anderen Ländern. Basler Beiträge zur Ethnologie 30. Basel: Ethnologisches Seminar der Universität und Museum für Völkerkunde, 1989.
- Epifano, Angie. "Commerce and Colonialism in the Regalia of the Samorian State." African Arts 53, no. 2 (Summer 2020): pp. 28-41.
- "Fashion-Design/Mode-Design." Revue noire (Paris) 7 (Dec. 1992-Feb. 1993): pp. 32-33.
- Feeley-Harnik, Gillian. "Cloth and the Creation of Ancestors in Madagascar," in Cloth and Human Experience edited by Annette B. Weiner and Jane Schneider, pp. 73-116. Washington, D.C. and London: Smithsonian Insittution Press, 1989.
- Fianu, Docea A. G. and Harriet A. A. Asante. "Kente as Home Furnishing 1: The Views of the Elderly in Koforidua, Ghana." Journal of Asian Regional Association of Home Economics 6, no. 3 (1999): pp. 140-146.
- Filani, Emmanuel Olakunle and Babasehinde A. Ademuleya. “Religious and Royal Uses of Sacred Textiles in Lagos,” in Yoruba Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams, pp. 189-208. Ibadan: BookBuilders, 2005.
- The First National 'Gele' Head-Gear and Cultural Festival Prgramme: In Honour of the President of the Federal Republic of Nigeria, Commander in Chief of the Armed Forces General Ibrahim Badamasi Babangidi CFR, FSS, MNI Special Guest of Hounour, The Honourable Minister of Information & Culture Prof. Sam Oyovbaire Venue, Main Bowl, Naional Arts Theatre, Iganmu, Lagos, Date, Saturday, 5th September, 1992. Lagos: s.n., 1992.
- Friedman, Johathan. "The Political Economy of Elegance: An African Cult of Beauty." Culture & History (Copenhagen) 7 (1990): pp. 101-125.
- Fromont, Cécile. "Getting to Know Early Modern Kongo Textiles." The Textile Museum Journal, 2022.
- Gardi, Bernard, ed. Textiles du Mali d'aprés les collections du Musée National du Mali. Bamako: Musée National du Mali, 2003. [Reviewed by Pascal James Imperato in African Studies Review (New Brunswick) 48, no. 2 (Sept. 2005): pp. 174-177.]
- Gardi, Bernhard and Christiane Seydou. "Arkilla Kerka: La tenture de mariage chez les Peuls du Mali," in Man Does Not Go Naked: Textilien und Handwerk aus afrikanischen und anderen Ländern edited by Engelbrecht, Beate and Bernhard Gardi, pp. 83-106. Basler Beiträge zur Ethnologie 30. Basel: Ethnologisches Seminar der Universität und Museum für Völkerkunde, 1989.
- Gavua, Kodzo. "Goat Skins Versus Wax Prints: An Analysis of Mafa Costume," in Cultures in Conflict: Current Archaeological Perspectives: Proceedings of the Twentieth Annual Conference of the Archaeological Association of the University of Calgary edited by Diana Claire Tkaczuk and Brian C. Vivian, pp. 293-296. Calgary: The University of Calgary Archaeological Association, 1989.
- Geary, Christraud M. "Political Dress: German-Style Military Attire and Colonial Politics in Bamum," in African Crossroads: Intersections between History and Anthropology in Cameroon edited by Ian Fowler and David Zeitlyn, pp. 165-192. Cameroon Studies 2. Providence, RI and Oxford: Berghahn, 1996.
- Gervers, Michael. "The Portuguese Import of Luxury Textiles to Ethiopia in the 16th and 17th Centuries and Their Subsequent Artistic Influence," in The Indigenous and the Foreign in Christian Ethiopian Art: On Portuguese-Ethiopian Contacts in the 16th-17th Centuries: Papers from the Fifth International Conference on the History of Ethiopian Art (Arrábida, 26-30 November 1999) edited by Manuel João Ramos and Isabel Boadvida, pp. 121-134. Hants, England: Ashgate, 2004. [Reviewed by Peri Klemm in International Journal of African Historical Studies (Boston) 39, no. 1 (2006): pp. 162-163.]
- Geteloma, Charles. “Yoruba Indigenous Textiles and Catholic Liturgy,” in Yoruba Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams, pp. 233-248. Ibadan: BookBuilders, 2005.
- Gillow, John. African Textiles: Color and Creativity across a Continent. New York: Thames and Hudson, 2009.
- Goody, Esther N. From Craft to Industry: The Ethnography of Proto-Industrial Cloth Production. Cambridge Papers in Social Anthropology 10. Cambridge, UK: Cambridge University Press, 1982. [Reviewed by Michael J. Hitchcock, review available online in JASO: Journal of the Anthropological Society of Oxford 15, no. 3 (1984): p. 270.]
- Griaule, Geneviève. "Le vêtement dogon, confection et usage." Journal de la Société des Africanistes 21, no. 2 (1951): pp. 151-162.
- Hamès, Constant and Alain Epelboin. "Trois vêtements talismaniques provenant de Sénégal (décharge de Dakar-Pikine)." Bulletin d'études orientales (Damascus) 44 (1992): pp. 217-241.
- Harris, Moira Flanagan. The Royal Cloth of Cameroon. Ph.D. thesis, University of Minnesota, 1986.
- Heath, Deborah. "Fashion and Anti-Fashion, and Heteroglossia in Urban Senegal." American Ethnologist (Washington, DC) 19, no. 1 (Feb. 1992): pp. 19-33.
- Heathcote, David. "A Hausa Charm Gown." Man 9, no. 4 (1974): pp. 620-624.
- Heathcote, David. "Hausa Embroidered Dress." African Arts 5, no. 2 (1972): pp. 12-19, 82.
- Henze, Martha H. "Imported Textiles in Ethiopian Traditions," in The Indigenous and the Foreign in Christian Ethiopian Art: On Portuguese-Ethiopian Contacts in the 16th-17th Centuries: Papers from the Fifth International Conference on the History of Ethiopian Art (Arrábida, 26-30 November 1999) edited by Manuel João Ramos and Isabel Boadvida, pp. 135-145. Hants, England: Ashgate, 2004. [Reviewed by Peri Klemm in International Journal of African Historical Studies (Boston) 39, no. 1 (2006): pp. 162-163.]
- Hilu, Sam and Irwin Hersey. Bogolanfini Mud Cloth. Atglen, PA: Schiffer Publishing Ltd., 2005. [Reviewed
by Pascal James Imperato in African Studies Review (New Brunswick) 49, no. 2 (Sept. 2006): pp. 214-215.]
- History, Design, and Craft in West African Strip-Woven Cloth. Washington, D.C.: National Museum of African Art,
1992. [Reviewed by Elisha P. Renne, African Arts (Los Angeles) 26, no. 3 (July 1993): pp. 30-1, 83, 88.
- Imperato, Pascal J. African Mud Cloth: The Bogolanfini Art Tradition of Gneli Traoré of Mali. Manhasset,
N: Kilima House Publishers; Tenafly, NJ: The African Art Museum of the SMA Fathers, 2006. [Reviewed by Wayne D. Barton in
African Studies Review (New Brunswick) 50, No. 1 (April 2007): pp. 210-211.]
- Imperato, Pascal J. "Kereka Blankets of the Peul." African Arts (Los Angeles) 9, no. 3 (1976): pp. 56-59.
- Imperato, Pascal J. "Wool Blankets of the Peul of Mali." African Arts (Los Angeles) 9, no. 3 (1973): pp. 40-47.
- Jouin, Jeanne. "Le costume de la femme israélite, au Maroc." Journal de la Société des Africanistes 6, no. 2 (1936): pp. 167-186.
- Jouin, Jeanne. "Thèmes décoratifs des broderies marocaines." Hespéris 15, no. 1 (1932): pp. 11-30.
- Kennedy, Jean. "Artists of the Image and Loom: Sénégal," in New Currents, Ancient Rivers: Contemporary African
Artists in a Generation of Change, pp. 97-107. Washington, DC: Smithsonian Institution Press, 1992.
- Kriger, Colleen E. Cloth in West African History. African Archaeology Series. Lanham, MD: AltaMira Press,
2006.
- Kusimba, Chapurukha M. "Printed and Dyed Textiles from Africa." Visual Anthropology 17, no. 2 (2004):
pp. pp. 197-198.
- Kusimba, Chapurukha M., J. Clair Odland, and Bennett Bronson. Unwrapping the Textile Traditions of
Madagascar. Los Angeles: UCLA Fowler Museum of Cultural History in Association with the Field Museum, 2005.
[Reviewed by Andrew Walsh in African Studies Review (New Brunswick) 48, no. 3 (Dec. 2005): pp. 200-202.]
- Labi, Kwame Amoah. "The Transformation of European Forts, Castles and Flags into Local Fante 'Asafo' Iconography."
Research Review (Legon) 22, n.s., no. 1 (2006): pp. 83-98.
- Lamb, Venice. "A Vai Kpokpo." Hali: The International Magazine of Fine Carpets and Textiles (London) 14, no. 5, 65 (Oct. 1992): pp. 84-85.
- Lamb, Venice and Alastair Lamb. Au Cameroun: Weaving – Tissage. Hertingfordbury, Hertfordshire (Great Britain): Roxford Books, 1981.
- Layiwola, Peju and Jean Borgatti. "Indigo Reimagined with Peju Layiwola." The Textile Museum Journal, 2022.
- Lebeuf, Annie M. D. "Le royaume du Baguirmi," in Princes & serviteurs du royaume: Cinq études de monarchies africaines edited by Claude Tardits, pp. 171-225. Paris: Société d'ethnographie, 1987.
- Louca, C. and O. Valansot. "Etoffes mamlukes du Musée des Tissus de Lyon." Bulletin du Centre International d’Etudes des Textiles Anciens (Lyons) 72 (1994): pp. 20-33.
- Mason, Ruth. “Telling Our Story.” Na’amat Woman 19, no. 1 (Winter 2003): pp. 8-12.
- Mokake, Flavius Mayoa. “Kabba dress : identity and modernity in contemporary Cameroon,” in Marginality and Crisis: Globalization and Identity in Contemporary Africa edited by A. G. Adebayo, Olutayo C. Adesina, and Rasheed O. Olaniyi. Lanham, Md. : Lexington Books, 2010.
- Muraz, G. "Les cache-sexe du Centre-africain." Journal de la Société des Africanistes 2, no. 1 (1932): pp. 103-112.
- Naji, Myriem. "Reconstructing the Historical 'Akhnif' of Southern Morocco." The Textile Museum Journal, 2022.
- Noces tissées, noces brodées: costumes et parures féminins de Tunisie. Paris: Musées National des Arts d'Afrique et d'Océanie, 1995.
- Ntihabo, J. S. "The Lesotho Handspun Mohair Project." Advance (Washington, D.C.) 1, no. 1 (1986-1987): pp. 38-41.
- Okpokunu, Edoja, Kokunre A. Agbontaen-Eghafona, and Pat O. Ojo. "Benin Dressing in Contemporary Nigeria: Social Change and the Crisis of Cultural Identity." African Identities (London) 3, No. 2 (Oct. 2005): pp. 155-170.
- Olaoye, Tola. “‘Iwa’: Symbolism and Significance in Sango Ritual Textiles,” in Yoruba Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams, pp. 129-155. Ibadan: BookBuilders, 2005.
- Opoku, Zohra and Silvia Forni. "Zohra Opoku's Poetic Image Making." The Textile Museum Journal, 2022.
- Owusu-ansah, Nana J. V. New Versions of the Traditional Motifs. Kumase: Degraft Graphics and Publications, 1992.
- Page, Melvin E. and Patrick R. Bennett. "The Inscribed Sandals of Tippu Tip." Journal de la Société des Africanistes 42, no. 2 (1972): pp. 187-191.
- Papini, Robert. "Dance Uniform History in the Church of Nazareth Baptists." African Arts (Los Angeles) 37, no. 3 (Autumn 2004): pp. 48-61, 90-92.
- Paydar, Niloo Imami, and Ivo Grammet. Moroccan Life. Indianapolis: Indianapolis Museum of Art, 2002. [Reviewed by Frederick Quinn in African Arts (Los Angeles) 37, no. 4 (Winter 2004): pp. 93.]
- Perani, Judith. "The Cloth Connection: Patrons and Producers of Hausa and Nupe Prestige Strip-Weave," in History, Design, and Craft in West African Strip-Woven Cloth: Papers Presented at a Symposium Organized by the National
Museum of African Art, Smithsonian Institution, February 18-19, 1988, pp. 95-112. Washington, DC: The National Museum
of African Art, 1992.
- Perani, Judith and Norma Wolff. "Embroidered Gown and Equestrian Ensembles of the Kano Aristrocracy." African
Arts (Los Angeles) 25, no. 3 (July 1992): pp. 70-81, 102-4.
- Polakoff, Claire. Into Indigo: African Textiles and Dyeing Techniques. New York: Anchor Press, 1980.
[Reviewed by Kate P. Kent in African Arts (Los Angeles) 14, no. 1 (Nov. 1980): pp. 28-9.]
- Posnansky, Merrick. "Traditional Cloth from Ewe Heartland," in History, Design, and Craft in West African
Strip-Woven Cloth: Papers Presented at a Symposium Organized by the National Museum of African Art, Smithsonian Institution
February 18-19, 1988. Washington, D.C.: The Museum, 1992.
- Poyner, Robin. "Traditional Textiles in Owo, Nigeria." African Arts (Los Angeles) 14, no. 1 (Nov. 1980): pp. 47-51, 88.
- Preston, George Nelson. "Perseus and Medusa in Africa: Military Art in Fanteland, 1834-1972." African Arts (Los Angeles) 3, no. 3 (1975): pp. 36-39, 68-71, 91-92.
- Prussin, Labelle. “Judaic Threads in the West African Tapestry: No More Forever?” Art Bulletin 88, no. 2 (June 2006): 328-353.
- Ramirez, F. and Charles Rolot. Tapis et tissages du Maroc: une écriture du silence. Poche couleur 11. Courbevoie, Fr.: ACR, 1995.
- Renne, Elisha P. "Aso Ipo, Red Cloth from Bunu." African Arts (Los Angeles) 25, no. 3 (July 1992): pp. 64-9, 102.
- Renne, Elisha P. Cloth That Does Not Die: The Meaning of Cloth in Bùnú Social Life. Seattle, WA and London: University of Washington Press, 1995. [Reviewed online by Lisa Aronson on H-Net, available at http://www.h-net.org/reviews/showrev.cgi?path=24094872714889.]
- Renne, Elisha P. "The Decline of Women's Weaving Among the North-East Yoruba." Textile History (London) 23, no. 1 (Spring 1992): pp. 87-96.
- Renne, Elisha P. "The Royal Garments of the Emir of Kano." The Textile Museum Journal, 2022.
- Renne, Elisha P. “Visions of Sacred Textiles in a Yoruba Aladura Church,” in Yoruba Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba edited by Elisha P. Renne and Babatunde Agbaje-Williams, pp. 209-231. Ibadan: BookBuilders, 2005.
- Renne, Elisha P. and Babatunde Agbaje-Williams, eds. Yoruba Religious Textiles: Essays in Honour of Cornelius Oyeleke Adepegba. Ibadan: BookBuilders, 2005.
- Roberts, Allen F. "‘Break the Silence' Art and HIV/AIDS in KwaZulu-Natal." African Arts (Los Angeles) 34, no. 1 (Spring 2001): pp. 36-49, 93-95.
- Roberts, Richard. "Guinée Cloth: Linked Transformations within France's Empire in the Nineteenth Century." Cahiers d'études africaines 32, no. 128 (1992): pp. 597-627.
- Roberts, Richard. Two Worlds of Cotton: Colonialism and the Regional Economy in the French Soudan. Stanford, CA: Stanford University Press, 1996.
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History Pamphlet Series 1, no. 5. Los Angeles, CA: UCLA Fowler Museum of Cultural History, 1979.
- Ross, Doran H. Wrapped in Pride: Ghanaian Kente and African American Identity. UCLA Fowler Museum of Cultural History Textile Series 2. Los
Angeles, CA: UCLA Fowler Museum of Cultural History, 1998.
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4, 1992): p. 1646.
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Newsletter (Maiduguri) 3-4 (April-May-June-July Aug.-Sept. 1990): pp. 41-45.
- "She's Passing Down the Woven Word." Essence (New York) 23, no. 1 (May 1992): p. 24.
- Shimada, Yoshihito. "Formation de la civilisation 'complexe': Islam et vêtements en
Afrique su-saharienne: Etude de cas de l'Adamawa." Senri Ethnological Studies (Osaka)
31 (1992): pp. 373-422.
- Shwartz-Beeri, Ora. "The Embroidered Pictures of Yazazo Aklum of Tigre - Their Source and Significance," in Between Africa and Zion: Proceedings of the First International Congress of the Society for the Study of Ethiopian Jewry edited by Steven Kaplan, et. al., pp. 217-229. Jerusalem: SOSTEJE, 1995.
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- Snieckus, Mary Ann. "Spinning Mohair in Lesotho." Threads Magazine (Newton, CT) 8 (Dec. 1986-Jan. 1987):
pp. 66-69.
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Press, 1995.
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