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Introducing New Courses in
Writing and Publishing for 2008-2009
ENG 479 Topics in Language
and Form: Literary Techniques in Advertising
Professor: Hugh Allspaugh
Fall Quarter
What can an aspiring literary writer or critic learn from
advertising’s compression of story-telling? This course
will teach students how to read the literary elements in
advertising and how to apply the essential foundations of
common story lines, terms, and ideas to the language of
selling. The class will have special appeal to creative
writers to professional writers, and to any students interested
in how literary techniques and tropes work their way into
popular culture and into this genre. This course also serves
as an introduction for students interested in working as
writers in advertising and related fields. Hugh Allspaugh
is founder and president of Marketing Independence, Inc.,
an advertising and marketing consulting firm in Chicago,
and also a managing director and senior partner of the advertising
firm J. Walter Thompson.
ENG 484 Writing Workshop:
Creative Writing Genre and Practice
Professor Carol Marcum
Fall Quarter
Triptych: Essay, Story, Poem–This course is designed to
approach the writing process in three distinct genres: essay,
story, and poem. Though readings and workshop students will
investigate how each genre utilizes method and form to situate
content, and how content responds to and changes in relation
to genre. The course focuses on the process of workshopping
students’ creative writing, including genesis of the work,
peer peer collaboration, and revision. It is highly recommended
both for new students to the program and for those interested
in studying the formal conventions of poetry, short fiction,
and the literary essay. Carl Marcum, a Visiting Assistant
Professor of English at Depaul, earned his M.F.A. at the
University of Arizona. His volume of poems, Cue Lazarus,
was published by University of Arizona Press.
ENG 484 Writing Workshop: Long-Form
Fiction
Professor Bayo Ojikutu
Winter Quarter
While reading and critically assessing accomplished contemporary
writers who have successfully navigated the formulaic chasm
between short story & long-form works of fiction students
will draft & revise their own “workshop-able” series
of novel chapters, or a novella manuscript, as a final course
project. Our theoretical objective will be the exploration
of the manner in which the kernel elements of narrative
fiction & its primary plot structures alter & extend
within the framework of an expanded work. Our practical
end is for each student to produce a portfolio manuscript
(the aforementioned final project) ready to be carried forth
from the university for circulation in institutional and
marketplace forums. Bayo Ojikutu is the author of two novels,
the Washington Prize for Fiction/Great American Book-Award
winner 47th Street Black (2003), and the critically acclaimed
Free Burning (2006), which has been called "the most
foreboding love letter [Chicago] has ever received” &
“a searing portrayal of one of the shameful realities within
an oft unjust society." His short fiction has appeared
in various journals over the years; most recently, a short
anthologized in Other Voices was nominated for a 2008 Pushcart
Prize.
ENG 477 Topics in Publishing:
Seminar on the American Publishing Industry
Professor Susan Harris
Winter Quarter
Writers expect to publish their work and to participate
in the field of publishing as writers and, perhaps, editors.
This class offers an overview of the American publishing
industry, particularly that part devoted to literary publishing,
and provides a context in which students can consider their
own creative and career goals. Topics include the following:
the establishment, growth, and dissolution of the major
American publishing houses; development of canons and classics;
censorship; changes in bookselling and marketing; the Internet
and electronic publishing. Students will track the progress
of a sample book through the entire publication process.
Susan Harris is former editor-in-chief of Northwestern University
Press and currently editorial director of Words Without
Borders, an online magazine of international literature.
ENG 484 Writing Workshop: Writing
on the Edge: Crafting the Short-Form Urban Essay
Professor Terry Sullivan
Winter Quarter
Terry Sullivan is a national freelance writer who built
his career by writing on the edge: his columns, reviews
and articles, appearing in such widely diverse publications
as This Old House and Whiskey magazines, are urbane, sassy,
ironic, playful, and always humorous. He was contributing
writer to Gentleman’s Quarterly from 1987 to 2002 and wrote
a monthly column for GQ for five years. This course is an
introduction to the urban short-form essay, a genre found
in metropolitan magazines, in journals focusing on contemporary
trends and culture, and in the lifestyle and leisure sections
of newspapers. This workshop focuses on writing casuals,
profiles, enthusiasms, contraria, humor, and the personal
urban essay. Students will produce three essays of publishable
quality. This course meets on six Saturdays (exact dates
TBA).
ENG 477 Topics in Publishing: Getting Published: An Editor’s
Guide
Professor Alexandra Reid
Spring Quarter
How do you pitch a book proposal? Do you really need to
get an agent? What can you do to help your manuscript reach
an editor’s desk? And who is your audience anyway? While
it seems to get harder and harder to get published, there
are some things that a writer can do to catch an editor’s
eye. A cutting-edge immersion in the world of contemporary
publishing, this graduate seminar will cover such topics
as trendspotting, the role of agents, deciphering a contract,
and the emerging market for online and self-published books.
This course, an introduction to the publishing process from
an editor’s perspective, helps you identify the best publishing
opportunities for your own writing. Alexandra Reid is a
former Editorial Director at HarperCollins Children’s Books.
During her career, she has acquired and published over one
hundred books.
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