Documentary Production: Audio Documentary
Dr. Daniel Makagon
Office: SAC 596
Office Hours: TH 4:00-5:00
Course Description and Objectives
Documentary can be distinguished from other forms of non-fiction writing, photography, audio production, or film and video via its two-tiered historical functions: to produce social or political change and/or to allow an audience to see and feel the world in new and unique ways. Although one could argue that stories in the local paper, family photographs made with a disposable camera, instructional audio tapes, and educational films may serve the same function, the documentary can further be distinguished as a unique mode of communication by its depth of research or close relationship to/with the subject(s) and the amount of time spent in the field. Although these features are central to documentary work, there have also been negative characteristics attached to the documentary in public discourse. For example, one dominant misperception about documentary is that it must be dry and scientific. The term "documentary" may conjure up images of an animal's eating habits or English aristocrats and their exquisite gardens. Although these subjects have been presented in documentaries, the documentary can be much more than this. It can feature engaging stories, interesting characters, intriguing dialogue, and even sound effects. John Grierson's definition of documentary speaks to these features: "the creative treatment of actuality." When done well, a documentary is far more engaging than a traditional piece of journalistic reporting or a feature film.
Through practical application and the exploration of cultural reporting and documentary approaches to communication, we will consider questions that surround the interpretation and representation of cultural experience. We will analyze and create audio documentaries in an effort to understand better a significant form of storytelling. There are three central objectives that will guide us through the course: (1) we will develop an understanding of the techniques people use to observe, (2) we will develop an understanding of the aesthetic and structural choices people make to explain what they do, and (3) we will use this knowledge to inform the production of our audio documentary projects.
Jessica Abel and Ira Glass, Radio: An Illustrated Guide
All other course readings are accessible via a password protected Web site. You are required to print each day's reading and bring the article with you to class.
Blank minidisks (74 minutes each) available at various corporate electronics outlets or on-line (minidisco.com usually has very good prices).
Multiple blank CD-Rs and DVD-Rs to store your projects during production and after production. (Note: It is highly recommended that you purchase a portable hard drive with a firewire and usb connection if you are interested in media production more generally. This will ensure that projects can be saved without having to separate files, will allow you to work at home and in the Media Center, and will be a valuable asset if you continue to work on media projects in future classes or jobs.)
Attendance and class participation 10%
Reading Quizzes 15%
Hearing Places Assignment 05%
Audio Documentary Preparation 20%
Audio Documentary (8-10 minutes) 50%
You are required to complete the reading assignments before you attend class. This will lead to more fruitful discussion.
Hearing Places Assignment: You will work with a partner to record, edit, and burn to CD a soundscape recording from a street intersection in Lincoln Park. The final project will be uploaded to hearingplaces.org with a digital map of the neighborhood. (See assignment sheet in the folder where you download course readings for a complete description of this assignment.)
Audio Documentary: You can work alone or with a small group (1-2 other classmates) to record an 8-10 minute audio documentary. The documentary should feature interviews, ambient sounds, and other techniques to help create an engaging story. (See assignment sheet in the folder where you download course readings for a complete description of this assignment.)
Reading quizzes will be multiple-choice. Our reading load in this class is light, since the course is production heavy. We will spend a bulk of our time listening to audio pieces and working in the lab on our production work. You should expect a quiz for every assigned reading.
Promptness is expected as a general rule. If you are consistently late to class your grade will be negatively affected.
Attendance and Active Participation are expected and required. If you miss more than two class sessions (which is the equivalent of 2 weeks of classes), you will receive an "F" in the class (even if the absences are excused). Missing this many class sessions (more than 20% of the term) undermines the integrity of the classroom experience. If you miss this much class because of illness or a family emergency, you should meet with the Dean of Students to discuss withdrawal options.
All assignments are due on assigned days and in class. There will be NO MAKE-UPS. Documented illness or documented emergencies are the only exception to this policy. Changes in work schedules, personal celebrations (e.g., birthdays), assignments due in other classes, etc. are NOT considered to be legitimate reasons for missing deadlines or class meetings. If you miss a quiz and have documentation for your absence then you will take the quiz on the next date you attend class. Similarly, if you have an excused absence for a class session when you would turn in a project then you can give me the CD on the next date you attend class. (Note: If you will be missing a class because of a religious holiday, let me know in writing at least two weeks before the holiday so we can make arrangements to make up missed work.)
Students with disabilities should provide me with documentation from the Office of Students with Disabilities.
If you have a cellular phone, turn it off during class sessions. Plagiarism will be discussed below but for now you should note that all cell phones must be put away during quizzes and you should not be sending or reading text messages during class sessions.
You must make sure your preferred email address listed in Campus Connect is correct and make sure emails from me will pass through any spam blockers. I will only send email to you from firstname.lastname@example.org.
Plagiarism becomes tempting when students feel pressured. When in doubt, quote. If you are quoting somebody directly or paraphrasing then you need to properly cite your source(s). You can do this in an audio project by explicitly identifying the person you are quoting or paraphrasing and the source of that quote (e.g., "As Chicago mayor Richard Daley noted in a city council meeting last October, "Rental inspections have improved the quality of Chicago's housing stock and created safer living environments for the poor.""). If you are writing a paper then you should list the information within quotation marks and then cite the proper information. When paraphrasing, just cite the proper information. Never quote others to the point where your ideas become indistinguishable from your source's ideas. We will read a variety of materials that teach us how to construct narratives and produce our own projects, I will be available to discuss problems with and possibilities for your projects, and DePaul's policy on academic integrity offers useful insights for college-level (http://studentaffairs.depaul.edu/handbook/code16.html). Given all of these resources there is no reason to plagiarize. If you do plagiarize, you will automatically receive a grade of "F" in this class. Moreover, the Academic Affairs office will be contacted.
A 94-100 B+ 87-89 C+ 77-79 D+ 67-69 F 59 and below
A- 90-93 B 83-86 C 73-76 D 63-66
B- 80-82 C- 70-72 D- 60-62