Dance and Performance
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- Asante, K.W. "Commonalities in African Dance: An Aesthetic Foundation," in African Culture: The Rhythms of Unity edited by M.K. Asante and K.W. Asante, pp. 71-82. Westport, CT: Greenwood, 1985.
- Avorgbedor, Daniel K., ed. The Interrelatedness of Music, Religion, and Ritual in African Performance Practice. Lewiston, NY: Edwin Mellen, 2003.
- Blacking, J. "Movement, Dance, Music, and the Venda Girls' Initiation Cycle," in Society and Dance: The Social Anthropology of Process and Performance edited by P. Spencer, pp. 64-91. Cambridge, UK: Cambridge University Press, 1985.
- Cornet, Joseph. "The Itul Celebration of the Kuba." African Arts 13, no. 3 (May 1980): pp. 28-33+92.
- Damon, Anne. "'Aqwaqwam' ou la danse des cieux." Cahiers d'études africaines (Paris) 46, cah. 182 (2006): pp. 261-290.
- Darkwa, A. "Traditional Music and Dance in Luo Community Life." Anthropos 80, no. 4-6 (1985): pp. 646-52.
- DeLancey, Mark D. "Claiming Sovereignty Through Equestrian Spectacle in Northern Cameroon," in Art and Sovereignty in Global Politics edited by Douglas Howland, Elizabeth Lillehoj, and Maximilian Mayer, pp. 197-215. New York: Palgrave Macmillan, 2017.
- Drewal, Margaret Thompson. Yoruba Ritual: Performers, Play, Agency. Bloomington and Indianapolis, IN: Indiana University Press, 1992.
- Engard, Ronald Kirk. Bringing the Outside In: Commensality and Incorporation in Bafut Myth, Ritual, Art and Social Organization. Ph.D. Dissertation, Indiana University, 1986.
- Engard, Ronald Kirk. "Dance and Power in Bafut (Cameroon)," in The Creativity of Power: Cosmology and Action in African Societies edited by W. Arens and Ivan Karp, pp. 129-162. Washington, DC: Smithsonian Institute Press, 1989.
- Euba, Akin. "Drumming for the Egungun: The Poet-Musician in Yoruba Masquerade Theater," in The Yoruba Artist: New Theoretical Perspectives on African Arts edited by Abiodun, Rowland, Henry John Drewal, and John Pemberton III, pp. 161-169. Washington, DC: Smithsonian Institution Press, 1994.
- Gore, Charles. Art, Performance and Ritual in Benin City. International African Library Monograph Series.
Edinburgh: Edinburgh University Press for the International African Institute, 2007. [Reviewed online by Joseph Nevadomsky
on H-Net, available at
http://www.h-net.org/reviews/showrev.cgi?path=149541207929243.]
- Guilhem, Dorothée. "La sonorité du pet: Figures et mises en scène de la virilité chez les Fulbe de Mopti (Mali)." Cahiers d'études africaines 209-210, no. 1-2 (2013): pp. 87-117.
- Hoffman, Barbara G. Griots at War: Conflict, Conciliation, and Caste in Mande. Bloomington, IN: Bloomington University Press, 2000. [Reviewed by Mary Jo Arnoldi in African Arts 37, no. 3 (Autumn 2004): pp. 86-87.]
- Huckstep, Joan Elayne. Embodied Nationalism 'Animation Politique' (Political Dance) in Zaire: A Case Study of Dance as the Spirit of Individual, Community, and National Identity. Ed.D., Temple U., 2005.
- Malinda, Ato. “Artist’s Statement.” n.paradoxa: International Feminist Art Journal 31 (2013): p. 54.
- Middleton, J. "The Dance Among the Lugbara of Uganda," in Society and Dance: The Social Anthropology of Process and Performance edited by P. Spencer, pp. 165-82. Cambridge, UK: Cambridge University Press, 1985.
- Milbourne, Karen Elizabeth. Diplomacy in Motion: Art, Pageantry and the Politics of Creativity in Barotseland. Ph.D., University of Iowa, 2003.
- Nkulikiyinka, Jean-Baptiste. Intrroduction à la danse rwandaise traditionnelle. Annales sciences humaines 166. Tervuren: Musée royale d'Afrique centrale, 2002. [Edited by Hélène Dumas in Cahiers d'études africaines (Paris) 181 (2006): pp. ????.]
- Ntombela, Nontobeko. “Silent Toyi-Toyis in the Work of Donna Kukama.” n.paradoxa: International Feminist Art Journal 31 (2013): 23-31.
- Ozah, Marie Agatha. "Moninkim: A Symbiotic Performance of Ritual, Music, and Dance by the Ejagham People of Nigeria and Cameroon." Ethnomusicology 59, no. 3 (2015): pp. 421-449.
- Plastow, Jane, ed. African Theater Women. Bloomington, IN: Indiana University Press, 2002. [Reviewed by Frances Harding in African Arts 37, no. 3 (Autumn 2004): p. 89.]
- Pype, Katrien. "Dancing for God or the Devil: Pentecostal Discourse on Popular Dance in Kinshasa." Journal of Religion in Africa (Leiden) 36, no. 3-4 (2006): pp. 296-318.
- Savary, Claude. "Rites des prémices d'igname en Afrique de l'Ouest." Bulletin du Centre Genevoise d'Anthropologie (Geneva) 3 (1991-1992): pp. 133-145.
- Spencer, P. "Dance as Antithesis in the Samburu Discourse," in Society and Dance: The Social Anthropology of Process and Performance edited by P. Spencer, pp. 140-64. Cambridge, UK: Cambridge University Press, 1985.