Oxford
Music Online: Contains The
Oxford Dictionary of Music, The
Oxford Companion to Music, The
Encyclopedia of Popular Music,
and Grove Music Online
which
incorporates New Grove
Dictionary of Music and Musicians,
Some
additional
articles and book chapters on various features of rock music by Deena
Weinstein
"Youth,"
pp.101-110 in Bruce Horner and Thomas Swiss
(eds.), Key Terms in Popular
Music and Culture,
Malden, MA:
Blackwell, 1999
"Expendable
Youth: The Rise and Fall of Youth Culture,"
pages
67-85 in Jonathon Epstein (ed.)Adolescents
and their Music: If
It's
Too Loud, You're Too Old,
Hamden, CT: Garland Publishing, 1994
"The
History of Rock's Pasts through Rock Covers," pp.
137-151
in Thomas Swiss et al.(eds.), Mapping
the Beat: Popular Music
and
Contemporary
Theory, Malden, MA: Blackwell,
1998
"Rock
Bands: Collective Creativity," pages 205-222 in
Muriel
G. Cantor and Cheryl Zollars (eds.) Current
Research on
Occupations
and Professions, Vol.8 (Creators of Culture: Occupations and
Professions
in Culture Industries)
Greenwich, CT: JAI Press, 1993
"Art
vs. Commerce:Deconstructing a (Useful) Romantic
Illusion,"
pp.56-69 in Karen Kelly and Evelyn McDonnell (eds.), Stars
Don't
Stand
Still in the Sky: Music and Myth,
New York: New York
University
Press,
1999
"Knockin'
the Rock: Popular Music Defined as a Social
Problem,"
pages 23-34 in Craig Calhoun and George Ritzer (eds.)
Perspectives
on
Sociology,
New
York: McGraw-Hill, 1996
"The Empowering
Masculinity in British
Heavy Metal," pp. 17-31 in Gerd Bayer (ed.), Heavy Metal Music in
Britain,
Farnham, Surrey: Ashgate, 2009
"Sgt. Pepper's Cover:
Why is it Iconic?” pp. 61-75 in Jörg
Helbig and Simon Warner, (eds.)The
Summer of
Love: The Beatles, Art and Culture in the Sixties, Trier,
Germany:
Wissenschaftlicher Verlag, 2008
"Roger
Waters: Artist of the Absurd," pp.81-93 in Pink
Floyd and Philosophy: Careful with that Axiom, Eugene!,
George A.
Reisch (ed.), Chicago: Open Court, 2007
"Rock
Protest Songs - So Many and So Few," pp.3-16 in The
Resisting Muse:
Popular Music and Social Protest,
Ian Peddie (ed.), Aldershot:
Ashgate Publishing, 2006
"Rock
Critics Need Bad Music," pp. 294-310 in Christopher J. Washburne and
Maiken Derno (eds.) Bad Music:
The Music We Love to Hate, New
York: Routledge, 2004
"Creativity
and Band Dynamics," pp. 187-199 in Eric Weisbard (ed.) This
is Pop,
Cambridge: Harvard University Press, 2004
"Progressive Rock As Text:
The Lyrics of Roger Waters,"
pp.91-109 in Kevin Holm-Hudson (ed.) Progressive
Rock Reconsidered,
New York: Routledge, 2001
""Youth," pp.101-110 in
Bruce Horner and Thomas Swiss (eds.), Key
Terms in Popular Music and Culture,
Malden, MA: Blackwell, 1999
"Art vs. Commerce:
Deconstructing a (Useful) Romantic
Illusion," pp.56-69 in Karen Kelly and Evelyn McDonnell (eds.), Stars
Don't Stand Still in the Sky: Music and Myth,
New York: New York
University Press, 1999
"Expendable Youth: The
Rise and Fall of Youth Culture," pages
67-85 in Jonathon Epstein (ed.) Adolescents
And Their Music: If
It's Too Loud, You're Too Old,
Hamden, CT: Garland Publishing, 1994
"Relations in the Kinks
--Familiar But Not Fully Familial"
Popular Music and Society 29, #2 (May 2006): 167-187
"All Singers are Dicks,"Popular
Music and Society 27, #3
(October 2004): 323-334 "Celebrity Worship as Weak Religion," Word
& World 23, #3 (Summer 2003): 294-302
"Rock Music-
Secularization and its Cancellation," International
Sociology:
Journal of the
International Sociological Association
10,#2 (June 1995):185-195
"The Amnesty International
Concert Tour: Transnationalism As
Cultural Commodity," Public Culture
1, #2 (Spring 1989): 60-65
"Neil Peart
versus Ayn
Rand,” in Rush and
Philosophy: Heart and Mind Unitedt,
pp. 273-285 in
Jim Berti and Durrell Bowman eds., Chicago: Open Book Press, 2011(with
M.A. Weinstein)
"Appreciating Cover
Songs:
Stereophony,”pp.243-251
in George Plasketes (ed.) Play
it Again:
Cover Songs in Popular Music, Farnham,
UK: Ashgate, 2010
"The
Empowering Masculinity in British Heavy Metal," pp. 17-31 in Gerd Bayer
(ed.), Heavy
Metal Music in Britain,
Farnham, Surrey: Ashgate, 2009
"Sgt.
Pepper's Cover: Why is it Iconic?” pp. 61-75 in Jörg
Helbig and Simon Warner, (eds.)The
Summer of Love:
The Beatles, Art and
Culture in the Sixties, Trier,
Germany:
Wissenschaftlicher Verlag, 2008
"Appreciating
Cover Songs: Stereophony,” pp.243-251in
George Plasketes (ed.) Play it
Again: Cover Songs in Popular Music, Farnham, UK: Ashgate,
2010
"Neil
Peart versus Ayn Rand,”
pp. 273-285 in Rush and Philosophy: Heart and Mind United,
Jim
Berti and Durrell Bowman (eds.), Chicago: Open Book Press, 2011 (with
M.A.
Weinstein)
"The
Globalization of
Metal," pp. 34-59 in Metal Rules the Globe: Heavy Metal Music
Around
the World, Jeremy Wallach, Harris M. Berger and Paul D. Greene
(eds.),
Durham, N.C.: Duke Univ. Press, 2011
