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- Addo, Irene Appeaning. “That Is Still our Tradition but in a Modern Form, but it Still Tells our Story”: Transitions in Buildings in Northern Ghana." Journal of African Cultural Studies 35, no. 1 (March 2023): pp. 104-120.
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- Adler, Peter and Nicholas Barnard. "Asafo!" Hali: The International Magazine of Fine Carpets and Textiles (London) 14, no. 5 (Oct. 1992): pp. 106-110.
- Adler, Peter and Nicholas Barnard. Asafo! African Flags of the Fante. New York: Thames and Hudson, 1992. [Reviewed by George Nelson Preston, African Arts (Los Angeles) 26, no. 3 (July 1993): pp. 83-4; Anne Rogers in
Piecework (Loveland) 2, no. 3 (May-June 1994): pp. 92-93; Susan M. Olcott in Library Journal (New York) 117, no. 8 (Nov. 1, 1992): p. 82.]
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- Ancient Treasures in Terra Cotta of Mali and Ghana. New York: The African-American Institute, 1981.
- Anquandah, James. "Accra Plains, Dangmeland: A Case Study in the Eclectic Approach to Archaeological and Historical Studies." Archaeology in Ghana (Legon) 3 (1992): pp. 1-8.
- Anquandah, James. "Archaeological Investigation at Fort St. Jago, Elmina, Ghana." Archaeology in Ghana (Legon) 3 (1992): pp. 38-45.
- Anquandah, James. Castles & Forts of Ghana. Paris: Atalante and Accra: Ghana Museums & Monuments Board, 1999.
- Anquandah, James. Ethnoarchaeological Clues to Ghana's Great Past and a Greater Future?: A Public Lecture
Delivered on January 24, 1985. Monographs and Papers in African Archaeology 2. Legon: Dept. of Archaeology,
University of Ghana, 1985.
- Anquandah, James. Koma-Bulsa: Its Art and Archaeology. Studi e Ricerche 14. Rome: Instituto italiano
per l'Africa e l'Oriente, 1998.
- Anquandah, James. "A Preliminary Report on Archaeological Investigations at Adwuku Hill, Shai, 1990." Archaeology in Ghana (Legon) 3 (1992): pp. 33-37.
- Anquandah, James. Rediscovering Ghana's Past. Harlow, Essex: Longman; Accra: Sedco, 1982.
- Antubam, Kofi. Ghana's Heritage of Culture. Leipzig: Koehler and Amelong, 1963.
- Archer, Ian. "Nabdam Compounds, Northern Ghana," in Shelter in Africa edited by Paul Oliver, pp. 46-57. New York: Praeger, 1971.
- Arhin, Kwame. "Gold-mining and trading among the Ashanti of Ghana." Journal des africanistes 48, no. 1 (1978): pp. 89-100.
- Asamoah-Yaw, Ernest. Kente Cloth: Introduction to History. New York: Ghanam Textiles Inc., 1992.
- Bame, K.N. Come to Laugh: African Traditional Theatre in Ghana. New York: Lilian Barber, 1985.
- Bellis, James O. "A Late Archaeological Horizon in Ghana: Proto-Akan or Pre-Akan?" in The Golden Stool: Studies of the Asante Center and Periphery edited by Enid Schildkrout, pp. 36-50. Anthropological Papers of the American Museum of Natural History 65, part 1. Washington, DC: American Museum of Natural History, 1987.
- Beltrami, Vanni. "Le sculture in terracotta del Komaland." Africa (Rome) 47, no. 3 (Sept. 1992): pp.
424-434.
- Boji, T'Chai. "Paintings in Process: A Look at Picture-Making in the Work of Kofi Dawson." Bambolse
(Kumase) 1, no. 2 (Feb. 1992): pp. 5-6.
- Bravmann, René A. "The Diffusion of Ashanti Political Art," in African Art and Leadership
edited by Douglas Fraser and Herbert M. Cole, pp. 153-72. Madison, WI: The University of Wisconsin Press, 1972.
- Bravmann, René A. and Raymond A. Silverman. "Painted Incantations: The Closeness of Allah and Kings in 19th-Century Asante," in The Golden Stool: Studies of the Asante Center and Periphery edited by Enid Schildkrout, pp. 93-108. Anthropological Papers of the American Museum of Natural History 65, part 1. Washington, DC: American Museum of Natural History, 1987.
- Brempong, Osei Tutu. "Abstracts of Recent B.A. and M.Phil Theses, Department of Archaeology, University of Ghana,
Legon." Archaeology in Ghana (Legon) 3 (1992): pp. 49-54.
- Brempong, Osei Tutu. "The History and Archaeology of Kyerepong, Akuapem, c. 1550-1700 AD." Archaeology in
Ghana (Legon) 3 (1992): pp. 8-13.
- Broggini, fillipo and romano Broggini. "Per un'ulteriore interpretazione delle terracotte del Komaland (nord-
Ghana)," in Dall'archeologia all'arte tradizionale africana/De l'archéologie à l'art traditionnel africain/From
Archaeology to Traditonal African Art: A cura di Gigi Pezzoli, pp. 51-63. Milano: Centro Studi Archeologia Africana,
1992.
- Casey, Joanna. "the Kintampo Complex in Northern Ghana: Recent Results from the Gambaga Escarpment."
Archaeology in Ghana (Legon) 3 (1992): pp. 18-23.
- Campbell, Eva. Provoking Thoughts: An Exhibition of Painting & Drawings by Eva Campbell. Accra:
N.P., 1992.
- Campkin, Ben. "Ornament from Grime: David Adjaye's Dirty House, the Architectural 'Aesthetic of Recycling' and the
Gritty Brits." The Journal of Architecture (London) 12, no. 4 (Sept. 2007): pp. 367-392.
- Cole, Herbert M. and Doran H. Ross. The Arts of Ghana. Los Angeles, CA: Fowler Museum of Cultural
History, 1977.
- "Contemporary Scenes." West Africa (London) 3905 (July 20-26, 1992): p. 1233.
- Crowley, Daniel J. "Forowa: Ghanaian Brass Shea Butter Boxes." Unpublished paper presented at the African
Studies Association, Philadelphia, 1972.
- Crowley, Daniel J. "A Review of Sacred Stools of the Fanti (James Willis Gallery, San Francisco)."
African Arts 16, no. 4 (Aug. 1983): p. 74.
- "Cut Florae and Faunae." Bambolse (Kumase) 1, no. 2 (Feb. 19-21, 1992): pp. 19-21.
- d'Auria, Viviana. "In the Laboratory and in the Field: Hybrid Housing Design for the African City in Late-Colonial and Decolonising Ghana (1945–57)." The Journal of Architecture 19, no. 3 (May 2014): pp. 329-356
- Dadson, Nanabanyin. "A Fiesta in Kumasi." West Africa (London) 3915 (Sept. 28-Oct. 4, 1992): pp. 1620-1621.
- Damme, Wilfried van. "Beauty in Context (Part 2): Aesthetic Preference and Sociocultural Ideals Among the Igbo and the Asante," in Beauty in Context: Towards an Anthropological Approach to Aesthetics by Wilfried van Damme, pp. 265-307. Leiden, et. al.: E. J. Brill, 1996. [Review by Ed Carter available online in JASO: Journal of the Anthopological Society of Oxford 29, no. 3 (1998): pp. 273-275.]
- Dantzig, Albert van. Forts and Castles of Ghana. Accra: Sedco Publishing, 1980.
- David, Nicholas. "The Mandara Archaeological Project: 1994-1998." Nyame Akuma 49 (June 1998): pp. 7-10.
- David, René. "Le pouvoir hypnotique de l'or." Terre sauvage (Paris) 68 (Dec. 1992): pp. 80-90.
- DeCorse, Christopher R. "Archaeological Research at Elmina." Archaeology in Ghana (Legon) 3 (1992): pp. 23-27.
- DeCorse, Christopher R. "Culture Contact, Continuity, and Change on the Gold Coast, AD 1400-1900." African
Archaeological Review (Cambridge) 10 (1992): pp. 163-196.
- Dennis, Ahiagble Bob. The Pride of Ewe Kente. Legon, Accra: Sub-Saharan Publishers, 2004.
- Deveau, Jean-Michel. L'or et les esclaves: Histoire des forts du Ghana du XVIe au XVIIIe siècle. Collection Mémoire des Peuples, La route de l’Esclave. Paris: Karthala, 2005. [Reviewed by Jean Polet, review available online in Journal des africanistes 77, no. 1 (2007): pp. 155-157.]
- Domian, Sergio. Architecture soudanaise: vitalite d'une tradition urbaine et monumentale: Mali, Cote-d'Ivoire, Burkina Faso, Ghana. Paris: Harmattan, c1989.
- Dyangani Ose, Elvira. Across the board. London: Tate Modern, 2013.
- Dzide, Dan. "Kente Fever." West Africa (London) 3877 (Jan. 6-12, 1992): p. 4.
- Elmina: Art and Trade on the West African Coast. Washington, D.C.: National Museum of African Art, Smithsonian Institution, 1992.
- Ephson, Ben. "Central's Potential: Focus on Ghana Todscer." West Africa (London) 3899 (June 8-14, 1992): pp. 974-975.
- Farrar, Tarikhu. Building Technology and Settlement Planning in a West African Civilization: Precolonial Akan Cities and Towns. Lewiston, NY: Edwin Mellen Press, 1996. [Reviewed online by Eric Ross on H-Net, available at http://www.h-net.org/reviews/showrev.cgi?path=3217875567020.]
- Farrar, V. K. Tarikh. "Some Comments on Indigenous African Building Technology." Archaeology in Ghana (Legon) 3 (1992): pp. 45-49.
- Fianu, Docea A. G. and Harriet A. A. Asante. "Kente as Home Furnishing 1: The Views of the Elderly in Koforidua, Ghana." Journal of Asian Regional Association of Home Economics 6, no. 3 (1999): pp. 140-146.
- Fox, C. "Asante Brass Casting." African Arts 19, no. 4 (1986): pp. 66-71.
- Fraser, Douglas. "The Symbols of Ashanti Kingship," in African Art and Leadership edited by Douglas Fraser
and Herbert M. Cole, pp. 137-52. Madison, WI: The University of Wisconsin Press, 1972.
- Garrard, Timothy F. "An Asante Kuduo Among the Frafra of Northern Ghana," in The Golden Stool: Studies of the Asante Center and Periphery edited by Enid Schildkrout, pp. 73-79. Anthropological Papers of the American Museum of Natural History 65, part 1. Washington, DC: American Museum of Natural History, 1987.
- Gaudibert, Pierre. L'art qui décoiffe: Vente du 4 novembre 1992. Paris: Binoche et Godeau, 1992.
- Glück, Julius F. "Gold Coast Architecture." West African Review 15 (March 1944).
- Goody, Esther N. From Craft to Industry: The Ethnography of Proto-Industrial Cloth Production. Cambridge Papers in Social Anthropology 10. Cambridge, UK: Cambridge University Press, 1982. [Reviewed by Michael J. Hitchcock, review available online in JASO: Journal of the Anthropological Society of Oxford 15, no. 3 (1984): p. 270.]
- Grove, D. and L. Huszar. The Towns of Ghana. Ghana University Press, 1964.
- Haney, Erin. “If these walls could talk: exploring the dynamic archive through Ghanaian portraiture,” in Getting Pictures Right: context and interpretation edited by Michael Albrecht. Topics in African studies 3. Köln: Köppe, 2004. [Book reviewed by Adam Joes in Journal of African History 47, no. 1 (2006): pp. 159-160; by David H. Anthony, III in Social Sciences and Missions 23, no. 2 (2010): pp. 307 – 308.]
- Hess, Janet and Nii O. Quarcoopome "Spectacular Nation: Nkrumahist Art and Resistance Iconography in the GhanaianIndependence Era." African Arts 39, no. 1 (Spring 2006): pp. 16-25, 91-92.
- Hyland, Anthony D. C. Fort St. Jago, Elmina, Ghana, Architectural and Engineering Report. Accra: CEDECOM, 1992.
- Hyland, Anthony D. C. "Problems and Potentials: Architectural Conservation in Africa." Open House International (Newcastle-upon-Tyne) 17, no. 3-4 (1992): pp. 3-9.
- Hyland, A. D. C., ed. Traditional Forms of Architecture in Ghana. Kumasi: University of Science and Technology, 1975.
- Jenkins, Paul. “Camera evangelistica -- camera lucida? Trans-border experiences with historical photographs from a mission archive,” in Getting Pictures Right: context and interpretation edited by Michael Albrecht. Topics in African studies 3. Köln: Köppe, 2004. [Book reviewed by Adam Joes in Journal of African History 47, no. 1 (2006): pp. 159-160; by David H. Anthony, III in Social Sciences and Missions 23, no. 2 (2010): pp. 307 – 308.]
- Jenkins, Paul. "Portraits of Akan and Cameroonian Grassfield Kings and Chiefs in the Basel Mission Archive," in The Power of Doubt: Essays in Honor of David Henige edited by Paul Stuart Landau, pp. 113-146. Madison, WI: Parallel Press; University of Wisconsin-Madison Libraries, 2011.
- Kankpeyeng, Benjamin Warinsie. The Archaeology of Kpaliworgu: A Case Study of Culture Continuity and Change in
Northern Ghana Before 1900. Ph.D., Syracuse University, 2003.
- Kense, François J. "Gambaga Archaeology Research Project." Archaeology in Ghana (Legon) 3 (1992): pp. 16-18.
- Kense, François J. "The Impact of Asante on the Trade Patterns of Northern Ghana and Ivory Coast," in The Golden Stool: Studies of the Asante Center and Periphery edited by Enid Schildkrout, pp. 29-35. Anthropological Papers of the American Museum of Natural History 65, part 1. Washington, DC: American Museum of Natural History, 1987.
- Kense, François J. "Settlement and Livelihood in Mampurugu, Northern Ghana: Some Archaeological Reflections," in An African Commitment: Papers in Honour of Peter Lewis Shinnie edited by Judy Sterner and Nicholas David, pp. 143-155. Calgary: University of Calgary Press, 1992.
- Kröger, Franz and Ben Baluri Saibu. First Notes on Koma Culture: Life in a Remote Area of Northern Ghana. Research on African Languages and Cultures 13. Berlin: Lit Verlag, 2010.
- Kwarteng, Charlotte Boaitey and Pat Holden. "Kingdom of Gold: An Asante Exhibition." JASO: Journal of the Anthropological Society of Oxford 12, no. 1 (1981): pp.65-66.
- Labi, Kwame Amoah. "Afro-Ghanaian Influences in Ghanaian Paintings." Journal of Art Historiography 9 (Dec. 2013): pp. 1-23.
- Labi, Kwame Amoah. Institute of African Studies Museum. Legon, Ghana: The Institute of African Studies, 1992.
- Labi, Kwame Amoah. "The Transformation of European Forts, Castles and Flags into Local Fante 'Asafo' Iconography." Research Review (Legon) 22, n.s., no. 1 (2006): pp. 83-98.
- Lisowski, Andrzej. "Functional Structure of Ghanaian Towns in 1970." Africana Bulletin 36 (1990): pp. 95-108.
- Lloyd, John. "Ghana." In World Architecture 3, edited by John Donat. New York: The Viking Press, 1966.
- Marc, Stephen. The Black Trans-Atlantic Experience: Street Life and Culture in Ghana, Jamaica, England, and
the United States. Chicago: Department of Photography, 1992.
- Marles, Eric F. Mosques in Ghana. Institute of African Studies, University of Ghana, Field Report 1.
Legon: University of Ghana, 1967.
- Mather, Charles Maurice. An Ethnoarchaeology of Kusasi Shrines, Upper East Region, Ghana. Ph.D.,
University of Calgary, 1999.
- McCall, D. "A Lobi Woodcarving." African Arts 20, no. 1 (1986): pp. 77-9.
- McLeod, Malcolm D. "Art and Archaeology in Asante," in Dall'archeologia all'arte tradizionale africana/De
l'archéologie à l'art traditionnel africain/From Archaeology to Traditonal African Art: A cura di Gigi Pezzoli, pp.
65-81. Milano: Centro Studi Archeologia Africana, 1992.
- Micots, Courtnay. "Status and Mimicry: African Colonial Period Architecture in Coastal Ghana." JSAH: Journal of the Society of Architectural Historians 74, no. 1 (March 2015): pp. 41-62.
- Munson, Patrick. "Archaeology and Pre-Historic Origins of Ghana." Journal of African History 21, no. 4 (1980).
- Niangoran-Bouah, Georges. "Idéologie de l'or chez les Akan de Côte-d'Ivoire et du Ghana." Journal des africanistes 48, no. 1 (1978): pp. 127-140.
- Niangoran-Bouah, Georges. L’univers Akan des poids à peser l’or, vol. 1 Les poids non figuratifs. Collection Sankofa-Institut Ethno-sociologique. Abidjan: Nouvelles Editions africaines, 1984. [Review by Denyse de Saivre available online in Journal des Africanistes 55, no. 1-2 (1985): p. 307-308.
- Niangoran-Bouah, Georges. L’univers Akan des poids à peser l’or, vol. 2 Les poids figuratifs. Collection Sankofa-Institut Ethno-sociologique. Abidjan: Nouvelles Editions africaines, 1984. [Review by Denyse de Saivre available online in Journal des Africanistes 55, no. 1-2 (1985): p. 307-308.
- Niangoran-Bouah, Georges. L’univers Akan des poids à peser l’or, vol. 3 Les poids dans la société. Collection Sankofa-Institut Ethno-sociologique. Abidjan: Nouvelles Editions africaines, 1984.
- Opoku, Zohra and Silvia Forni. "Zohra Opoku's Poetic Image Making." The Textile Museum Journal, 2022.
- Owusu-ansah, Nana J. V. New Versions of the Traditional Motifs. Kumase: Degraft Graphics and Publications, 1992.
- Perrot, Claude-Hélène. "Objets européens en usage à Kumasi à la veille de la conquête anglaise d'après le journal de Joseph-Marie Bonnat," in Actas/Renuião Internacional de História de Africa (1st: 1988 Lisbon, Portugal) edited by Maria Emília Madeira Santos, pp. 129-133. Lisbon: Centro de Estudo de História e Cartografia Antiga, Instituto de Investigão Cientifica e tropical, 1989.
- "Pioneering Artist." West Africa (London) 3913 (Sept. 14-20, 1992): p. 1563.
- Posnansky, Merrick. "Prelude to Akan Civilization," in The Golden Stool: Studies of the Asante Center and Periphery edited by Enid Schildkrout, pp. 14-22. Anthropological Papers of the American Museum of Natural History 65, part 1. Washington, DC: American Museum of Natural History, 1987.
- Preston, George Nelson. "Perseus and Medusa in Africa: Military Art in Fanteland, 1834-1972." African Arts
(Los Angeles) 3, no. 3 (1975): pp. 36-39, 68-71, 91-92.
- Prussin, Labelle. Architecture in Northern Ghana: A Study of Forms and Functions. Berkeley and Los Angeles, CA: University of California Press, 1969. [Review by G. Brasseur available online in Journal de la Société des Africanistes 41, no. 2 (1971): pp. 278-280.]
- Prussin, Labelle. "Ghana." In World Architecture 4, edited by John Donat. London: Studio Vista, 1967: pp. 144-53.
- Prussin, Labelle. "Indigenous Architecture in Ghana." Arts & Architecture 82, no. 12 (Dec. 1965): pp. 21-25.
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- Rattray, Robert. Religion and Art in Ashanti. London: Oxford University Press, 1927.
- Ross, Doran H. "Artists Advertising Themselves: Contemporary Studio Facades in Ghana." African Arts 37, no. 3 (Autumn 2004): pp. 72-79.
- Ross, Doran H. Fighting With Art: Appliquéd Flags of the Fante Asafo. UCLA Fowler Museum of Cultural History Pamphlet Series 1, no. 5. Los Angeles, CA: UCLA Fowler Museum of Cultural History, 1979.
- Ross, Doran H. Gold of the Akan from the Glassell Collection. Houston, TX: Houston Museum of Fine Arts, 2002. [Reviewed online by Robert T. Soppelsa on CAA Reviews, available to members of CAA at http://www.caareviews.org/reviews/666.]
- Ross, Doran H. "More Than Meets the Eye: Elephant Memories Among the Akan," in Elephant: The Animal and Its
Ivory in African Culture edited by Doran H. Ross, pp. 136-159. Los Angeles: Fowler Museum of Cultural History,
University of California, Los Angeles, 1992.
- Ross, Doran H. "The Verbal Art of Akan Linguist Staffs." African Arts 16, no. 1 (Nov. 1981): pp. 56-67, 95.
- Ross, Doran H. Wrapped in Pride: Ghanaian Kente and African American Identity. UCLA Fowler Museum of Cultural History Textile Series 2. Los
Angeles, CA: UCLA Fowler Museum of Cultural History, 1998.
- Ross, Doran H. and Timothy F. Garrard. Akan Transformations: Problems in Ghanaian Art History. UCLA
Fowler Museum of Cultural History Monograph Series 21. Los Angeles, CA: UCLA Fowler Museum of Cultural History, 1983.
- Rovine, Victoria L. "Style Migrations: South-South Networks of African Fashion." Artl@s Bulletin 5, no. 2 (Fall 2016): pp. 33-42.
- Rutter, Andrew F. "Ashanti Vernacular Architecture," in Shelter in Africa edited by Paul Oliver, pp. 153-171. New York: Praeger, 1971.
- Sackey, Catherine. "Asafo Flags Fly High." West Africa (London) 3922 (Nov. 16-22, 1992): p. 1991.
- Sackey, Catherine. "Kente: The royalty of Mass Culture." West Africa (London) 3915 (Sept. 28-Oct. 4, 1992): p. 1646.
- Sanga, Imani. "Antinomies of African aesthetics and the impulses of aesthetic relativism: reading p’Bitek, Abiodun and Agawu." African Identities 15, no. 3 (2017): pp. 310-323.
- Sarpong, Peter. The Sacred Stools of the Akan. Accra: Ghana Publishing Corporation, 1971.
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- Schmitter, Jo¨rg-Peter. Wohnungsbau in Westafrika: Untersuchungen zur Verbesserung des offiziellen Wohnungsbaus in Kamerun und Ghana. Darmstadt: Verlag fu¨r wissenschaftliche Publikationen, 1984.
- Schreckenbach, Hannah. "Wall Finishes for Earthen Walls, Based on Studies in Ghana." BASIN News (St. Gallen) 1 (Jan. 1991): pp. 21-23.
- Secretan, Thierry. Going Into Darkness: Fantastic Coffins from Africa. London: Thames and Hudson, 1995.
- Sewordor, E. Sasu Kwame. "The Urban Culture of the “Model” Christian Settlement at Abokobi, Ghana, 1854–1929." Journal of the Society of Architectural Historians 81, no. 2 (June 2022): pp. 197–212.
- Shinnie, Peter Lewis. "Archaeology in Gonja and Asante Connections," in The Golden Stool: Studies of the Asante Center and Periphery edited by Enid Schildkrout, pp. 23-28. Anthropological Papers of the American Museum of Natural History 65, part 1. Washington, DC: American Museum of Natural History, 1987.
- Shinnie, Peter Lewis. "Radiocarbon Dates from Asante (Ghana) Sites." Nyame Akuma (Duluth) 38 (Dec. 1992): pp. 28-29.
- Sieber, Roy. "Islamic Characteristics in Akan Metalwork." Unpublished Paper for the Tenth Annual Meeting of the African Studies Association, New York, NY, Nov. 1-4, 1967.
- Sieber, Roy. "Kwahu Terracottas, Oral Traditions, and Ghanaian History," in African Art and Leadership
edited by Douglas Fraser and Herbert M. Cole, pp. 173-84. Madison, WI: The University of Wisconsin Press, 1972.
- Silver, Harry R. "Beauty and the 'I' of the Beholder: Identity, Aesthetics, and Social Change among the Ashanti." Journal of Anthropological Research (Albuquerque) 35, no. 2 (Summer 1979): pp. 191-207.
- Sinai, Irit. Housing Uses and Housing Choices in Kumasi, Ghana. Ph.D., U. of North Carolina at Chapel Hill, 1998.
- Silverman, R.A. "Bono Brass Casting." African Arts 19, no. 4 (1986): pp. 60-4, 85.
- Simon, Joan C. Housing in Ghana. Public Amdinistration Series, Bibliography #P 221. Monticello, IL: Vance Bibliographies, 1979.
- Smith, F.T. "Compound Entryway Decoration: Male Space and Female Creativity." African Arts 19, no. 3 (1986): pp. 52-8.
- Stahl, Ann Brower. "The Culture History of the Central Volta Basin: Retrospect and Prospect," in An African Commitment: Papers in Honour of Peter Lewis Shinnie edited by Judy Sterner and Nicholas David, pp. 123-142. Calgary: University of Calgary Press, 1992.
- Stahl, Ann Brower. "The Political Economy of the Banda Area, Brong-Ahafo, 1700-1925." Archaeology in Ghana (Legon) 3 (1992): pp. 28-31.
- Stahl, Ann Brower. "Valuing the Past, Envisioning the Future: Local Perspectives on Environmental and Cultural Heritage in Ghana," in Culture and Development in Africa: Proceedings of an International Conference Held at the World Bank, Washington DC, April 2 and 3, 1992 edited by Ismail Serageldin and June Taboroff, pp. 415-427. Washington, DC: International Bank for Reconstruction and Development, 1992.
- Stanek, Lukasz. "Architects from Social Countries in Ghana (1957-67): Modern Architecture and Mondialisation." JSAH: Journal of the Society of Architectural Historians 74, no. 4 (Dec. 2015): pp. 416-442.
- Sutton, John E. G. "Radiocarbon Results for Dawu & Ada-Azizanya." Archaeology in Ghana (Legon) 3 (1992): pp. 14-16.
- Svašek, Maruška. "Identity and Style in Ghanaian Artistic Discourse," in Contesting Art: Art, Politics and Identity in the Modern World edited by Jeremy MacClancy, pp. 27-61. Ethnicity and Identity. Oxford: Berg, 1997.
- Swithenbank, Michael. Ashanti Fetish Houses. Accra: Ghana Universities Press, 1969.
- Tschumi, Regula. The Buried Treasures of the Ga: Coffin Art in Ghana. Berne: Benteli Verlag, 2008.
- Tietmeter, Elisabeth, ed. Zwei Eisen im Feuer: Schmieden im Kulturvergleich. Münster: Landschaftsverband, 1992. [Reviewed by Till Förster in Tribus: Jahrbuch des Lindenmuseums (Stuttgart) 41 (1992): pp. 222-223.]
- Vivian, Brian C. "Sacred to Secular: Transitions in Akan Funerary Customs,"in An African Commitment: Papers
in Honour of Peter Lewis Shinnie edited by Judy Sterner and Nicholas David, pp. 157-167. Calgary: University of
Calgary Press, 1992.
- Young, Paulette Renee. Cloth that Speaks: African Women's Visual Voice and Creative Expression in Ghana.
Ph.D., Columbia University, 2004.