A Collection African Studies Bibliographies and Archival Materials

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• Abega, Séverin Cécile. Les Choses de la forêt. Les masques des princes tikar de Nditam. Yaoundé: Presses de l'Université catholique d'Afrique centrale, 2000.
• Adama, Hamadou. La mosquée au Cameroun: Espace privée ou espace publique? Yaoundé: CODESRIA, 2008.
• Adesokan, Akinwumi. Worlds that Flourish: Postnational Aesthetics in West African Videofilms, African Cinema, and Black Diasporic Writings. Ph.D., Cornell U., 2005.
• Almo. Zamzam le tiers-mondialiste: les Mbènguétaires. Paris: Harmattan, 2010.
• Ambe, Hila Rious N. Change Aesthetics in Anglophone Cameroon Drama and Theater. Bayreuth African Studies 83. Bayreuth: Pia Thielmann and Eckhard Breitinger, 2007. [Reviewed by Gilbert Doho in Research in African Literatures 39, no. 3 (2008): pp. 223-224.]
• Anderson, Gary, Lena Simic, David Haley, Zoe Svendsen, Lucy Neal, and Emelda Ngufor Samba. "Troubling practices: short responses." Research in Drama Education 17, no. 2 (2012): pp. 289-306.
• Aradeon, Susan B. "Moufou Architecture." African Arts (Los Angeles) 14, no. 1 (November 1980): pp. 58-60, 88.
• "Architecture foulbé." Minotaure 2 (numéro spécial) Mission Dakar-Djibouti: 1931-1933 (June 1933): p. 64.
• Ardener, E. W. Historical Notes on the Scheduled Monuments of West Cameroon, With Notes on Some Unscheduled Sites in the Western Grassfields by E. M. Chilver and P. M. Kaberry. Buea: Government Printer, Ministry of Education and Social Welfare and West Cameroon Antiquities Commission, 1965.
• Argenti, Nicolas. "African Aesthetics: Moving to See the Mask." JASO: Journal of the Anthropological Society of Oxford 23, no. 3 (1992): pp. 197-215.
• Argenti, Nicolas. "Air Youth: Performance, Violence and the State in Cameroon." Journal of the Royal Anthropological Institute 4, no. 4 (1998): p. 753-782.
• Argenti, Nicolas. "Follow the Wood: Carving and Political Cosmology in Oku, Cameroon," in African Art and Agency in the Workshop edited by Sidney Littlefield Kasfir and Till Förster, pp. 65-90. Bloomington, IN: Indiana University Press, 2013.
• Argenti, Nicolas. The Intestines of the State: Youth, Violence, and Belated Histories in the Cameroon Grassfields.  Chicago: University of Chicago Press, 2007.  [Reviewed online by Scott MacEachern on H-Net, available at http://www.h-net.msu.edu/reviews/showrev.php?id=22978; by Ian Fowler in Reviews in Anthropology 40 (2011): pp. 292-311 and in Journal of the Royal Anthropological Institute 15, no. 2 (2009): pp. 429-430; by Edna G. Bay in African Arts 42, no. 4 (2009): pp. 94-95; by Krijn Peters in Journal of Modern African Studies 47, no. 4 (2009): pp. 630-631; by Tatah Mentan in African Affairs 108, no. 432 (2009): pp. 498-499; by Mattia Fumanti in Anthropological Notebooks 14, no. 3 (2008): pp. 93-95; by Daniel Jordan Smith in African Studies Review 52, no. 1 (2009): pp. 174-176.]
• Argenti, Nicolas. Is This How I Looked When I First Got Here: Pottery and Practice in the Cameroon Grassfields. London: British Museum, 1999.
• Argenti, Nicolas. "Kesum-body and the places of the gods: the politics of children's masking and second-world realities in Oku (Cameroon)." Journal of the Royal Anthropological Institute 7, no. 1 (2001): p. 67-94.
• Argenti, Nicolas. ‘People of the Chisel: Apprenticeship, youth, and elites in Oku (Cameroon).” American Ethnologist 29, no. 3 (Aug. 2002): pp. 497-533.
• Arts of Africa from the Hegarty Collection: An Exhibition at the Art Gallery, Harmon Fine Arts Center, Drake University, Des Moines, Iowa, U.S.A., February 18 - March 15, 1990. Des Moines, IA: George Hegarty, 1990.
• "Arts of Nigeria and Cameroon" in The Collection of Allan Stone: African, Pre-Columbian and American Indian Art. Vol. 2. New York: Sotheby’s, 2014.
• Asombang, R.N. Bamenda in Prehistory: The Evidence from Fiye Nkwi, Mbi Crater and Shum Laka Rock-Shelters. Ph.D., London (UK), 1985.
• Asombang, Raymond N. "Interpreting Standing Stones in Africa: Case Study in North-West Cameroon." Antiquity (Gloucester) 78, no. 300 (June 2004): pp. 294-305.
• Asombang, Raymond N. “Mbi Crater Rockshelter: evidence from mammalian fauna,” in L'Archéologie au Cameroun: Actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba. Archéologies africaines. Paris: Karthala, 1992.
• Asombang, Raymond N. "Museums and African Identity: The Museum in Cameroon - A Critique." Cultural Resource Management: An African Dimension edited by Bassey W. Andah. Special issue of West African Journal of Archaeology (Ibadan) 20 (1990): pp. 188-198.
• Asombang, Raymond N. "Sacred Centers and Urbanization in West Central Africa." In Beyond Chiefdoms Edited by Susan Keech McIntosh, pp. ?. Cambridge (UK): Cambridge University Press, 1999.
• Asombang, Raymond N. and Pierre de Maret. "Reinvestigating Shum Laka: the December 1991-March 1992 Campaign." NSI: Bulletin de liason des archéologues du monde bantu (Libreville) 10-11 (1992): pp. 13-16.
• Atangana, Christiane. "Les fosses d'Okolo (Sud du Cameroun): Fouilles et axes de recherches." Nyame akuma (Duluth) 38 (Dec. 1992): pp. 7-13.
• Awambeng, Christopher M. Evolution and Growth of Urban Centres in the North-West Province (Cameroon): Case Studies, Bamenda, Kumbo, Mbengwi, Nkambe, Wum. Bern: P. Lang, 1991.
• Ayisi, Florence and Catalin Brylla. "The Politics of Representation and Audience Reception: Alternative Visions of Africa." Research in African Literatures 44, no. 2 (2013): pp. 125-141.
• Babina, Lucia, et al. Douala in Translation: A View of the City and Its Creative Transformative Potentials. Rotterdam: Episode, 2007.
• Barley, Nigel. "Designing Women, Cameroon," in Queens, Queen Mothers, Priestesses, and Power: Case Studies in African Gender edited by Flora S. Kaplan, pp. 371-380. New York: New York Academy of Sciences, 1997.
• Barley, Nigel. "The Linguistic Image in the Interpretation of African Objects." African Languages and Cultures 1, no. 2 (1988): pp. 93-105.
• Barley, Nigel. "Placing the West African Potter," in Earthenware in Asia and Africa: A Colloquium held 21-23 June 1982 edited by John Picton, p. 93-105. London: University of Lond, Percival David Foundation for Chinese Art, 1984.
• Barley, Nigel. "The Warp and Woof of Culture." RAIN 59 (Dec. 1983): pp. 7-8.
• Barreteau, Daniel, and Michèle Delneuf. "La céramique traditionnelle giziga et mofu (Nord-Cameroun): Etude comparée des techniques, des formes et du vocabulaire," in Relations interethniques et culture materielle dans le bassin du lac Tchad: Actes du IIIème Colloque MEGA-TCHAD, Paris, ORSTOM, 11-12 septembre 1986 edited by Daniel Barreteau and Henry Tourneaux, pp. 121-155. Paris: Editions de l'ORSTOM, 1990.
• Barreteau, Daniel, Lilian Sorin-Barreteau with Alioun Bayo Mana. "La poterie chez les Mofu-Gudur: des gestes, des formes et des mots," in Le milieu et les hommes: recherches comparatives et historiques dans le bassin du Lac Tchad: actes de 2ème colloque Méga-Tchad ORSTOM BONDY, le 3 et 4 octobre 1985 edited by Daniel Barreteau and Henri Tourneaux, pp. 287-339. Paris: ORSTOM, 1988.
• Barthélémy Toguo: coexistence on the earth. Daegu, Korea: Wooson Gallery, 2013.
• Barthélémy Toguo: print shock. Cinisello Balsamo, Milan: Silvana; Gravelines: Museé du dessin et de l'estampe originale de Gravelines, 2013.
• Beek, Wouter van. "The Ideology of Building: The Interpretation of Compound Patterns Among the Kapsiki of North Cameroon," in Op zoek naar mens en materiele cultuur: Feestbundel aangeboden aan J. D. van der Waals ter gelegenheid van zijn emeritaat edited by Harry Fokkens, Pieteke Banga and Mette Bierma, pp. 147-162. Groningen, Netherlands: Rijks Universiteit Groningen, 1986.
• Beguin, J. P. L'habitat au Cameroun. Paris: ORSTOM and Union Française, 1952.
• Bejeng Soh, Pius. Abakpa – Mankon – Bamenda: Creation and Evolution of an Urban Centre in a Traditional Milieu. Travaux et documents de l'institut des sciences humaines. Yaoundé: Délégation Générale à la recherché scientifique et technique, 30th May 1983.
• Bell, Marilyn Douala Manga. “Continuous Invention: A Duty and a Necessity,” in Condition report: symposium on building art institutions in Africa edited by Koyo Kouoh, pp. 49-52, 132, 135. Ostfildern, Germany: Hatje Cantz; Dakar: Raw Material Company, 2013.
• "Bili Bidjocka," in Anthologie de l'art africaine du XXe siècle edited by N'Goné Fall and Jean Loup Pivin, pp. 334-5. Paris: Editions Revue Noire, 2001.
• "Bili Bidocka." Revue noire (Paris) 4 (March-April-May 1992): pp. 8-11.
• "Bill Akwa Bétotè: 'Corps Instrumental.'" Balafon (Paris) 103 (April-May 1992): p. 14.
• Biro, Yaëlle. "The Canon and Its Consequences: The Reception of Bamileke Tsesah Crests." Tribal Art Magazine 22, no. 2 (Spring 2018): pp. 118-131.
• Bossan, Enrico. Cameroon: elephants with wings: contemporary artists from Cameroon. Villorba, Italy: Fabrica, 2016.
• Bosserdet, Jean. Au palais des sultans à Foumban. Paris: UNESCO, 1985.
• Brain, Robert and Adam Pollock. Bangwa Funerary Sculpture. Art and Society Series. London: Duckworth, 1972.
• Buisson, E.-M. "Matériaux pour servir à la Préhistoire du Cameroun." Bulletin de la Société préhistorique de France 30, no. 6 (June 1933): pp. 335-348.
• Buratti, Mathilde. Perles d’Afrique, des données archéologiques aux objets actuels: utilisations et symbolisme à travers l’exemple des perles du Cameroun. Ph.D. thesis, Université Paris 1, Panthéon Sorbonne, 2016.
• Buratti, Mathilde. "Perles d’Afrique, des données archéologiques aux objets actuels: utilisations et symbolisme à travers l’exemple des perles du Cameroun." Afrique: Archéologie et Arts 12 (2016): pp. 99-100.
• Cameroon Art: Selections from the Collection of Robert Arnett. Kennesaw Mountain, GA: Art Gallery, Kennesaw State College, 1989.
• Cameroun art et architecture: 4 novembre 1988 - 13 février 1989. Cahiers de l'ADEIAO 7. Paris: Musée national des arts africains et océaniens, 1988.
• Campbell, Kenneth F. "L'agwe, Masque spécifiquement Widekum = Agwe, Unique Mask of of the Widekum." Arts d'Afrique noire (Arnouville) 67 (Autumn 1988): pp. 17-27.
• Campbell, Kenneth F. "Nsibidi Update/Nsibidi actualisée." Arts d'Afrique noire 47 (Autumn 1983): pp. 33-45.
• Chem-Langhee, B., et. al. "Nto' Nso' and Its Occupants: Privileged Access and Internal Organisation in the Old and New Palaces." Paideuma 31 (1985): pp. 151-81.
• Chiangong, Mforbe Pepetual. Rituals in Cameroon drama: a semiological interpretation of the plays of Gilbert Doho, Bole Butake and Hansel Ndumbe Eyoh. Bayreuth African studies series, 90. Eckersdorf, Germany: Pia Thielmann & Eckhard Breitinger, 2011. [Reviewed by Naomi Nkealah in English in Africa 39, no. 3 (2012): p. 98; by Emmanuel Fru Doh in Africa (Cambridge University Press) (2012): pp. 670-671.]
• Claes, Philippe. Contribution à l'étude de céramiques anciennes des environs de Yaoundé. Mémoire de licence, Université libre de Bruxelles, 1985.
• Claes, Philippe. "A propos des céramiques de Mimboman et d'Okolo: premières analyses," in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 215-227. Série Archéologie africaines. Paris: Karthala, 1992.
• Clark, Tim. "Rediscovering Sustainable Architecture." Open House International (Newcastle-upon-Tune) 17, no. 3-4 (1992): pp. 34-40.
• Clarke, Christa. "A Personal Journey: Central African Art from the Lawrence Gussman Collection. African Arts 34, no. 1 (Spring 2001): pp. 16-35, 93.
• Clarke, Duncan. “Central Africa: Cameroon, Congo,” in African Textiles: The Karun Thakar Collection edited by Karun Thakar, et. al. Munich: Prestel, 2015.
• Clist, Bernard. "Des derniers chasseurs aux premiers métallurgistes: Sédentarisation et débuts de la métallurgie du fer (Cameroun, Gabon, Guinée équatoriale)," in Paysages quaternaires de l'Afrique dentrale atlantique edited by Raymond Lanfranchi and Dominique Schwartz, pp. 458-478. Paris: Editions de l'ORSTOM, 1990.
• Comeau, Paul-Emile. "Exhibition Review - Studio Cameroon: The Everyday Photography of Jacques Touselle." Global Rhythm 16, no. 2 (2007): p. 48.
• Conte, Edouard and Frank Hagenbucher Sacripanti. "Habitation et vie quotidienne chez les Arabes de la rive Sud du lac Tchad." Cahiers ORSTOM, série Sciences Humaines 14, no. 3 (1977): pp. 289-323.
• Cooperstock, Aryeh. Urban Development in Cameroon: Possible Initiatives for USAID. Washington, DC: Rivkin Associates, 1981.
• Cornelissen, Els. "On Microlithic Quartz Industries at the End of the Pleistocene in Central Africa: The Evidence from Shum Laka (NW Cameroon)." The African Archaeological Review 20, no. 1 (March 2003): pp. 1-24.
• Cornelissen, Els. “Shum Laka (Cameroon): Late Pleistocene and Early Holocene deposits,” in Aspects of African Archaeology: Papers from the 10th Congress of the Panafrican Association for Prehistory and Related Studies edited by Gilbert Pitwi and Robert Soper, pp. 257-263. Harare: University of Zimbabwe Publications, 1996.
• Cornelissen, Els. “Shum Laka rock shelter (North-western Cameroon): Pleistocene deposits,” in Aspects of African Archaeology: Papers from the 10th Congress of the Panafrican Association for Prehistory and Related Studies edited by G. Pitwi and R. Soper, pp. 257-264. Harare: University of Zimbabwe Publications, 1996.
• Crozet, J. Etude de la restauration et de la mise en valeur du Palais de Foumban. Paris: UNESCO, 1968.
• Crowley, Daniel J. "The Art Market in Cameroon and the Central African Empire." African Arts 12, no. 3 (May 1979): pp. 74-75.
• Dalby, David. "An Inspired Invention." UNESCO Courier (April 1995): pp. 22-23.
• D'Almeida, Fernando. "Le triomphe de la volonté." Bingo Nouveau (Paris) 408, no. 51 (1987).
• Damme, Wilfried van. "Beauty in Context (Part 1): Aesthetic Preference and Sociocultural Ideals Among the Baule and Fang," in Beauty in Context: Towards an Anthropological Approach to Aesthetics by Wilfried van Damme, pp. 205-264. Leiden, et. al.: E. J. Brill, 1996. [Review by Ed Carter available online in JASO: Journal of the Anthopological Society of Oxford 29, no. 3 (1998): pp. 273-275.]
• David, Nicholas. "The Archaeology of Ideology: Mortuary Practices in the Central Mandara Highlands, Northern Cameroon," in An African Commitment: Papers in Honour of Peter Lewis Shinnie edited by Judy Sterner and Nicholas David, pp. 181-210. Calgary: University of Calgary Press, 1992.
• David, Nicholas. "Between Bloomery and Blast Furnace: Mafa Iron-Smelting Technology in North Cameroon." African Archaeological Review (Cambridge) 7 (1989): pp. 183-208.
• David, Nicholas. “History of crops and peoples in North Cameroon to A.D. 1900,” in Origins of African Plant Domestication edited by Jack R. Harlan. Munchen: De Gruyter Mouton, 2011.
• David, Nicholas. "The Mandara Archaeological Project: 1994-1998." Nyame Akuma 49 (June 1998): pp. 7-10.
• David, Nicholas. Metals in Mandara Mountains’ Society and Culture. Trenton: Africa World Press, 2012.
• David, Nicholas, et. al. Performance and agency: the DGB sites of Northern Cameroon. British Archaeological Reports. Oxford: Archaeopress, 2008. [Reviewed by David Zeitlyn in Azania: Archaeological Research in Africa 44, no. 3 (2009): pp. 348-350; Olivier Langlois in African Archaeological Review 27, no. 2 (2010): pp. 169-172; Timothy Insoll in Journal of African Archaeology 7, no. 1 (2009): pp. 135-137.]
• David, Nicholas. "Reconnaissance in Cameroun." West African Archaeological Newsletter 10 (1968): pp. 24-26.
• David, Nicholas. "Tazunu: Megalithic Monuments of Central Africa." Azania 1 (1982): pp. 43-77.
• David, Nicholas, et. al. Performance and agency: the DGB sites of Northern Cameroon. British Archaeological Reports. Oxford: Archaeopress, 2008. [Reviewed by David Zeitlyn in Azania: Archaeological Research in Africa 44, no. 3 (2009): pp. 348-350; Olivier Langlois in African Archaeological Review 27, no. 2 (2010): pp. 169-172.]
• David, Nicholas and Yves Le Bléis. Dokwaza: Last of the African Iron Masters. Videorecording. Calgary: University of Calgary, 1988.
• David, Nicholas and A. Scott MacEachern. "The Mandara Archaeological Project: Preliminary Results of the 1984 Season," in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 109-131. Série Archéologie africaines. Paris: Karthala, 1992.
• David, Nicholas and A. Scott MacEachern. "The Mandara Archaeological Project: Preliminary Results of the 1984 Season," in Le milieu et les hommes: recherches comparatives et historiques dans le bassin du Lac Tchad: actes de 2ème colloque Méga-Tchad ORSTOM BONDY, le 3 et 4 octobre 1985 edited by Daniel Barreteau and Henri Tourneaux, pp. 51-80. Paris: ORSTOM, 1988.
• David, Nicholas and Judith Sterner. "The Mandara Archaeological Project, 1984-1987." Nyame Akuma (Calgary) 29 (December 1987): pp. 2-8.
• David, Nicholas and Judith Sterner. “Smith and society: patterns of articulation in the Mandara nountains (northeast Nigeria and northern Cameroon),” in Métallurgie du fer et sociétés africaines: bilans et nouveaux paradigmes dans la recherche anthropologique et archéologique edited by Caroline Robion-Brunner and Bruno Martinelli. Oxford: Archaeopress, 2012.
• David, Nicholas, Judy Sterner and Kodzo Gavua. "Why Pots are Decorated." Current Anthropology (Chicago) 29, no. 3 (June 1988): pp. 365-89.
• de Barros, Philip. “Bassari: A Quantified, Chronologically Controlled, Regional Approach to a Traditional Iron Production Centre in West Africa.” Africa: Journal of the International African Institute 56, no. 2 (1986): pp. 148-174.
• De Crits, Emmanuel. "Excavations at Banock, Grassfields, Cameroon." Nyame Akuma (Duluth) 38 (Dec. 1992): pp. 13-17.
• de Maret, Pierre. "Le contexte archéologique de l'expansion bantu en Afrique Centrale,” in Les Peuples Bantu: Migrations, Expansion et Identité Culturelle edited by T. Obenga, pp. 118–138. Libreville : Editions de l'Harmattan, 1989.
• de Maret, Pierre. “Les débuts de la sédentarisation, de l’agriculture et de la métallurgie dans la moitié sud du Cameroun,” in L'Archéologie au Cameroun: Actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba. Archéologies africaines. Paris: Karthala, 1992.
• de Maret, Pierre. "Le 'Neolithic' et l'âge du fer ancien dans le sud-ouest de l'Afrique centrale," in Paysages quartenaires de l'Afrique centrale atlantique edited by Raymond Lanfranchi and dominique Schwartz, pp. 447-457. Paris: Editions de l'ORSTOM, 1990.
• de Maret, Pierre. “Nouvelles données sur la fin l’âge de la pierre et les débuts de l’Âge du fer dans la moitié méridionale du Cameroun,” in The Proceedings of the Ninth Congress of the Pan-African Association of Prehistory and Related Studies edited by B. Andah, Pierre de Maret, and R. Soper, pp. 198-202. Jos, Nigeria: Rex Charles Publications, 1983.
• de Maret, Pierre. "Preliminary report on 1980 fieldwork in the Grassfields and Yaoundé, Cameroon.” Nyame Akuma 17 (1980): pp. 10–12.
• de Maret, Pierre. "Pits, pots and the far west streams,” in The growth of farming communities in Africa from the Equator southwards: being the proceedings of a conference of the British Institute in Eastern Africa (in association with the African Studies Centre of Cambridge University) held in Newnham College, Cambridge, 4-8 July, 1994 edited by John Edward Giles Sutton, pp. 318–323. Azania Special Issue 29-30 (1994/1995). Nairobi: British Institute in Eastern Africa, 1996.
• de Maret, Pierre. "Sédentarisation, agriculture et métallurgie du Sud-Cameroun: synthèse des recherches depuis 1978," in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 247-262. Série Archéologie africaines. Paris: Karthala, 1992.
• de Maret, Pierre. "Shum Laka (Cameroon): Human Burials and General perspectives,” in Aspects of African Archaeology: Papers From the 10th Congress of the Panafrican Association for Prehistory and Related Studies edited by Gilbert Pwiti and Robert Soper, pp. 275–279. Harare: University of Zimbabwe Publications, 1996.
• de Maret, Pierre, Bernard Clist, and Christophe Mbida. “Belgian archaeological mission in Cameroon: 1983 Field season.” Nyame Akuma 23 (1983): pp. 5-6.
• de Maret, Pierre, Bernard Clist, and W. Van Neer. "Résultats des premières fouilles dans les abris de Shum Laka et d'Abeke au Nord-Ouest du Cameroun.” L'Anthropologie 91, no. 2 (1987): pp. 559–584.
• de Maret, Pierre, Raymond N. Asombang, Els Cornelissen, Philippe Lavachery, and Jan J. Moeyersons. "Continuing research at Shum Laka rock shelter, Cameroon (1993–1994 field season).” Nyame Akuma 43 (1995): pp. 2–3.
• de Maret, Pierre, Raymond N. Asombang, Els Cornelissen, Philippe Lavachery, and Jan J. Moeyersons. "Preliminary results of the 1991–1992 field season at Shum Laka, Northwestern Province, Cameroon.” Nyame Akuma 39 (1993): pp. 13–15.
• de Sabran, Marguerite. "La 'maison du pays': L'exposition du patrimoine dans les musées privés d'Afrique de l'Ouest et du Cameroun." Cahiers d'études africaines 39, no. 155-156 (1991): pp. 885-903.
• de Saulieu, Geoffroy, David Zeitlyn, Bienvenu Denis Nizésété et François Ngouoh. "Notes sur Ndéba, une enceinte fortifiée à la frontière du Cameroun et du Nigéria: Réflexions préliminaires entre archéologie et histoire." Afrique: Archéologie et Arts 11 (2015): pp. 39-48
• de Saulieu, Geoffroy, Richard Oslisly, Pascal Nlend, and François Ngouoh. "Deux mille cinq cents ans de traditions céramiques à Dibamba Yassa (Cameroun)." Afrique: Archéologie et Arts 13 (2017): pp. 23-40.
• Deane, Shirley. Talking Drums: From a Village in Cameroon. London: J. Murray, 1985.
• DeLancey, Mark D. "Between Mosque and Palace: Defining Identity Through Ritual Practice in Ngaoundéré, Cameroon." Cahiers d'études africaines (Paris) 208, no. 4 (2012): pp. 975-998.
• DeLancey, Mark D. "Claiming Sovereignty Through Equestrian Spectacle in Northern Cameroon," in Art and Sovereignty in Global Politics edited by Douglas Howland, Elizabeth Lillehoj, and Maximilian Mayer, pp. 197-215. New York: Palgrave Macmillan, 2017.
• DeLancey, Mark Dike. "Collecting, Collections, and Cultural Heritage in the Cameroon Grassfields." African Arts 49, no. 2 (2016): pp. 1-4.
• DeLancey, Mark D. Conquest and Construction: Palace Architecture in Northern Cameroon. African History 5. Leiden, Netherlands: Brill, 2016.
• DeLancey, Mark D. "Localizing Fulbe Architecture." Islamic Africa 5, no. 1 (2014): 43 pp.
• DeLancey, Mark D. “Moving East, Facing West: Islam as an Intercultural Mediator in Urban Planning in the Sokoto Caliphate,” in African Urban Spaces in Historical Perspectives edited by Steven J. Salm and Toyin Falola, pp. 3-21. Rochester Studies in African History & the Diaspora 21. Rochester, NY: University of Rochester Press, 2005.
• DeLancey, Mark D. "The Origins of the ‘Hausa Dome'." Ngaoundéré-Anthropos (Tromsø) 5 (2000): pp. 71-86.
• DeLancey, Mark D. Representing Rulership: Palace Architecture, Spatial Orientation, Ritual Movement, and Secrecy in Northern Cameroon. Ph.D., Harvard U., 2004.
• DeLancey, Mark D. "The Spread of the Sooro: Symbols of Power in the Sokoto Caliphate." Journal of the Society of Architectural Historians 71, no. 2 (June 2012): pp. 168-185.
• Delneuf, Michèle. "L'approche archéologique régionale du Diamaré (Nord-Cameroun)," in L'archéologie au Cameroun: actes du premier colloque international de Yaoundé, 6-9 janvier 1986 edited by Joseph-Marie Essomba, pp. 37-40. Série Archéologie africaines. Paris: Karthala, 1992.
• Delneuf, Michèle. "Histoire du peuplement et cultures materielles: la poterie Giziga du Diamare (nord Cameroun)," in Langues et cultures dans le bassin du lac Tchad: journées d'études les 4 et 5 septembre 1984, ORSTOM (Paris) edited by Daniel Barreteau, pp. 87-104. Paris: ORSTOM, 1987.
• Delneuf, Michèle and T. Otto. "L'environnement et les usages alimentaires en viguer à l'époque protohistorique dans l'extrème-nord du Cameroun," in Milieux, sociétés et archéologues edited by Alain Marliac, pp. 211-225. Paris: Karthala and ORSTOM, 1995.
• Desmottes, Michèle. "Barthélémy Toguo: L'art de cultiver." Magazine: Royal Air Maroc 195 (Jan.-Feb. 2016): pp. 51-54.
• Dillon, R.G. "Chiefly Households in Precolonial Meta' Society." Paideuma 31 (1985): pp. 3-13.
• Diwouta-Kotto, Danièle. Suites architecturales: Kinshasa, Douala, Dakar. Collection d'architectures d'Afrique. Besançon, France: Edition VAA, 2010.
• Djache Nzefa, Sylvain, et al. Les civilisations du Cameroun: histoire, art, architecture et sociétés traditionnelles. Dschang, Cameroon: Éditions de la Route des chefferies, 2012.
• Djoussou, Jean-Marie Datouang. "Archaeology and cultural heritage in Cameroon: the case of the DGB sites." Antiquity: A Review of World Archaeology 85, no. 327 (March 2011).
• Dognin, René. Des calebasses et des vaches: notes sure la sémiologie du décor des calebasses peul (Cameroun). Bondy: ORSTOM-Latah, 1987.
• Doho, Gilbert. "Theatre and Environmental Education in Cameroon/Women in Theatre for Development in Cameroon: Participation, Contributions and Limitations." Research in African Literatures 39, no. 2 (2008): pp. 166-169.
• Dongmo, David. "L'exploitation artisanale de l'or dans la province de l'est (Cameroun)." Revue de géographie du Cameroun (Yaoundé) 8, no. 1 (1986): pp. 20-6.
• Duchâteau, Armand. Afrika Afrique Africa: die Sammlung Stepic. Wien: Brandstätter, 2011.
• Dugast, Mme René. "L'habitation chez les Ndiki du Cameroun." Journal de la Société des Africanistes 10 (1940): pp. 99-125.
• Dyangani Ose, Elvira. Across the board. London: Tate Modern, 2013.
• Dyangani Ose, Elvira. “The poetics of the infra-ordinary: the aesthetic of recognition in contemporary African art,” in Condition report: symposium on building art institutions in Africa edited by Koyo Kouoh, pp. 109-118, 132. Ostfildern, Germany: Hatje Cantz; Dakar: Raw Material Company, 2013.
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