CMN 373
Documentary Production: Audio Documentary
Fall 2007
Dr.
Daniel Makagon
Office:
SAC 596
Office
Hours: TH 4:30-5:30
Phone: 773-325-7376
e-mail:
dmakagon@depaul.edu
http://condor.depaul.edu/~dmakagon/
Course
Description and Objectives
In recent years an explosion in the production and accessibility of documentary work has created an unprecedented interest and expansion of the documentary form in nearly all sectors of public life. The increased creation and availability of audio documentary work largely stems from two important factors. First, a proliferation of low-cost digital technologies has virtually democratized the production and editing of audio recordings. Digital sound recording equipment can be purchased for less than $500. Armed with a relatively inexpensive minidisk recorder and microphone, a person can record interviews and sounds, and edit them into a broadcast quality documentary with one of many low-cost (or free) software programs. Second, there are more media outlets willing to air documentary programming. National Public RadioÕs (NPR) Morning Edition and All Things Considered have been joined by a variety of radio shows (e.g., This American Life) and Internet sites (e.g., Transom.org) that feature audio documentaries. Taken together, the steady decrease in production costs and the increase in media outlets have helped create conditions that allow people with a range of interests, experiences, and skills to make and disseminate their own work.
Through practical application and the exploration of cultural reporting and documentary approaches to communication, we will consider questions that surround the interpretation and representation of cultural experience. We will analyze and create audio documentaries in an effort to understand better a significant form of storytelling. There are three central learning objectives that will guide us through the course: (1) we will develop an understanding of the techniques people use to observe, (2) we will develop an understanding of the aesthetic and structural choices people make to explain what they do, and (3) we will use this knowledge to inform the production of our audio documentary projects.
Required Materials
Jessica
Abel and Ira Glass, Radio: An Illustrated Guide
All other course readings are accessible via a password protected Web site. You are required to print each dayÕs reading and bring the article with you to class.
http://condor.depaul.edu/~dmakagon/student/
Blank
minidisks (74 minutes each) available at various corporate electronics outlets
or on-line (minidisco.com usually has very good prices).
Multiple
blank CD-Rs and DVD-Rs to store your projects during production and after
production. (Note: It is highly recommended that you purchase a portable hard
drive with a firewire and usb connection if you are interested in media
production more generally. This will ensure that projects can be saved without
having to separate files, will allow you to work at home and in the Media
Center, and will be a valuable asset if you continue to work on media projects
in future classes or jobs.)
Course
Assignments
Attendance
and class participation 10%
Reading
Quizzes 15%
Hearing
Places Assignment
05%
Audio
Documentary Preparation 20%
Audio
Documentary (8-10 minutes) 50%
You are
required to complete the reading assignments before you attend class. This will lead to more fruitful
discussion.
Hearing Places Assignment: For this assignment you will work with a partner to record and edit a 4-minute soundscape recording of an intersection in Lincoln Park. You will record 8 straight minutes of sound with the microphone directed at the same space. You will then edit that recording down to 4 minutes. The final project will be uploaded to http://www.hearingplaces.org. (See assignment sheet in the folder where you download course readings for a complete description of this assignment.)
Research Process:
(1) Each class member will work with a partner. We will select intersections for each pair.
(2) Record your sounds. Document the starting and ending time, where the microphone was placed, and the equipment you used. Perhaps, document other interesting things that were happening at that intersection.
(3) Edit and mix your piece. Burn it to a CD. Listen to the CD on various sound systems (home audio, car, and boombox). Fix anything that doesnÕt sound good.
Grading Criteria:
Your soundscape recording should be 4 minutes long. Your recordings should be clear (free from distracting background noise and the mic should be in a good position to record the interviewees and ambient sounds). Basic edits should enhance the recording.
Audio
Documentary: You can work alone or with a
small group (1-2 other classmates) to record an 8-10 minute audio documentary.
The documentary should feature interviews, ambient sounds, and other techniques
to help create an engaging story. (See assignment sheet in the folder where you
download course readings for a complete description of this assignment,
including percentages for each graded portion of your pre-production work.) You
are encouraged, but not required, to contribute an audio documentary that uses
a specific Chicago neighborhood as a starting point for your story.
Reading
quizzes will be multiple-choice. Our
reading load in this class is light, since the course is production heavy. We
will spend a bulk of our time listening to audio pieces and working in the lab
on our production work. You should expect a quiz for every assigned reading.
Course Policies
Promptness is expected as a general rule. If you are consistently
late to class your grade will be negatively affected (between 10 and 20 minutes
late will constitute ½ absence and later than 20 minutes will constitute
an absence).
Attendance
and Active Participation are expected and
required. If you miss more than two class sessions (which is the equivalent of
2 weeks of classes), you will receive an ÒFÕ in the class (even if the absences
are excused). Missing this many class sessions (more than 20% of the term)
undermines the integrity of the classroom experience. If you miss this much
class because of illness or a family emergency, you should meet with the Dean
of Students to discuss withdrawal options. (Leaving at the break will also
constitute a full absence.)
All
assignments are due on assigned days and in class. There will be NO MAKE-UPS. Documented illness or documented emergencies are the only
exception to this policy. Changes in work schedules, personal celebrations
(e.g., birthdays), assignments due in other classes, etc. are NOT considered to
be legitimate reasons for missing deadlines or class meetings. If you miss a
quiz and have documentation for your absence then you will take the quiz on the
next date you attend class. Similarly, if you have an excused absence for a
class session when you would turn in a project then you can give me the CD on
the next date you attend class. (Note: If you will be missing a class because
of a religious holiday, let me know in writing at least two weeks before the
holiday so we can make arrangements to make up missed work.)
Students
with disabilities should provide me with documentation from the Office of
Students with Disabilities.
If you
have a cellular phone, turn it off during class sessions. Plagiarism will be
discussed below but for now you should note that all cell phones must be put
away during quizzes and you should not be sending or reading text messages
during class sessions.
You
must make sure your preferred email address listed in Campus Connect is correct
and make sure emails from me will pass through any spam blockers. I will only
send email to you from dmakagon@depaul.edu.
Plagiarism becomes tempting when students feel pressured. When
in doubt, quote. If you are quoting somebody directly or paraphrasing then you
need to properly cite your source(s). You can do this in an audio project by
explicitly identifying the person you are quoting or paraphrasing and the
source of that quote (e.g., ÒAs Chicago mayor Richard Daley noted in a city
council meeting last October, ÔRental inspections have improved the quality of
ChicagoÕs housing stock and created safer living environments for the poor.ÕÓ).
If you are writing a paper then you should list the information within
quotation marks and then cite the proper information. When paraphrasing, just
cite the proper information. Never quote others to the point where your ideas
become indistinguishable from your source's ideas. We will read a variety of
materials that teach us how to construct narratives and produce our own
projects, I will be available to discuss problems with and possibilities for
your projects, and DePaulÕs policy on academic integrity offers useful insights
for college-level (http://studentaffairs.depaul.edu/handbook/code16.html).
Given all of these resources there is no reason to plagiarize. If you do
plagiarize, you will automatically receive a grade of ÒFÓ in this class.
Moreover, the Academic Affairs office will be contacted.
Grade Scale
A = 93-100, A- = 90-92, B+ =
88-89, B = 83-87, B- = 80-82, C+ = 78-79, C = 73-77,
C- = 70-72, D =
60-69, F = 0-59 (I do not assign incompletes)